Alive Drumming’s favourite Frequently  Asked  Questions  (FAQ)

We have hand-picked some of our favourite  F.A.Q.s about Alive Drumming and Song Rhythm Tracks.


Why do these Song Rhythm Tracks sound so great?

They do, don’t they! And for a number of reasons:

  1. Great Recordings of Great Drummers – Song Rhythm Tracks are arranged from careful studio recordings of excellent drummers.  They are not constructed from midi files fitting together “samples” from single drum hits to form a mechanical style but rather multiple longer-form full recordings by top studio drummers, lasting from up to 8 bars at a time where you hear subtle drum rolls, variations in ride cymbal taps, complex fills and more.  The rhythmic style comes from talented drummers that are very experienced in that particular style be it Reggae, Salsa, Bossa, Rumba, Tango, Rock, Country, Jazz, Pop, Celtic, Praise & Worship, Blues, and lots more!
  2. There is natural variety promoted over the repeats.  That is a number of recordings of, say, a fill or shot are taken and selectively chosen while sequencing and engineering the final audio.  This provides the natural variety one gets with drummers.  It helps prevent the drumming from becoming monotonous and repetitive.
  3. The drummer is spelling out many aspects of the song’s form as (s)he plays.  This might have a larger contributor than one might imagine.  It is what real drummers do, but drumming software rarely does.   The drumming is indicating
    • When you are returning to the ‘top of the form’ again
    • When your sections are ending and starting again
    • When you are starting or finishing a bridge section
    • Whether you are playing a middle chorus or, alternatively, the first or last chorus.   This not only helps you keep place while you are playing but it makes the whole experience so much more enjoyable to listen to or play along with.

All this takes a lot of careful preparation and curation, huge storage, and sophisticated algorithms.   We feel this cannot be achieved on mobile devices themselves which is why our solution involves our cloud services working with the mobile App.


Could you give me some examples of Song Forms?

Song Forms for a number of songs are here


Your drumming audio is dry! Will Alive Drumming, or can I, add reverb?

Alive Drumming’s Song Rhythm Tracks  are supplied without reverb (aka “dry”). We are endeavouring to make our iOS app Apple inter-app audio (IAA) compliant.  When it is, you will be able to use other, 3rd party app’s to add reverb to the audio.  See this youtube video for some of them in action.


Is Alive Drumming supporting my country or region?

globe
globe

Alive Drumming aims to cover all regions, countries, languages, and cultures, embracing a wide diversity of rhythms is what we are all about.  If we haven’t adopted yours yet, we almost certainly aim to in the future.  If you want yours to be supported now, why not contact us at marketing@alive-dumming.org


What song forms does Alive Drumming support?

We support all the popular, essential song forms by name – 12 bar blues, 16 bar tunes, 32-bar A1A2 and 32-bar AABA, and about 30 other less common also by name.    The list is increasing!  We also support selecting these same song forms using stick notation instead of names.  This simply specifies section lengths in bars, for example, ‘8|8/8|8’, where ‘bridge‘ sections are preceded by a ‘/’ instead of ‘|’. Additionally, we support users defining their own forms via stick notation, including repeats, and concatenation of up to four (4) parts.  This allows for a truly huge flexibility, enough to describe any song’s form.   See this user guide for more information,  Song Rhythm Tracks.


What rhythms are available for Song Rhythm Tracks?

The app currently supports about 60 different distinct rhythm categories, which includes about 250 distinct rhythms.  Of these, most are available with differing instrumentation such as ‘rim’ shots or, say, wooden blocks, and many at multiple tempos.  In all over 3,700 different rhythm track recordings are available that can be applied to a song form.   The app makes the selection of one of these 3,700+ recordings easy by providing filtering on a musical meter (say 4/4 or 3/4 time) and feel (even or straight, 8th or 16th notes).
Here is a tiny sample of the styles represented:

  • Jazz, swing, straight 8th, modern, sophisticated, old-time
  • American Country styles, including Nashville
  • American Blues, shuffles, hard shuffles, old-time, slow, fast
  • Salsa, Samba
  • Bossa, Jazz Bossa Brushes, Latin Bossa, bongos, percussion
  • Techno, various forms
  • Rock, hard rock, heavy
  • Pop, straight 8th, straight 16th, slow, medium, fast

For a full list of all rhythms and sub-rhythms see the page catalog-rhythmic-styles.


How can I use the Song Rhythm Tracks? What’s my licence?

Alive Drumming grants license to remix its tracks.  That is, you can take the Song Rhythm Tracks audio, mix it with your own content, and sell that mix as your own work without paying a fee to Alive Drumming.
Alive Drumming prohibits resale or redistribution of its un-mixed, original Song Rhythm Tracks.  You cannot sell or give away these tracks unless you mix them into a new creative piece of work.
Alive Drumming appreciates artistic attribution but does not require attribution in your remixed works.  You do not need to attribute Alive Drumming for the rhythm track in your remixed original work but if you wish to please add, “rhythm track supplied by Alive Drumming (c)” and include a reference to this website.


How can I get these Song Rhythm Tracks? Are they available on Amazon or iTunes?

The tracks are available via Apple iOS mobile App and will later be available via an Android mobile app.
The huge permutations of song forms and rhythms available means the traditional audio file distribution channels of iTunes and Amazon do not fit this new medium of Song Rhythm Tracks.
In particular, Amazon and iTunes do not accommodate the additional assistance that is required for musician’s to select the appropriate track.
Alive Drumming has no plans to market these tracks on legacy media such as Audio CDs or DAT tape.


Who is Song Rhythm Tracks for?

All Musicians!   New Musicians;    Experienced Musicians;     Great Musicians;
Really, any musician including Pianists, Guitarists, Horn Players, Singers and even Drummers.
The tracks can be used for practice, performance and cutting a release.
To learn more about their benefit in practice, using the Song Rhythm Tracks app, see the news articles,
When to work on your rhythm?

How to practice, then how to jam

Why songform with rhythm tracks?


Would Alive Drumming include this extra rhythm?

If we don’t already include a particular rhythm, we would like to work with a drummer to include it.  This involves making high-quality audio recordings of the drumming at multiple tempos including multiple shots and fills used in turnarounds.   The audio recording will be analysed to identify where the various aspects occur and the preference level of each occurrence.   This is the basis for Alive Drumming to incorporate additional rhythms into their Song Rhythm Tracks.    If you are a drummer and have a rhythm you’d like to be represented please email feedback@alive-drumming.org


What’s Alive Drumming’s policy on privacy?

Alive Drumming takes personal privacy very seriously.  We are committed to proactively protecting the privacy of our customers by not storing any personal information unless it is absolutely required, and should that be the case, it will always be protected by strong encryption.  We will never sell or otherwise disclose any personal, private or confidential information we hold on others.


How can I learn about song form?

Song form is based on the concept that every song has been composed around a musical form or structure.   Popular song often chooses simple forms as a basis for a song but forms can be more complex as well.
A good reference on song form (structure) is the Wikipedia article,  https://en.wikipedia.org/wiki/Song_structure

Alive Drumming wants to provide you with the easiest and most reliable methods to describe song form.
Song Form may be selected using both (i) traditional names such as ’16-bar Tune’, or (ii) the  ‘stick notation’ equivalent of ‘4|4|4|4’ if that is what you prefer.
For full information on Alive Drumming’s Song Rhythm Tracks mobile app and it’s flexibility in identifying Song Forms see the page, Song Rhythm Tracks

You may describe any Song Form with “user-defined” Song Forms in the mobile app, and for popular tunes, searching for a user-contributed Song Form for that song, again within the mobile app.   There are now tens of thousands of these being shared.


Song Rhythm Tracks

are a new type of backing track composed entirely of rhythmic backing (no melody or harmony) arranged to the musical form of the song — it’s “songform”. These tracks are complete performances like one gets from a professional drummer. They have a count-in, introduction section, choruses and characteristic endings, framed by fills showing where sections start and end. Even musical bridges and middle choruses have higher intensity where appropriate to the style. All this without a typical arranger’s interface thereby keeping it simple. One can select a track in under 30 seconds — under 15 seconds once one gets the hang of it.

The App’s player has tempo adjustment and a facility to sequence the tracks for your gig or jam session. It is for musicians of all abilities. New musicians use the App to provide an accompaniment to songs. They get a rhythm that is sympathetic so they learn to keep time, get into the groove and internalise the song’s musical structure – All this while enjoying engaging and inspiring rhythms. Gigging musicians catalogue their backing into setlists and use it to guide performance. Having quality rhythmic backing, with a setlist facility and a musician’s player, all in the one App is so convenient one finds oneself using this rhythmic backing more and more.

Song Rhythm Tracks are truly high-quality rhythmic backing that is convenient to select and play. You are not going to get tired of these backing tracks. You are not going to have to sequence anything. You will find that the player and setlist’s user-interface encourages continued use. You will get to appreciate the form of your songs more and you might include these tracks into your own single and album releases.

Whether you are learning a new tune, jamming, gigging or cutting your latest album, this Song Rhythm Tracks provides a solution.

Check out samples of the audio at Alive Drumming’s Samples page

Check out these articles from Alive Drumming that give further insights into the thinking behind the product –

When to work on your rhythm?

How to practice, then how to jam

Why songform with rhythm tracks?

Download the Song Rhythm Tracks App on the Apple App Store

Try Alive Drumming’s sampler apps to sample previously arranged tracks of popular tunes. It is then easy to use the app to adjust these to your practice and performance requirements. All the sampler apps are the same Song Rhythm Tracks app but with the included sample tracks.

 

Why do these Song Rhythm Tracks sound so totally great?

drummer AJAZZGO2017

These Song Rhythm Tracks do sound totally great, don’t they?

This is one of the most frequent things I hear.  The great sound quality often comes as surprise, perhaps because of the widespread familiarity everybody has with ‘Midi Drum Machines‘, which don’t satisfy in the same way as Song Rhythm TracksMidi Drum Machines and Song Rhythm Tracks are two very different products; we summarize their differences below.

The Song Rhythm Tracks Way

Song Rhythm Tracks

Here are the three top reasons why we believe these tracks are so great to jam to, to gig to, and to cut records to.

One – Great Recordings of Great Drummers – Song Rhythm Tracks are arranged from careful studio recordings of excellent drummers.

They are not constructed from midi files fitting together “samples” from single drum hits to form a mechanical style but rather multiple longer-form full recordings by top studio drummers, lasting from up to 8 bars at a time where you hear subtle drum rolls, variations in ride cymbal taps, complex fills and more.  The rhythmic style comes from talented drummers that are very experienced in the particular style be it Reggae, Salsa, Bossa, Rumba, Tango, Rock, Country, Jazz, Pop, Celtic, Praise & Worship, Blues, and lots more!

Two – There is natural variety promoted over the repeats.

That is, a number of recordings of all aspects of playing, fills, post-fills, shots and more are taken and selectively chosen while sequencing and engineering the final audio.  This provides the natural variety one gets with drummers.  It helps prevent the drumming from becoming monotonous and repetitive.

Three – The arrangement is always spelling out aspects of the song’s form.

This might have a larger contribution than one might imagine.  It is what real drummers do, but drumming software rarely does.   The drumming is indicating

  1. When you are returning to the ‘top of the form’ again
  2. When your sections are ending and starting again
  3. When you are playing a bridge section
  4. Whether you are playing a middle chorus or, alternatively, the first or last chorus.   This not only helps you keep place while you are playing but it makes the whole experience so much more enjoyable to listen to, or play along with, as well.

All this takes a lot of careful preparation, curation, huge storage, and sophisticated algorithms.   We feel this cannot be achieved on mobile devices themselves which is why our solution involves cloud services working with the mobile App.

Continue Reading

“Afro-Cuban Salsa” Sampler iOS App released by Alive Drumming

PaintingCoupleDancing

Afro-Cuban Salsa Sampler is the Song Rhythm Tracks sampler App from Alive Drumming providing the same great rhythm tracks arranger with over 20 included sample arrangement tracks of Afro-Cuban Salsa staples.

Afro-Cuban Salsa Sampler has the same facilities as the standard Song Rhythm Tracks App but comes pre-installed with over 20 Afro-Cuban Salsa arrangements and an allocation of 4 downloads for your own arrangements, with more are available via In-App Purchasing.  What an opportunity to sample some arrangements of these great Afro-Cuban rhythms before using the App for your own arrangements!   It’s the same Song Rhythm Tracks App with all the latest facilities.

Price Reduced

en US iPhone 8 Plus 03 MainTableScreen framed

Alive Drumming has reduced this App’s price to a minimal level for a limited time.  This is a great opportunity to try out this heralded rhythm track arranger at no cost and get into creating your own arrangements of the world’s greatest Song Rhythm Tracks, using Alive Drumming’s vast library of artist’s authentic interpretations.  Try the Afro-Cuban Salsa standards and arrange some more tracks for whatever tunes you are currently playing.  There’s a vast selection of authentic rhythms from talented artists across many genres in addition to Afro-Cuban Salsa.

The Tracks


La Gloria eres tu” – A single chorus of a user-defined form (as 4|8|8|8|12 bars) with no intro’ or ending sections and using a Bolero rhythm at 105 bpm

Samba For Carmen”2 choruses of a user-defined form (as 16|16|8 bars) with an 8-bar intro’ and a 6-bar ending, using a Samba rhythm with both drums and percussion at 190 bpm

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“Classic Country Music” Sampler iOS App released by Alive Drumming

country music

Classic Country Music Sampler is the new Song Rhythm Tracks sampler App from Alive Drumming, providing the same great rhythm tracks arranger with 20+ included sample tracks of Old Country Music staples.

Classic Country Music Sampler has all the same facilities as the standard Song Rhythm Tracks App but comes pre-installed with over 20 Country Music arrangements and an allocation of 4 downloads for your own arrangements (more are available via In-App Purchasing).  What an opportunity to sample some arrangements of these well-known standards before using the App for your own arrangements!   It’s the same Song Rhythm Tracks App with all the latest facilities.

Stop the Press – Reduced Price for a limited time!

en US iPhone 8 Plus 03 MainTableScreen framed

Alive Drumming has reduced this App’s price for a limited time before it returns to full pricing.  This is a great opportunity to try out this heralded rhythm track arranger.   Try the Classic Country Music standards and arrange some more tracks for whichever tunes you are playing currently.  There’s a vast selection of authentic rhythms from talented artists across many genres in addition to Country Music.

The Tracks

Raining In My Heart” – 2 choruses of 32-bar AABA form (as 8|8/8|8 bars) with a 4-bar intro’ and a 4-bar ending, using a Country ballad groove at 85 bpm

All I Have To Do Is Dream” – 2 choruses of 32-bar AABA form (as 8|8/8|8 bars) with a 4-bar intro’ and no ending, using a Country ballad groove at 85 bpm

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Song Rhythm Tracks – Users’ Testimonials

Every musicians view

We canvassed some opinions from social media.  It is always interesting to see how others view Song Rhythm Tracks.  See what you think.

No.1 for Musician’s Usability

      Ethan – Kyoto, Japan. Sax player. Plays pop, rock, blues, jazz, bop, ballads, everything really

Ethan Algan
Ethan Algan

IMMEDIATE MUSICIAN’S USABILITY.   What’s different about this App is that it makes it feasible for the average guy, with very little effort, to play their songs to very engaging arranged rhythm tracks. I’ve tried lots of them and I haven’t come across any other app that comes close to that. This app combines a musician’s player, a setlist manager and an arranger in one app. It’s really quick to select arrangements and then you can put them into setlists and keep changing and reordering the lists as your set evolves. Now I just grab my sax’ and my mobile phone and either play a setlist or quickly search and find tracks as I go through my books of lead sheets. If I don’t have a track for a tune, a minute later I will have and will probably be playing it. For me, there’s nothing else that has this sort of immediate musician’s usability.

Maverick and a True Innovator for the practical musician

          Sandra –  Perth, Australia. Plays guitar. Likes folk music.

Sandra Sutton
Sandra Sutton

TRUE INNOVATION.  What can I say that hasn’t already been said? Only perhaps that this App is a true innovator. A maverick you might say. It seems to do everything differently. It wasn’t what I was expecting but now everything else I’ve tried seems redundant. What do you really want to do? To play with flashing lights – pretending to be hitting real drums? Or to get an MP3 file which is a professional quality backing track to a song you are playing? That, I think, is the innovation. That’s what you get here. It’s like a cross between the ‘Music’ App and a musician’s backing-track service. You select the track you want and the Alive Drumming servers get you it. Then you have much more musician-friendly setlists and player than you get with the ‘Music’ App. Playing becomes a real joy instead of struggle. It’s what all of us musicians want. We want to play our instruments and have great rhythmic backing with a minimum of fuss and bother. That’s what this App delivers. A true innovation for the musician.

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More Audio Samples now available on HearThis.At

HearThis.At

Alive Drumming hosts some sample Song Rhythm Tracks and a user-contributed mixes group at HearThisAt, the audio hosting service providing great user and social facilities.  Please contribute your own mixes to the Song Rhythm Tracks User Group at HearThisAt.

Hear this set of sample Jazz and Blues Song Rhythm Tracks at HearThisAt

Here this group of user-contributed mixes using Song Rhythm Tracks at HearThisAt

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How to practice, then how to jam?

illustration WyntonMarsalis

Learning Melodies in Private Practice

Here are my views on how to go about practicing and jamming.

This is such an important part of the journey of becoming a musician. I wrote this down for the benefit of a musician just setting out on his journey, wanting to know what the key things were that would determine their success.  I know I certainly did not go about it the right way for many years.  I had not had any musical education as a child, but as an adult when learning music for the first time, had the benefit of a private teacher but never really addressed this important issue.

If you are learning a new, perhaps challenging, melody for the first time, in private practice, then sure, do count out the meter and use a metronome / click-track selectively and judiciously to check your timing, but, as soon as you’ve confirmed you’ve got it, asap stop forever using the metronome or click track on that tune and don’t use it again for that piece of music, because what was once aiding you to get better rhythmically will now limit your rhythmic feel and hold you back.

 

 

 

When Jamming or Gigging with Other Musicians

“Let the Melody by your guide”.

Every musicians view
Every musicians view

When jamming or gigging, don’t count in your head.  By this time you should have internalized the song by private practice and be ready to communicate it with others and counting will detract from listening.

If you have the melody in your mind while performing and improvising it will help you keep place without any need to count.  Also, where there is a pause in the melody, supplement with your own melody to help with this.  For example, if the melody has a two-bar rest then filling that rest with your own ‘fill melody’ will support using the melody to keep the place in the tune.   Keeping the melody in your head will be the least distraction while listening to the other players unless your sense of rhythm and timing is so good and you are so tight with the other band members that you don’t need even that.  If you are struggling to keep your place then a stronghold on the melody can be the best thing to help this.

When Practicing Alone or With Others

What to do when you are playing the tune over regularly to internalize it before you play it with others, or even if you never get to play with others?

Professional musician backing tracks

Firstly,  it is important to get a sense of the form of the music, and secondly, it would be good also to always practice and play, in the rhythmic style of the piece.   Consider an unrealistic, optimum situation where a real human band of experienced musicians who know the piece well already are in your practice studio ready to jam along to.  They will also need to accommodate you by stopping and starting at your command.  That concept has been best addressed by professional musician backing tracks supplied by vendors such as ‘Aebersold’.  They are a great option, but not always a practical one.   If you have purchased one of these, and it includes your tune, in key and style and similar tempo you will be playing it with your band, then, great, do include playing along to it as part of this practice.   It can be really enjoyable and allows one to practise improvisation with the aural checks on harmony and form you would not otherwise have.  That is if you improvise over the form and drop a bar or forget a chord change you should hear that and be able to correct it.

Play with the Greats!

Another great option is to play along to artist’s performances of the tune.  Say you are learning Autumn Leaves and you have recordings of it by various artists in your record collection, then put on those recordings and play along, ‘accompanying’ with chords or a baseline, depending on your instrument.  You are interacting with top musicians who are undoubtedly playing the piece well – nothing you internalize there will be as lifeless and damaging as a click-track.  I believe at this time when you are playing and internalizing a tune, it is important to practice it in as many ‘practice formats’ as possible.  Those previously mentioned and also, playing alone the melody by itself, and then the melody and the baseline, then play the baseline and sing the melody, then play the chords and sing the melody, then play the chords and play the melody together.  Do you get the idea? The more variety of ways you hear and perform the tune the better your aural knowledge of it becomes.  Many great educators give this advice and it really works.

Getting into the groove!

So, what about rhythm and timing when you are doing this?  I think the best option is to have a rhythm backing track playing that does not have the baseline or chords but does represent the musical form of the piece, where sections start and end, where the energy changes as the performance moves to a bridge (or “middle-8”) sections and to/from middle choruses, which are generally the place for improvisations, and even where four-bar phrases occur etc.   If this rhythmic backing is also alive and human and responding to the musical form the song rather than metronomic and repetitive in its delivery, and is in the rhythmic style you will be playing the piece, you not only have a great foundation for learning the piece but also a hugely enjoyable one as well.

Click-tracks consider harmful

Essentially, it’s the same argument that went for playing along to click tracks.  A click track may expose many faults you may have with the meter and your placement of the chords, your baseline or melody, but it will also install a deadening of the other rhythmic aspects that should be happening and importantly it will not outline the form of the song.  The negatives of the click-track I think actually outweighs the positives.   I suggest never using a click track at this stage; rather use a Song Rhythm Track that has a great sense of rhythm from the audio of real drummers playing real drums in the style you will be playing it and will outline the song form of the song you are learning.  This is a good idea even if you perform in a drummer-less ensemble.  One can always additionally practice the piece without rhythmic backing to ensure one can maintain one’s own sense of rhythm and timing without the backing track, but it’s good to get a start from great rhythmic backing first.  So, how to get great-sounding, human backing tracks in the musical form of your song? There are now Song Rhythm Tracks from Alive Drumming providing exactly that.

Song Rhythm Tracks

Song Rhythm Tracks are a new type of backing track composed entirely of rhythmic backing (no melody or harmony) arranged to the musical form of the song — it’s “songform”. These tracks are complete performances like one gets from a professional drummer. They have a count-in, introduction section, choruses and characteristic endings, framed by fills showing where sections start and end. Even musical bridges and middle choruses have higher intensity where appropriate to the style. All this without a typical arranger’s interface thereby keeping it simple. One can select a track in under 30 seconds — under 15 seconds once one gets the hang of it.

The App’s player has tempo adjustment and a facility to sequence the tracks for your gig or jam session. It is for musicians of all abilities. New musicians use the App to provide an accompaniment to songs. They get a rhythm that is sympathetic so they learn to keep time, get into the groove and internalise the song’s musical structure – All this while enjoying engaging and inspiring rhythms. Gigging musicians catalogue their backing into setlists and use it to guide performance. Having quality rhythmic backing, with a setlist facility and a musician’s player, all in the one App is so convenient one finds oneself using this rhythmic backing more and more.

Song Rhythm Tracks are truly high-quality rhythmic backing that is convenient to select and play. You are not going to get tired of these backing tracks. You are not going to have to sequence anything. You will find that the player and setlist’s user interface encourages continued use. You will get to appreciate the form of your songs more and you might include these tracks into your own single and album releases.

Whether you are learning a new tune, jamming, gigging or cutting your latest album, this Song Rhythm Tracks provides a solution.

Check out samples of the audio at Alive Drumming’s Samples page

Check out these articles from Alive Drumming that give further insights into the thinking behind the product –

When to work on your rhythm?

Why songform with rhythm tracks?

Download the Song Rhythm Tracks App on the Apple App Store

Try Alive Drumming’s sampler apps to sample previously arranged tracks of popular tunes. It is then easy to use the app to adjust these to your practice and performance requirements. All the sampler apps are the same Song Rhythm Tracks app but with the included sample tracks.

When to work on your “Rhythm”?

illu trumpet

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

We have long believed it has to be the very first thing to get right and there’s little point playing notes at all unless they are in the desired rhythm (feel and groove).   Tempo, however, is a whole other subject – there’s a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better.

Timing is the bedrock of all music:  “When a note is struck at the wrong time, it’s the wrong note”.

Getting playing in the right rhythm as soon as possible is why we have always sought out structured and inspiring rhythmic backing.  This ultimately lead to  “Song Rhythm Tracks.

Rhythm and Timing

Practice Makes Permanent

One of the most repeated terms used to, and by, musicians is that “practice makes perfect”.   I’ve heard this altered to, “practice makes permanent”. i.e. if we repeat a thing, over and over, then we do internalize it and it becomes a facility we have “without consciously thinking about it”.  This is why we can do complex coordinated movements without much conscious thought such as driving cars and even using a knife and fork.   If you’ve never done these things in your life before they can be very challenging for the very first time, but once performed daily one doesn’t even recognize them as a challenge anymore.  It’s as if an entirely different part of your mind is assigned to the task.  So, what is important is that we are very selective about using this repetition technique and make sure it affects don’t work against us because if what we are practising is not beneficial then it will get internalized just as readily….   So, practice can make perfect;  It will eventually make permanent, but that permanency can defeat you as well as help you.

Developing your own sense of timing

A key aspect of music is rhythm and timing – it’s what can make music come alive, and it’s what can kill it as well.  It’s essential that we develop good rhythm and timing.

A Pulse!

If you haven’t yet developed the sense of that regular pulse that is present in most modern music – pop, folk, country, jazz – playing along to something with a pulse is of great benefit because wherever your pulse is lacking it will be clearly shown and you will automatically adjust to follow the pulse and keep the timing.  Great: That’s a real win.   My recommendation is to be very selective about the use of metronomes and click-tracks:  There’s more to rhythm than a pulse!

But not just any pulse!

Misuse of Metronomes and click tracks Considered Harmful

Always using a click-track when you practice and when playing together in a group will likely work against developing your own human interaction on the pulse and detract from the rhythmic nuances that end up being beaten out by the demanding, oh-so-regular, ‘click’.  In a similar way also, counting when you are jamming with others will be a problem:  Counting the pulses within the meter, such as 1-and-a, 2-and-a,  is an absolutely invaluable aid when learning a new, perhaps rhythmically challenging melody: I’ve heard it said that if you cannot count a melody or rhythmic idea out, you don’t really know it:  It is great to count it out to ensure we really know it, but once you have internalized that melody, it is time to stop counting it and feel the rhythm and communicate with the others you are playing with without blocking them out by counting in your head.

The Jazz educator Steven Sedergreen in his book, “Start Playing Jazz Piano Now”, writes, “Time and feel are intuitive rather than mechanical. Reliance on mechanical means such as counting and the use of metronomes are poor substitutes for feeling it. Time emanates from within the body and moves outwardly, a natural feeling that should not be restricted”.  (chapter 21, para 4)

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New Song Rhythm Tracks Version 2.0 Arranger and Setlists Tutorial Released

drummer NasheetWaits

Alive Drumming releases tutorial video for the arranger and setlists features of using the iOS App Version 2.0.  The video uses an iPhone 6, but, other than the layout, it’s the same for all iOS devices.

It’s good to have the features described and see the walkthrough on the App at the same time.   There’s another tutorial video coming up as well for the arrangement and setlists features.

 

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New Song Rhythm Tracks Version 2.0 Basic Features Tutorial Released

drummer EvaKlesseWithHerQuartet

Alive Drumming releases tutorial video for the basic features of using the iOS App Version 2.0.  The video uses an iPhone 6, but, other than the layout, it’s the same for all iOS devices.

It’s good to have the features described and see the walkthrough on the App at the same time.   There’s another tutorial video coming up as well for the arrangement and setlists features.

 

 

 

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