The Importance of Play-Along Tracks in Music Practice

The Australian Government recognises the significance and value of music in fostering cultural expression and contributing to the economy. 

In 2019, the music sector contributed $1.7 billion to the GDP, with potential for growth given the right platforms and practices, states the Government’s “Australian Music Industry” report. 

One unique and influential aspect in bolstering this growth is play-along tracks

Most people might associate these with an artist’s music recording process, but they offer profound enrichment to music learning and practice.

Popular tools like Band In A Box and iReal Pro have been conducive but seem too formulaic to some. The real essence lies in playing along with masterful renditions of seasoned artistsoffering joy and a priceless learning experience,”says music enthusiast, Flynn Lawson of YouTube To MP3.

The importance of play-along tracks in music practice:

1. Enhances Musical Skills

Play-along tracks help to sharpen various musical skills. 

These tracks pave the way to practice rhythm, melody, and harmony in real-time, fostering an in-depth musical understanding. 

The natural, dynamic feeling of performing alongside a talented musician’s rendition of a musical piece helps to hone the students’ interpretative skills and musical intuition.

2. Supports Self-Expression

Playing along with recordings of talented musicians allows one to connect personally with the music, fostering expressive capabilities. 

It helps discover one’s unique musical voice, resonate with the piece’s emotion, and communicate these effectively through performance.

3. Aids in Fixing Mistakes

With play-along tracks, musicians identify and rectify their mistakes on the spot

The immediate feedback helps players to detect off-beats, wrong notes, or other areas of improvement. 

This instant detection and correction instil better playing habits and contributes to steady musical growth.

4. Promotes Versatility

Another critical advantage of play-along tracks is the exposure to different music styles

Individual tracks will likely embody various genres, cultures, and traditions, thus coaxing musicians out of their comfort zones. 

This versatile exposure broadens the musical vision and cultivates adaptability.

5. Rehearses Performance-like Scenarios

Play-along tracks re-create the vibe of a live performance. 

Practising with these tracks helps musicians become accustomed to the performance dynamic – following the tempo, maintaining sync, and imparting feelings. 

This role-play aids in confronting stage fright and boosts confidence when actually performing.

6. Provides Enjoyment and Motivation

Above all, playing along with recordings of talented musicians makes music practice so enjoyable

It breaks the monotony of routine practice, injecting a thrill of playing with a virtual ‘band’. 

This fun-filled learning stimulates enthusiasm and motivation, fostering a more profound love for the music.

Fine Tune Your Practice With NetTracks

NetTracks from Alive Drumming is the musician’s store for play-along tracks, with 1000s of high-quality tracks of artists’ recordings from Alive Drumming and other vendors. It is the ideal way to find, download and play great play-along tracks. The Apple app has helpful metadata, a superb audio player and setlists. Just what one needs to take advantage of the best play-along.

Alive Drumming is a hub for non-classical musicianship, offering various resources to enhance your understanding of contemporary songs and particularly their rhythms. 

Explore rhythm recordings and experience the convenience of Song Rhythm Tracks through the NetTracks app. 

Check out Alive Drumming at alivedrumming.com and elevate your music practice like never before. Rock, steady rhythms start there!

Contact Alive Drumming for more insights at marketing@alive-drumming.org. They will guide you towards fulfilling your musical journey.

— Article from guest contributor Jude Young.

Usability Evolved

The story of making Song Rhythm Tracks even more usable.

The challenge

The initial concept of Song Rhythm Tracks was always of an app having much more usability than what was then available. That was the key motivation. The then options were all too limiting – creating rhythmic backing tracks of high quality for backing to songs in less than a minute, even less than half a minute and having this track easily searchable on a mobile device.

PC Workstations are not fit for the purpose.

We used PC workstation products that had quality. Still, they took far too long to use and didn’t provide a mobile usability experience – no easy download to a mobile device and no MP3 tags once they were there. The iOS music player could never be considered a musician’s player.

Here are some usability improvements that have brought Alive Drumming to its current-day Song Rhythm Tracks app.

A ‘table’ mobile app

The Song Rhythm Tracks interface continues to evolve.

The table app is a proven mobile experience that Apple innovated with iOS.

Alive Drumming has wrung every last bit of utility out of this iOS collection, adding comprehensive search facilities and section headers, providing complete setlist functionality for the tracks.

Recently we added features to help with very large setlists – next and previous setlist buttons and a setlist fold feature to close them while you are browsing.

A musician’s player

Dark mode on the Song Rhythm Tracks musician’s player

Musicians have different needs for audio players, so we added speed (tempo) control to the playing, displayed the arrangement in the text while it plays, and showed a progress bar. Hence, the musician knows how many repeat choruses are left. Our latest innovation is to include a configurable fade ending—country folk like this. Oh, and with those setlists, you can play the whole setlist at once, with a configurable pause between them or an auto-pause at every track, and we always show what’s up next and count down to the next track. Musicians have different needs when it comes to audio players.

The evolution of assistance

Apps, particularly innovative ones, have always needed a degree of help within the app to explain and guide. We added a guide button with explanations for each part of the interface. Then in a later release, we included a ‘video’ button that opens our website page with the video instruction. Most recently, we have added balloon-type tooltips, which we feel some will prefer.

Selecting an arrangement

The key to Song Rhythm Track’s usability has always been Alive Drumming’s innovation in arranging the rhythm track. We believe we are the only developer to take this approach or anything like it. Instead of using a digital audio workstation (DAW) method to arrange the playing sections, complete with fills, pre-fills, pushes and stops, and everything else that drummers do, we take the approach that ideally our user should not need to know anything about all that. All they need to be able to do is describe the form of the song, and the app will do everything else – arrange the sections, the repeats, the middle choruses, any intro and outro sections, and always include a count-in and characteristic ending. We look at it this way; the app should do what you expect your drummer to do. You wouldn’t be telling them how to arrange their Drumming, would you?

Alive Drumming has analysed all the artist’s audio; we know where everything is. We catalogued all the artist’s recordings and categorised them all. The interface to you is a page of ‘pickers’ where you select your rhythm and arrangement. It usually takes less than a minute. That’s it – your ‘arranging’ is complete.

Later we figured that a common need was to create an almost identical track with everything pretty much the same but with minor changes, such as a new rhythm, so we added a ‘copy track’ feature. Some excellent arrangements now take less than 5 seconds! No other app has this sort of usability!

Let’s let everyone share!

Sharing has kept evolving within the app: Now you can share arrangements, setlists, and audio. This makes the app so much more usable.

Sharing Arrangements

Press the share button when you are viewing the arrangement details, and that arrangement gets posted for everyone to copy using the track’s name. Simple, almost silent and tremendously effective.

Sharing Setlists

There is a similar mechanism for setlists – view the details of the setlist, press the share button, and your entire setlist of tracks is shared using the name you have given your setlist. Anyone else can get a copy of it by searching for that setlist name from the same place.

Audio File Sharing

From the main table, pressing a track’s share button share’s its audio. It uses the standard iOS interface allowing you to use whatever facilities you have configured on your device, such as email, messaging, the filer app, and much more. Moreover, the shared audio has MP3 tags for the arrangement and the rhythm, including tempo. So useful.

Everyone appreciates a demo’

Early on, we figured out that having ‘factory tracks’ in the app would help newcomers better figure out how to use the app. It did and we never looked back. Later, we took it a step further and developed sampler apps containing even more tracks pre-arranged and included within the app. They may not be precisely the arrangement you wanted, but they showed the way! They have been an enormous success. Folk love them. Our latest release of the core app, Song Rhythm Tracks, includes all the samplers apps’ track definitions in the main app, in folded setlists, so that folk can download whichever tracks they want to. We hope this allows our users the best of both worlds.

And then we had an ah-ha moment.

The Future

Since that is what so many folks appreciate, why not give them exactly that and only that? The idea of the Rhythm Tracks Collective was born, a Netflix-like service of pre-arranged rhythm tracks that you search and consume, much like movies on Netflix. We are working on it now and can’t wait to bring it to market.

We feel the evolution of Song Rhythm Tracks and its focus on usability is nearing completion. There is less and less we want to change to make it more usable. Instead, Alive Drumming will focus on this new product and make it available. Song Rhythm Tracks distinguishes these two products as the ultimate powerful arranger. At the same time, Rhythm Tracks Collective, we hope, will be the most available rhythm tracks, easily accessible with easy adoption.

Song Rhythm Tracks Goes Unlimited Downloads!

Drumming close-up

It is almost October 2021 and Alive Drumming’s premier iOS app, “Song Rhythm Tracks” has changed to the “unlimited downloads” commercial model.

Alive Drumming’s journey with Song Rhythm Tracks is almost five years in; starting with a desire to provide an easy-to-use mobile app for creating rhythmic backing tracks, Alive Drumming continues to add more and more usability features with every iteration of the app. This year Alive Drumming takes a new turn with a new commercial model for the app and a new product on the horizon.

Reducing Friction

We feel our backing tracks are the highest quality and most flexible backing tracks available, with usability features in a class of their own. There has always been some friction for musicians using these tracks, partly because the arrangement approach is new and partly because of the cost model of effectively charging per track. We are changing that now, with version 4.1’s move to unlimited downloads for the current app and our design of a new product that will adopt a Netflix-like low service fee for downloading limitless pre-built tracks.

We hope this will accelerate the adoption of Song Rhythm Tracks and help many more musicians enjoy great backing every time they practice, jam or gig.

Get the 4.1 version of Song Rhythm Tracks now, and keep a lookout for the release of our new Rhythm Tracks Collective product.

Khi làm việc trên của bạn “Rhythm”?

illu trumpet

Khi học một mảnh mới của âm nhạc, khi nên một tác phẩm nhạc sĩ vào việc đúng nhịp điệu và cảm nhận của mảnh?

Chúng tôi từ lâu đã tin rằng nó phải là điều đầu tiên để có được quyền và có rất ít ghi chú điểm chơi ở tất cả, trừ khi họ đang ở trong nhịp điệu mong muốn (cảm giác và rãnh). Tempo, tuy nhiên, là cả một vấn đề khác – có rất nhiều điều để nói cho chính xác và thậm chí chơi giai điệu ở nhịp rõ rệt khác nhau để nội hóa các mảnh tốt hơn.

Thời gian là nền tảng của tất cả các âm nhạc:  “Khi một lưu ý là tấn công đúng lúc, đó là lưu ý sai”.

Bắt chơi trong nhịp điệu ngay càng sớm càng tốt là lý do tại sao chúng tôi luôn tìm ra cấu trúc và cảm hứng ủng hộ nhịp nhàng. Điều này cuối cùng dẫn đến “ Sông Nhịp điệu Tracks “ .

Nhịp điệu và Thời gian

Thực hành Làm thường trực

Một trong những điều kiện lặp đi lặp lại hầu hết sử dụng để, và bằng cách, nhạc sĩ là “thực hành làm cho hoàn hảo”.   Tôi đã nghe điều này thay đổi để “ thực hành làm vĩnh viễn ”. tức là nếu chúng ta lặp lại một điều hơn và hơn sau đó chúng tôi tiếp thu nó và nó sẽ trở thành một cơ sở chúng tôi có “mà không có ý thức suy nghĩ về nó”. Đây là lý do tại sao chúng ta có thể thực hiện các động phối hợp phức tạp mà không cần suy nghĩ nhiều có ý thức như lái xe ô tô và thậm chí sử dụng một con dao và nĩa. Nếu bạn chưa bao giờ làm những điều trong cuộc sống của bạn trước khi họ có thể rất khó khăn cho lần đầu tiên, nhưng một khi thực hiện một ngày thậm chí không nhận ra chúng như là một thách thức nữa. Đó là nếu một bộ phận hoàn toàn khác nhau của tâm trí của bạn được gán cho nhiệm vụ. Vì vậy, điều quan trọng là chúng tarất có chọn lọc về việc sử dụng kỹ thuật lặp lại này và chắc chắn rằng nó ảnh hưởng không có tác dụng chống lại chúng ta vì nếu những gì chúng ta đang thực hành không phải là mang lại lợi ích sau đó nó sẽ được internalized cũng giống như dễ dàng …. Vì vậy, thực tế có thể làm cho hoàn hảo; Nó sẽ dần dần làm cho vĩnh viễn, nhưng thường trực có thể đánh bại bạn cũng như giúp bạn.

Phát triển có ý nghĩa riêng của bạn về thời gian

Một khía cạnh quan trọng của âm nhạc là nhịp điệu và thời gian – đó là những gì có thể làm cho âm nhạc trở nên sống động, và đó là những gì có thể giết chết nó là tốt. Đó là điều cần thiết là chúng tôi phát triển nhịp điệu tốt và thời gian.

Một Press!

Nếu bạn chưa phát triển ý thức rằng xung thường xuyên hiện diện trong hầu hết các nhạc hiện đại – pop, folk, country, jazz – chơi cùng với một cái gì đó với một xung rất có lợi vì bất cứ nơi nào xung của bạn thiếu nó sẽ được rõ ràng hiển thị và bạn sẽ tự động điều chỉnh để làm theo các xung và giữ thời gian. Vĩ đại: Đó là một chiến thắng thực sự. Tôi đề nghị là phải rất chọn lọc về việc sử dụng máy nhịp và nhấp bài hát:   Có nhiều tới nhịp điệu hơn một xung!

Nhưng không chỉ có xung!

Lạm dụng của máy nhịp và nhấp chuột track coi là có hại

Luôn luôn sử dụng một nhấp chuột theo dõi khi bạn thực hành và khi chơi với nhau trong một nhóm có khả năng sẽ làm việc chống lại việc phát triển con người tương tác của riêng bạn trên xung và làm giảm đi các sắc thái nhịp nhàng mà cuối cùng bị đánh đập ra bởi các đòi hỏi, oh-so-thường xuyên, ‘nhấp chuột’. Theo cách tương tự cũng có thể, đếm khi bạn đang kẹt với những người khác sẽ là một vấn đề: Đếm xung trong mét, chẳng hạn như 1-and-a, 2-and-a, là một sự trợ giúp hoàn toàn vô giá khi học một mới, có lẽ nhịp nhàng thách thức giai điệu: tôi đã nghe nói rằng nếu bạn không thểđếm một giai điệu hay ý tưởng nhịp điệu ra, bạn không thực sự biết điều đó: Nó là tuyệt vời để đếm nó ra để đảm bảo chúng ta thực sự biết điều đó, nhưng một khi bạn đã tiếp thu mà giai điệu, đó là thời gian để ngừng đếm nó và cảm nhận được nhịp điệu và giao tiếp với những người khác bạn đang chơi với mà không ngăn chặn chúng ra bằng cách đếm trong đầu của bạn.

Điều tuyệt vời về chơi dân gian âm nhạc với nhau là sự tương tác của con người mà bạn bỏ lỡ nếu bạn đang liên lạc với một nhấp chuột theo dõi thay cho người khác mà bạn đang chơi với, hoặc tính ra mỗi thanh trong đầu của bạn thay vì lắng nghe người kia nhạc sĩ. Tôi không phải là người duy nhất nhìn thấy nó theo cách này: Tôi đã nghe các nhạc sĩ người Anh Jamie Cullum nói ông tránh được việc sử dụng các ca khúc nhấp chuột khi gây nhiễu và ghi âm bởi vì nó làm mất đi sự lên xuống của con người và dòng chảy của âm nhạc khi chúng được sử dụng . Tôi sẽ ghét chúng ta đã bỏ lỡ sự lên xuống tuyệt vời và dòng chảy của chơi của mình!

Nhập Tracks Sông Nhịp điệu

Có gì mọi nghệ sĩ cần là luôn luôn có sẵn sàng một rãnh âm tuyệt vời mà phù hợp với điều chỉnh, thực sự là âm nhạc và đang được chơi với hình thức của bài hát. Đây là khái niệm đằng sau Tracks Sông Nhịp điệu . Những bài hát được phát triển từ các bản ghi âm kỹ lưỡng dài dạng âm thanh (8-thanh trở lên tại một thời điểm) nghệ sĩ trống đặc biệt tài năng. Chúng được bố trí xung quanh các hình thức bài hát của bạn để các hình thức của bài hát luôn luôn được thông báo cho các nhạc sĩ. Hơn thế nữa việc thiết kế làm cho nó có thể để sắp xếp các bài hát mới trong ít nhất là 15 – 30 giây và luôn luôn có bản nhạc của bạn đã sẵn sàng, chỉ cần một vài máy ép đi. Hóa ra đó không bao giờ là một lý do để không có những bài hát trong tầm tay.

Bây giờ bạn luôn luôn có thể thực hành trong rãnh!

 

Tracks bài hát Nhịp điệu
Tracks bài hát Nhịp điệu

Hãy thử Tracks Sông Nhịp điệu

Sông Nhịp điệu Tracks  là những giống mới có chất lượng cao ủng hộ nhịp nhàng đó là thuận tiện để lựa chọn và chơi. Cung cấp cho họ một thử. Bạn sẽ không cảm thấy mệt mỏi của những ca khúc ủng hộ. Bạn sẽ không phải trình tự gì cả. Bạn sẽ thấy rằng giao diện người dùng máy nghe nhạc và setlist của khuyến khích tiếp tục sử dụng. Bạn sẽ nhận được đánh giá cao dưới hình thức bài hát của bạn hơn và bạn có thể bao gồm những bài hát thành đĩa đơn và album riêng phiên bản của bạn. Không được đưa ra bởi kinh nghiệm với Apps trống di động khác. Sông Nhịp điệu Tracks  là một cái gì đó khác nhau. Cho dù bạn đang học một giai điệu mới, kẹt giấy gigging hoặc cắt album mới nhất của mình,  Sông Nhịp điệu Tracks  cung cấp giải pháp.

Hãy thử Alive Trống của ứng dụng sampler s để lấy mẫu trước đây sắp xếp các bài hát giai điệu phổ biến. Đó là sau đó dễ dàng để tiếp tục sử dụng các ứng dụng để điều chỉnh các yêu cầu của thực tiễn và hiệu suất của bạn. Tất cả các ứng dụng sampler đều giống nhau đầy đủ  Sông Nhịp điệu Tracks  ứng dụng nhưng với những bài hát mẫu bao gồm.

Kiểm tra mẫu  của âm thanh tại  trang mẫu Alive Trống của

Hãy kiểm tra những bài viết này  từ Alive Trống để có được cái nhìn sâu vào suy nghĩ đằng sau những sản phẩm,

“ Làm thế nào để thực hành, sau đó làm thế nào để mứt ”

“ Tại sao songform với bài hát nhịp điệu? 

Tải Sông Nhịp điệu Tracks App  trên  Apple App Store

 

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Ne zaman sizin “Rhythm” üzerinde çalışmak için?

illu trumpet

, Yeni bir müzik parçasını öğrenirken zaman gerektiği parçasının sağ ritmini ve his alma konusunda bir müzisyen çalışacak mı?

Biz sürece doğru almak çok ilk şey olmak zorunda inanılan ve onlar istenilen ritmi (his ve oluk) vardır hiç değilse küçük bir nokta oyun notlar var. Tempo Ancak bambaşka bir konudur – hassasiyet için ve daha iyi parça içselleştirmek için belirgin farklı tempoları ezgileri oynarken söylenecek çok şey var.

Zamanlama tüm müzik temelidir:  “Bir not yanlış zamanda vurulduğunda, bu yanlış bir not”.

Biz her zaman yapılandırılmış ve ilham verici ritmik desteğini dışarı çalışmışlardır neden en kısa sürede doğru ritimle oynamaya alma olduğunu. Bu sonuçta “yol Şarkı Ritim Tracks “ .

Ritim ve Zamanlama

Pratik Kalıcı yapar

Için kullanılan en tekrarlanan terimlerinden biri, tarafından, müzisyenler olmasıdır “alıştırma yapar”.   Ben, “Bu değiştirilmiş duydum uygulama yapar kalıcı ”. Demek ki bir şeyi tekrar eğer ve üzeri sonra bunu içselleştirmek yoktur ve biz “bilinçli düşünmeden” sahip bir tesis haline gelir. Bu biz böyle arabalarla ve hatta bir bıçak ve çatal kullanarak kadar bilinçli düşünmeden karmaşık koordineli hareketleri yapabilir nedeni budur. Bir zamanlar onlar ilk defa çok zor olabilir önce hayatında bunları yaptık, ama hiç olmasa bile artık bir meydan okuma olarak onları tanımıyor, günde bir tane gerçekleştirdi. Aklını tamamen farklı bir parçası göreve atanan sanki. Yani, önemli olan bizim olmasıdırBu tekrarlama tekniği kullanarak hakkında çok seçici ve bunun nedeni bize karşı çalışmaz etkiler emin olun eğer ne pratik olan yararlı değil o sadece aynı kolaylıkla … içselleştirilmiş alacak. Yani, uygulama olabilir mükemmel hale; Bu olacak sonuçta kalıcı hale, ama bu kalıcılık yardımı yapmanın yanı sıra sizi yenebilir.

Zamanlama kendi duygusunu geliştirmek

müzik canlanıyor yapabilirsiniz budur ve de onu öldürebilir ne – müziğin önemli bir yönü ritmi ve zamanlama. Biz iyi bir ritim ve zamanlama geliştirmek duyması çok önemlidir.

Bir basın!

Henüz bu duygusunu gelişmemiş varsa düzenli nabız pop, halk, ülke, caz – – en modern müzik mevcuttur nabzın açıkça olacak eksik yerde çünkü bir darbe ile bir şey için birlikte oynarken büyük fayda olan gösterilen ve otomatik nabız takip edip zamanlama tutmak için ayarlayacaktır. Büyük: Gerçek bir galibiyet. Benim tavsiye metronomlarla ve tıklama parça kullanımı konusunda çok seçici olmaktır:   Bir darbe daha ritm daha var!

Ama herhangi nabız!

Kötüye Metronomes ve tıklama izler zararlıdır kabul

Size pratik yaparken her zaman bir tıklama parçası kullanmayı ve bir grup içinde birlikte oynarken olasılıkla, zorlu oh-so-düzenli tarafından dayak sona ritmik nüanslar gelen darbe üzerine kendi insan etkileşimi geliştirerek karşı çalışmak ve olumsuz etkisi olacağını, ‘klik’. Ayrıca benzer bir şekilde, sayım sen ne zaman parazit başkalarıyla bir sorun olacak: gibi sayaç içindeki darbeleri Sayma 1-and-a, 2-and-a, yeni bir öğrenme kesinlikle paha biçilmez yardım belki de, ritmik zorlu melodi: duydum o söyledi eğer sen yapamazsınGerçekten bildiğimiz sağlamak için dışarı saymak harika ama sen melodi olduğunu içselleştirmiş bir kez, bunu saymayı bırak ve ritmini hissetmek ve zamanı: bir melodi ya da dışarı ritmik fikir saymak, gerçekten bilmiyorum Kafanda sayarak onları engellemeden oynuyor başkaları ile iletişim kurarlar.

Halk oynama müzik hakkında harika bir şey birlikte, bunun yerine size oynuyorlar diğer insanların bir tıklama parça ile iletişim halinde kaçırmaması veya diğer dinleme yerine kafanın içinde her bar saymak insan etkileşimdir müzisyenler. Ben öyle görür tek değilim: Ben İngiliz müzisyen Jamie Cullum duydum parazit ve kaydederken kullanıldıkları zaman insan çekilmesini ve müziğin akışını kesiyor çünkü o tıklama parça kullanılmasını önler demek . Ben bizden nefret ediyorum onun oynarken harika alçalması kaçırmış etmek!

Gir Şarkı Ritim Parçalar

Ya her müzisyen ihtiyacı her zaman, melodi uyar gerçekten müzikal ve şarkının forma çalınıyorsa hazır büyük bir sondaj oluk sahip olmaktır. Bu arkasındaki kavramdır Şarkı Ritim Tracks . Bu izler derece yetenekli davulcular uzun biçimli ses (bir seferde 8-bar veya daha fazla) dikkatli kayıtlarından geliştirilmektedir. Böylece Bunlar şarkının şeklinde etrafında düzenlenir şarkının formu her zaman müzisyen tebliğ ediliyor. Dahası tasarım sadece birkaç presler uzakta, senin izlerin hazır her zaman 30 saniye ve – mümkün olduğunca az 15 yeni parçalar düzenlemek için yapar. Bu el altında bu parçaları sahip olmamak bir nedeni asla çıkıyor.

Şimdi hep oluk pratik yapabilir!

 

Şarkı Ritim Parçalar
Şarkı Ritim Parçalar

Deneyin Şarkı Ritim Parçalar

Şarkı Ritim Parçalar  seçmek ve oynamak için uygundur yüksek kaliteli ritmik sırtın yeni nesil vardır. Bir denemek. Bu destek parçaları yorulmaya gidiş değildir. Hiçbir şey sıra zorunda gidiş değildir. Sen oyuncunun ve setlist kullanıcı arayüzü kullanmaya devam teşvik ettiğini bulacaksınız. Eğer şarkı daha şeklini takdir alacak ve kendi tek ve albüm bültenleri içine bu parçaları içerebilir. Do diğer mobil davul Apps ile deneyimlerini tarafından ertelendi değil. Şarkı Ritim Parçalar  farklı bir şey vardır. Eğer son albümü, sıkışma, yeni bir akort öğrenme gigging veya kesme olsun,  Şarkı Ritim Tracks  çözüm sağlar.

Canlı Davul en numune uygulaması deneyin daha önce örnek popüler melodileri parçaları düzenlenmiş s. Sizin pratik ve performans gereksinimlerine bunlar ayarlamak için uygulamayı kullanmaya devam etmek, sonra kolaydır. Tüm numune uygulamalar aynı dolu  Şarkı Ritim Tracks  uygulamasını ancak dahil numune parçalarla.

Örnekleri göz atın  de ses  Alive Davul en Örnekleri sayfasında

Bu makalelere göz atın  ürünün ardındaki düşünce içine analizler almak Alive Drumming dan,

“ Uygulamaya nasıl, o zaman nasıl sıkışmaya ”

“ Neden ritim parçaları ile songform? 

Şarkı Ritim App Tracks indirin  üzerinde  Apple App Store

 

Comments Off on Ne zaman sizin “Rhythm” üzerinde çalışmak için?

เมื่อในการทำงานกับคุณ“จังหวะ”?

illu trumpet

เมื่อเรียนรู้ชิ้นใหม่ของเพลงเมื่อควรทำงานเป็นนักดนตรีที่ได้รับสิทธิที่จังหวะและความรู้สึกของชิ้น?

เราได้เชื่อมานานแล้วมันจะต้องมีสิ่งแรกที่จะได้รับสิทธิและมีน้อยบันทึกจุดที่ทุกคนเล่นจนกว่าพวกเขาจะอยู่ในจังหวะที่ต้องการ (ความรู้สึกและร่อง) Tempo แต่เป็นเรื่องอื่น ๆ ทั้งหมด – มีจำนวนมากจะกล่าวว่าสำหรับความแม่นยำและแม้แต่การเล่นเพลงในจังหวะที่แตกต่างกันอย่างเห็นได้ชัดในการ internalize ชิ้นที่ดีกว่า

เวลาเป็นรากฐานของทุกเพลง:  “เมื่อทราบจะหลงในเวลาที่ผิดมันเป็นบันทึกที่ไม่ถูกต้อง”

ได้รับเล่นในจังหวะที่เหมาะสมโดยเร็วที่สุดเท่าที่เป็นไปได้คือเหตุผลที่เราได้พยายามที่มักจะออกโครงสร้างและการสร้างแรงบันดาลใจการสนับสนุนจังหวะ ในท้ายที่สุดนี้นำไปสู่การ“ เพลงจังหวะเพลง “

จังหวะและระยะเวลา

ปฏิบัติทำให้ถาวร

หนึ่งในคำซ้ำมากที่สุดที่ใช้ในการและนักดนตรีก็คือ“การทำให้สมบูรณ์”   ผมเคยได้ยินนี้เปลี่ยนแปลงไป“ การทำให้ถาวร ” เช่นถ้าเราทำซ้ำสิ่งที่มากกว่าและเหนือแล้วเราไม่ internalize มันและมันจะกลายเป็นสิ่งอำนวยความสะดวกเรามี“โดยไม่ต้องมีสติคิดเกี่ยวกับมัน” นี่คือเหตุผลที่เราสามารถทำได้เคลื่อนไหวประสานงานที่ซับซ้อนโดยไม่คิดมีสติมากเช่นการขับรถรถยนต์และแม้กระทั่งการใช้มีดและส้อม ถ้าคุณไม่เคยทำสิ่งเหล่านี้ในชีวิตของคุณก่อนที่จะสามารถเป็นสิ่งที่ท้าทายมากสำหรับครั้งแรก แต่เมื่อดำเนินการทุกวันหนึ่งไม่ได้รู้จักพวกเขาเป็นความท้าทายอีกต่อไป มันเหมือนกับว่าเป็นส่วนหนึ่งที่แตกต่างอย่างสิ้นเชิงจากใจของคุณจะได้รับมอบหมายงาน ดังนั้นสิ่งที่สำคัญคือว่าเราเป็นเลือกมากเกี่ยวกับการใช้เทคนิคการทำซ้ำนี้และให้แน่ใจว่ามันมีผลกระทบไม่ได้ทำงานกับเราเพราะถ้าสิ่งที่เรามีการฝึกไม่เป็นประโยชน์แล้วจะได้รับการ internalized เช่นเดียวกับที่ได้อย่างง่ายดาย … ดังนั้นการปฏิบัติที่สามารถทำให้สมบูรณ์ มันจะที่สุดทำให้ถาวร แต่คงทนที่สามารถเอาชนะคุณรวมทั้งช่วยให้คุณ

การพัฒนาความรู้สึกของตัวเองของระยะเวลา

ลักษณะสำคัญของเพลงเป็นจังหวะและระยะเวลา – มันเป็นสิ่งที่สามารถทำเพลงมามีชีวิตอยู่และมันเป็นสิ่งที่สามารถฆ่ามันได้เป็นอย่างดี มันเป็นสิ่งสำคัญที่เราพัฒนาจังหวะที่ดีและระยะเวลา

ข่าว!

หากคุณยังไม่ได้รับการพัฒนาความรู้สึกของว่าชีพจรปกติที่มีอยู่มากที่สุดในดนตรีที่ทันสมัย – ป๊อปพื้นบ้านประเทศแจ๊ส – เล่นไปพร้อมกับสิ่งที่มีชีพจรเป็นประโยชน์มากเพราะทุกที่ชีพจรของคุณจะขาดมันจะเป็นอย่างเห็นได้ชัด แสดงให้เห็นและคุณจะปรับให้เป็นไปตามการเต้นของชีพจรและให้เวลา ดี: นั่นคือการชนะที่แท้จริง คำแนะนำของฉันคือการที่จะเลือกมากเกี่ยวกับการใช้ metronomes และคลิกแทร็คนี้   มีมากขึ้นกว่าจังหวะชีพจร!

แต่ไม่ได้เป็นเพียงการเต้นของชีพจรใด ๆ !

ในทางที่ผิดของ metronomes และคลิกแทร็คที่ถือว่าเป็นอันตราย

มักจะใช้การคลิกติดตามเมื่อคุณฝึกและเมื่อเล่นกันในกลุ่มที่มีแนวโน้มที่จะทำงานกับการพัฒนาปฏิสัมพันธ์ของมนุษย์ของคุณเองในการเต้นของชีพจรและบิดเบือนจากความแตกต่างจังหวะที่จบลงด้วยการถูกทำร้ายโดยเรียกร้องโอ้ดังปกติ ‘คลิก’. ในทำนองเดียวกันยังนับเมื่อคุณกำลังติดขัด กับคนอื่น ๆจะเป็นปัญหา: การนับพัภายในเมตรเช่น 1 และที่ 2 และเป็นผู้ช่วยที่ทรงคุณค่าอย่างยิ่งเมื่อการเรียนรู้ใหม่ที่อาจจะ ทำนองท้าทายจังหวะ: ผมเคยได้ยินมันบอกว่าถ้าคุณไม่สามารถนับทำนองจังหวะหรือความคิดออกคุณไม่ทราบจริงๆมัน: มันเป็นเรื่องใหญ่ที่จะนับมันออกมาเพื่อให้แน่ใจว่าเราจะรู้ว่าจริงๆมัน แต่เมื่อคุณได้ internalized ทำนองว่ามันเป็นเวลาที่จะหยุดนับมันและรู้สึกจังหวะและ สื่อสารกับคนอื่น ๆ ที่คุณกำลังเล่นกับโดยไม่ปิดกั้นพวกเขาออกโดยการนับในหัวของคุณ

สิ่งที่ยอดเยี่ยมเกี่ยวกับการเล่นดนตรีพื้นบ้านร่วมกันเป็นปฏิสัมพันธ์ของมนุษย์ที่คุณพลาดในถ้าคุณกำลังสื่อสารด้วยการคลิกติดตามแทนของมนุษย์คนอื่น ๆ ที่คุณกำลังเล่นกับหรือนับจากบาร์ในหัวของคุณทุกแทนการฟังที่อื่น ๆ นักดนตรี ฉันไม่ได้เป็นคนเดียวที่เห็นว่าวิธีนี้ผมเคยได้ยินนักดนตรีอังกฤษ Jamie Cullum บอกว่าเขาหลีกเลี่ยงการใช้คลิกแทร็คเมื่อติดขัดและการบันทึกเพราะมันจะไปลดลงของมนุษย์และการไหลของเพลงเมื่อพวกเขาจะใช้ . ฉันจะเกลียดเราจะมีพลาดออกลดลงที่ยอดเยี่ยมและการไหลของการเล่นของเขา!

ใส่เพลงจังหวะเพลง

ทุกสิ่งที่ต้องการคือนักดนตรีมักจะมีความพร้อมร่องเสียงที่ดีที่เหมาะกับการปรับแต่งเป็นดนตรีอย่างแท้จริงและมีการเล่นรูปแบบของเพลง นี่คือแนวคิดที่อยู่เบื้องหลังเพลงจังหวะเพลง เพลงเหล่านี้ได้รับการพัฒนาจากการบันทึกระวังยาวแบบเสียง (8 บาร์หรือมากกว่าในเวลา) ของมือกลองที่มีความสามารถพิเศษ พวกเขาจะจัดรอบรูปแบบของเพลงของคุณเพื่อให้รูปแบบของเพลงอยู่เสมอการสื่อสารกับนักดนตรี มีอะไรมากกว่าการออกแบบทำให้มันเป็นไปได้ที่จะจัดเพลงใหม่ในการเป็นเพียง 15-30 วินาทีและมักจะมีแทร็คของคุณให้พร้อมเพียงไม่กี่เครื่องรีดออกไป มันจะเปิดออกไม่เคยมีเหตุผลไม่ให้มีเพลงเหล่านี้ในมือ

ตอนนี้คุณก็สามารถฝึกในร่อง!

 

เพลงเพลงจังหวะ
เพลงเพลงจังหวะ

ลองเพลงจังหวะเพลง

เพลงจังหวะเพลง เป็นสายพันธุ์ใหม่ที่มีคุณภาพสูงการสนับสนุนเป็นจังหวะที่มีความสะดวกในการเลือกและเล่น ให้พวกเขาลอง คุณจะไม่ได้ไปรับเหนื่อยของแทร็คสนับสนุนเหล่านี้ คุณจะไม่ให้มีการจัดลำดับอะไร คุณจะพบว่าผู้เล่นและลิสท์ของส่วนติดต่อผู้ใช้กระตุ้นให้เกิดการใช้อย่างต่อเนื่อง คุณจะได้รับที่จะชื่นชมรูปแบบของเพลงของคุณมากขึ้นและคุณอาจจะรวมถึงเพลงเหล่านี้เป็นของตัวเองอัลบั้มเดี่ยวและรุ่นของคุณ อย่าวางปิดด้วยประสบการณ์กับคนอื่น ๆ ปพลิเคชันมือถือกลอง เพลงจังหวะเพลง  เป็นสิ่งที่แตกต่างกัน ไม่ว่าคุณจะเรียนรู้การปรับแต่งใหม่ติดขัด gigging หรือตัดอัลบั้มล่าสุดของคุณ เพลงจังหวะแทร็ค  ให้การแก้ปัญหา

ลอง Alive กลองของแอปตัวอย่างที่จะลิ้มลองก่อนหน้านี้จัดแทร็คของเพลงที่เป็นที่นิยม แล้วมันเป็นเรื่องง่ายที่จะยังคงที่จะใช้ app เพื่อปรับเหล่านี้เพื่อการปฏิบัติและผลการดำเนินงานความต้องการของคุณ ทั้งหมดปพลิเคชันตัวอย่างจะเหมือนกันเต็ม  เพลงจังหวะแทรค  แอป แต่มีแทร็คตัวอย่างรวม

ตรวจสอบตัวอย่าง  ของเสียงที่  ยังมีชีวิตอยู่กลองหน้าตัวอย่าง

ตรวจสอบบทความเหล่านี้  จากชีวิตกลองที่จะได้รับข้อมูลเชิงลึกในความคิดที่อยู่เบื้องหลังผลิตภัณฑ์,

“ วิธีการปฏิบัติแล้วว่าจะติดขัด ”

“ ทำไม songform กับแทร็คจังหวะ? 

ดาวน์โหลดเพลงจังหวะ Tracks App  บน  Apple App Store

 

Comments Off on เมื่อในการทำงานกับคุณ“จังหวะ”?

När ska man arbeta på din ”Rhythm”?

illu trumpet

När lära sig ett nytt musikstycke, när ska en musiker arbete på att få rätt rytm och känsla av pjäsen?

Vi har länge trott att det måste vara det allra första att få rätt och det finns föga meningsfullt att spela noter alls om de inte är i önskad takt (känsla och spår). Tempo är dock en helt annan ämne – det finns en hel del som talar för precision och även spela låtar på markant olika tempo att internalisera pjäsen bättre.

Timing är grunden för all musik:  ”När ett meddelande träffas vid fel tidpunkt, det är fel not”.

Att få spela i rätt rytm så snart som möjligt är därför vi alltid har sökt upp strukturerad och inspirerande rytmisk uppbackning. Detta leder i slutändan till ” Song Rytm Tracks ” .

Rytm och timing

Övning ger Permanent

En av de mest upprepade termer som används till och med är musiker som ”övning ger färdighet”.   Jag har hört detta ändras för att ” övning ger permanent ”. det vill säga om vi upprepa en sak om och om då vi internalisera det och det blir en anläggning vi har ”utan att medvetet tänka på det”. Det är därför vi kan göra komplexa koordinerade rörelser utan mycket medveten tanke som kör bilar och även med hjälp av en kniv och gaffel. Om du aldrig har gjort dessa saker i ditt liv innan de kan vara mycket utmanande för allra första gången, men när utförs dagligen man inte ens känner igen dem som en utmaning längre. Det är som om en helt annan del av ditt sinne tilldelas uppgiften. Så, vad är viktigt är att vi ärmycket selektiv om hur du använder denna upprepning teknik och se till att det påverkar inte motarbeta oss eftersom om det vi tränar är inte bra  det kommer att få intern lika lätt …. Så praktiken kan göra perfekt; Det kommer så småningom att göra permanent, men det permanent kan besegra dig samt hjälpa dig.

Utveckla din egen känsla för timing

En viktig aspekt av musik är rytm och timing – det är vad som kan göra musik levande, och det är vad som kan döda det också. Det är viktigt att vi utvecklar bra rytm och timing.

A Tryck!

Om du ännu inte har utvecklat känslan av att regelbunden puls som finns i de flesta moderna musik – pop, folk, country, jazz – spela tillsammans till något med en puls är en stor fördel eftersom varhelst din puls saknas kommer det att vara klart visas och du kommer automatiskt justera för att följa pulsen och hålla timing. Stort: Det är en verklig vinst. Min rekommendation är att vara mycket selektiv om användningen av Metronomer och klick spår:   Det finns mer att rytm än en puls!

Men inte bara någon puls!

Missbruk av Metronomer och klicka spår anses skadligt

Alltid med hjälp av en klick spår när du tränar och när du spelar tillsammans i en grupp kommer sannolikt att arbeta mot att utveckla en egen mänsklig interaktion på pulsen och förringa de rytmiska nyanser som hamna slagen ut av den krävande, ack så vanliga, ‘klick’. På ett liknande sätt också räkna när du fastnar med andra kommer att bli ett problem: Räkna pulserna inom mätaren, såsom 1-and-a, 2-and-a, är en absolut ovärderlig hjälp när man lär sig ett nytt, kanske rytmiskt utmanande melodi: jag har hört sägas att om du inte kanräkna en melodi eller rytmisk idé ut, behöver du inte riktigt vet det: Det är bra att räkna ut att säkerställa att vi verkligen vet det, men när du har internaliserat att melodi, är det dags att sluta räkna den och känna rytmen och kommunicera med de andra du spelar med utan att blockera dem genom att räkna i huvudet.

Det underbara folk spelar musik tillsammans är mänsklig interaktion som du miste om om du kommunicerar med en klick-track i stället för andra människor du spelar med, eller räkna ut varje bar i huvudet i stället för att lyssna på den andra musiker. Jag är inte den enda som ser det så här: Jag har hört den brittiska musikern Jamie Cullum säger att han undviker användningen av klickspår när störning och inspelning eftersom det tar bort den mänskliga ebb och flödet av musik när de används . Jag skulle hata oss att ha missat om den underbara ebb och flod av hans leka!

Ange Song Rytm Tracks

Vad varje musiker behöver är att alltid ha till hands en välljudande spår som passar låten är riktigt musikalisk och spelas till formen av låten. Detta är konceptet bakom Song Rhythm spår . Dessa spår utvecklas från noggranna inspelningar av lång formen ljud (8-barer eller mer åt gången) exceptionellt begåvade trummisar. De är ordnade runt form av din låt så att låtens formen alltid kommuniceras till musiker. Vad mer designengör det möjligt att arrangera nya spår i så lite som 15 till 30 sekunder och har alltid dina spår redo, bara några pressar bort. Det visar sig att det finns aldrig en anledning att inte ha dessa låtar till hands.

Nu kan du alltid träna i spåret!

 

Song Rytm Tracks
Song Rytm Tracks

Försök Song Rytm Tracks

Song Rhythm Tracks  är den nya rasen av rytmisk uppbackning av hög kvalitet som är bekvämt att välja och spela. Ge dem ett försök. Du kommer inte att tröttna på dessa backing tracks. Du kommer inte att behöva sekvensera någonting. Du kommer att finna att spelaren och setlist s användargränssnitt uppmuntrar fortsatt användning. Du kommer att få uppskatta form av dina låtar mer och du kan inkludera dessa spår i egna enkla och album utgåvor. Inte avskräckas av erfarenheter med andra mobila trummande Apps. Song Rytm Tracks  är något annat. Oavsett om du lär en ny låt, fastnar gigging eller skära din senaste album,  Song Rhythm Tracks  ger lösningen.

Försök Alive Drumming s sampler app s tidigare prov arrangerade spår av populära låtar. Det är då lätt att fortsätta att använda appen för att anpassa dessa till din praktik och prestandakrav. Alla provtagaren apps är samma fulla  Song Rhythm Tracks  app, men med de medföljande provspåren.

Kolla in prover  av ljudet på  Alive Drumming prover sida

Kolla in dessa artiklar  från Alive Drumming att få en inblick i tankarna bakom produkten,

” Hur man öva, sedan hur man fastnar ”

” Varför songform med rytmspår? 

Ladda ner Song Rhythm Spår App  på  Apple App Store

 

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Når skal arbeide på “Rhythm”?

illu trumpet

Når lære et nytt stykke musikk, da bør en musiker arbeidet med å få rett rytmen og følelsen av stykket?

Vi har lenge trodd det må være den aller første til å få rett, og det er liten vits å spille notene i det hele tatt med mindre de er i ønsket rytme (følelse og groove). Tempo, derimot, er en helt annen gjenstand – det er mye å si for presisjon og selv spiller låter på markert forskjellige tempi å internal stykket bedre.

Timing er grunnfjellet i all musikk:  “Når et notat er truffet på feil tid, det er feil note”.

Å få spille i riktig rytme så snart som mulig er derfor vi har alltid søkt ut strukturert og inspirerende rytmisk backing. Dette til slutt føre til “ Song Rhythm Tracks “ .

Rytme og timing

Øvelse gjør Permanent

En av de mest gjentatte begreper som brukes til, og ved, er musikere som “øvelse gjør mester”.   Jeg har hørt dette endret til “ øvelse gjør permanent ”. dvs. hvis vi gjentar en ting om og om igjen så vi internal det, og det blir et anlegg vi har “uten bevisst å tenke på det”. Dette er grunnen til at vi kan gjøre komplekse koordinerte bevegelser uten mye bevisst tanke som kjører biler, og selv med en kniv og gaffel. Hvis du aldri har gjort disse tingene i livet ditt før de kan være svært utfordrende for aller første gang, men når utføres daglig man ikke engang kjenner dem som en utfordring lenger. Det er som om en helt annen del av hjernen din er tildelt oppgaven. Så, hva er viktig er at vi erveldig selektiv om å bruke denne gjentakelsen teknikk og sørge for at det påvirker ikke jobber mot oss fordi hvis det vi øver er ikke gunstig da vil det bli internalisert like lett …. Så praksis kan gjøre perfekt; Det vil etter hvert gjøre permanent, men permanency kan beseire deg samt hjelpe deg.

Utvikle din egen sans for timing

En sentral del av musikken er rytme og timing – det er hva som kan gjøre musikken levende, og det er det som kan drepe det også. Det er viktig at vi utvikler god rytme og timing.

A Trykk!

Hvis du ennå ikke har utviklet den forstand at regelmessig puls som er til stede i de fleste moderne musikk – pop, folk, country, jazz – å spille med på noe med en puls er en stor fordel, fordi uansett hvor pulsen mangler det vil være klart vist og du vil automatisk justere for å følge pulsen og holde timing. Stor: Det er en reell seier. Min anbefaling er å være veldig selektiv om bruk av metronomer og klikk-spor:   Det er mer å rytme enn en puls!

Men ikke bare noen puls!

Misbruk av metronomer og klikk spor anses som skadelig

Alltid bruker en klikk-spor når du øver og når du spiller sammen i en gruppe vil sannsynligvis virke mot å utvikle din egen menneskelig samhandling på pulsen og avlede oppmerksomheten fra de rytmiske nyanser som ender opp med å bli slått ut av den krevende, oh-så-vanlig, ‘klikk’. På en lignende måte også, teller når du er jamming med andre vil være et problem: Telle pulsene i meter, slik som en-og-en, to-og-en, er en helt uvurderlig hjelpemiddel når man lærer en ny, kanskje rytmisk utfordrende melodi: jeg har hørt det sagt at hvis du ikke kantelle en melodi eller rytmisk ideen ut, trenger du egentlig ikke vet det: Det er flott å regne det ut for å sikre at vi egentlig vet det, men når du har internalisert at melodien, er det på tide å slutte å telle det og føle rytmen og kommunisere med de andre du spiller med uten å blokkere dem ut ved å telle i hodet ditt.

Den fantastiske ting om folk å spille musikk sammen er det menneskelige samspillet som du går glipp av hvis du kommuniserer med et klikk-spor i stedet for de andre menneskene du spiller med, eller telle ut hver bar i hodet i stedet for å lytte til den andre musikere. Jeg er ikke den eneste som ser det på denne måten: Jeg har hørt den britiske musikeren Jamie Cullum si at han unngår bruk av klikk spor når jamming og opptak fordi det tar bort den menneskelige flo og fjære av musikken når de brukes . Jeg ville hate oss å ha gått glipp av den fantastiske flo og fjære av hans spiller!

Tast Song rytmespor

Hva enhver musiker trenger er å alltid ha klar en flott lyd spor som passer melodi, er virkelig musikalsk og blir spilt i form av sangen. Dette er konseptet bak Song rytmespor . Disse sporene er utviklet fra grundige opptak av lang formen lyd (8-barer eller flere på en gang) av eksepsjonelt dyktige trommer. De er ordnet rundt form av sangen slik at sangform er alltid blir formidlet til musikeren. Hva mer utformingen gjør det mulig å arrangere nye spor i så lite som 15-30 sekunder, og alltid ha dine spor klar, bare noen få trykk unna. Det viser seg at det er aldri en grunn til ikke å ha disse sporene på hånden.

Nå kan du alltid øve i sporet!

 

Song rytmespor
Song rytmespor

Prøv Song rytmespor

Song rytmespor  er den nye rasen av høy kvalitet rytmisk backing som er praktisk å velge og spille. Gi dem en sjanse. Du kommer ikke til å bli lei av disse backing spor. Du er ikke nødt til å sekvensere noe. Du vil finne at spilleren og setliste brukergrensesnittet oppfordrer fortsatt bruk. Du vil komme til å sette pris form av dine sanger mer, og du kan inkludere disse sporene i egne enkle og utgivelsene. Ikke la deg skremme av erfaringer med andre mobile tromming Apps. Song rytmespor  er noe annerledes. Enten du lære en ny låt, jamming, gigging eller kutte siste album,  Song rytmespor  gir løsningen.

Prøv Alive Drumming sampler app er å prøve tidligere arrangert spor av populære låter. Det er så lett å fortsette å bruke programmet til å justere disse til din praksis og resultatkrav. Alle de sampler apps er den samme hele  Song rytmespor  app, men med de medfølgende prøvespor.

Sjekk ut prøver  av lyden på  Alive Drumming prøvene side

Sjekk ut disse artiklene  fra Alive Drumming for å få innsikt i tankegangen bak produktet,

“ Hvordan å øve, så hvordan å jamme ”

“ Hvorfor songform med rytmespor? 

Last Song Rhythm Tracks App  på  Apple App Store

 

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Apabila bekerja pada anda “Rhythm”?

illu trumpet

Apabila belajar sekeping baru muzik, apabila perlu kerja pemuzik pada mendapatkan hak irama dan rasa sekeping?

Kami telah lama percaya ia telah menjadi perkara yang pertama untuk mendapatkan hak dan ada sedikit nota titik bermain di semua kecuali mereka dalam irama yang dikehendaki (rasa dan alur). Tempo, bagaimanapun, adalah satu perkara yang lain secara keseluruhan – ada banyak yang boleh dikatakan bagi ketepatan dan juga memainkan lagu-lagu di tempos sangat berbeza menghayati karya yang lebih baik.

Masa adalah asas kepada semua muzik:  “Apabila nota dipukul pada waktu yang salah, ia adalah komen yang salah”.

Mendapatkan bermain dalam irama yang betul secepat mungkin sebabnya kita sentiasa berusaha keluar berstruktur dan inspirasi sokongan berirama. Ini akhirnya membawa kepada ” Tracks Song Rhythm “ .

Irama dan Masa

Practice Makes Tetap

Satu istilah yang digunakan untuk berulang-ulang, dan oleh, pemuzik adalah bahawa “amalan membuat sempurna”.   Saya pernah mendengar ini diubah untuk, ” amalan membuat kekal “. iaitu jika kita mengulangi perkara yang berulang-ulang maka kita hayati dan ia menjadi kemudahan kita ada “tanpa sedar memikirkan tentang hal itu”. Inilah sebabnya mengapa kita boleh melakukan pergerakan diselaraskan kompleks tanpa banyak berfikir sedar seperti memandu kereta dan juga menggunakan pisau dan garpu. Jika anda tidak pernah dilakukan perkara-perkara ini dalam hidup anda sebelum mereka boleh menjadi sangat mencabar buat kali pertama, tetapi apabila dilakukan satu harian tidak mengenali mereka sebagai satu cabaran lagi. Ia seolah-olah satu bahagian fikiran yang berbeza anda diberikan tugas itu. Jadi, apa yang penting ialah kitasangat selektif tentang menggunakan teknik pengulangan ini dan memastikan ia memberi kesan tidak bekerja terhadap kami kerana jika apa yang kita mengamalkan tidak bermanfaat maka ia akan mendapatkan dihayati seperti sedia …. Jadi, amalan boleh membuat sempurna; Ia akan akhirnya membuat kekal, tetapi kekekalan yang boleh mengalahkan anda serta membantu anda.

Membangun rasa anda sendiri masa

Satu aspek penting dalam muzik adalah irama dan masa – ia adalah apa yang boleh membuat muzik yang datang hidup, dan ia adalah apa yang boleh membunuh juga. Ia adalah penting bahawa kita membangunkan irama baik dan masa.

A Tekan!

Jika anda masih belum dibangunkan rasa bahawa nadi biasa yang terdapat dalam kebanyakan muzik moden – pop, rakyat, negara, jazz – bermain bersama-sama untuk sesuatu dengan denyut adalah manfaat yang besar kerana di mana sahaja nadi anda kekurangan ia akan menjadi jelas ditunjukkan dan anda secara automatik akan menyesuaikan diri dengan mengikuti nadi dan menjaga masa. Hebat: Itu adalah satu kemenangan sebenar. Cadangan saya adalah untuk menjadi sangat selektif tentang penggunaan Metronom dan klik-trek:   Terdapat lebih kepada irama daripada denyut!

Tetapi tidak hanya mana-mana nadi!

Penyalahgunaan daripada Metronom dan klik trek Dianggap Memudaratkan

Sentiasa menggunakan satu klik-track apabila anda berlatih dan apabila bermain bersama-sama dalam satu kumpulan mungkin akan bekerja terhadap membangunkan interaksi manusia anda sendiri pada nadi dan mengurangkan nuansa berirama yang akhirnya dipukul oleh mencabar, oh-begitu-biasa, ‘klik’. Dengan cara yang sama juga, mengira apabila anda jamming dengan orang lain akan menjadi masalah: Mengira denyutan dalam meter, seperti 1-dan-a, 2-dan-a, adalah bantuan yang benar-benar tidak ternilai apabila pembelajaran yang baru, mungkin melodi berirama mencabar: Saya telah mendengar bahawa jika anda tidak bolehmengira melodi atau idea berirama keluar, anda tidak benar-benar tahu ia: Ia adalah hebat untuk mengira ia keluar untuk memastikan kita benar-benar tahu, tetapi sebaik sahaja anda telah dihayati bahawa melodi, ia adalah masa untuk berhenti mengira dan merasakan irama dan berkomunikasi dengan orang lain yang anda sedang bermain dengan tanpa menyekat mereka keluar dengan mengira dalam kepala anda.

Perkara yang menarik tentang muzik rakyat bermain bersama-sama adalah interaksi manusia yang anda ketinggalan jika anda berkomunikasi dengan satu klik-track dan bukannya manusia lain yang anda sedang bermain dengan, atau menghitung setiap bar dalam kepala anda dan bukannya mendengar yang lain pemuzik. Saya bukan satu-satunya yang melihat ia cara ini: Saya telah mendengar pemuzik British Jamie Cullum mengatakan dia mengelakkan penggunaan trek klik apabila jamming dan rakaman kerana ia menghapus surut manusia dan aliran muzik apabila ia digunakan . Saya akan membenci kita telah terlepas surut yang indah dan aliran bermain beliau!

Masukkan Tracks Song Rhythm

Apakah setiap ahli muzik diperlukan adalah untuk sentiasa mempunyai bersedia alur bunyi hebat yang sesuai dengan lagu, benar-benar muzik dan sedang bermain dengan bentuk lagu. Ini adalah konsep di sebalik Tracks Song Rhythm . Litar ini dibangunkan dari rakaman teliti panjang bentuk audio (8-bar atau lebih pada satu masa) pemain gendang yang sangat berbakat. Mereka disusun sekitar bentuk lagu anda supaya bentuk lagu itu sentiasa diberitahu kepadanya pemuzik. Apa lagi reka bentuk menjadikan ia mungkin untuk mengatur trek baru dalam masa 15 – 30 saat dan sentiasa mempunyai trek anda bersedia, hanya menekan beberapa kali. Ternyata tidak pernah ada sebab untuk tidak mempunyai trek di tangan.

Sekarang anda sentiasa boleh mengamalkan dalam alur!

 

Tracks lagu Rhythm
Tracks lagu Rhythm

Cuba Tracks Song Rhythm

Lagu Rhythm Tracks  adalah baka baru sokongan berirama berkualiti tinggi yang mudah untuk memilih dan bermain. Memberi mereka cuba. Anda tidak akan bosan dengan ini trek sokongan. Anda tidak akan mempunyai untuk urutan apa-apa. Anda akan mendapati bahawa pemain dan setlist ini antara muka pengguna menggalakkan penggunaan berterusan. Anda akan dapat menghargai bentuk lagu-lagu anda lebih dan anda mungkin termasuk trek ini ke dalam persidangan single dan album anda sendiri. Jangan ditangguhkan oleh pengalaman dengan lain Apps gendang mudah alih. Lagu Rhythm Tracks  adalah sesuatu yang berbeza. Sama ada anda belajar sebuah lagu baru, jamming, gigging atau memotong album terbaru anda,  Song Rhythm Trek  menyediakan penyelesaian.

Cuba Alive Drumming ini app sampler s untuk mencuba sebelum ini mempunyai trek lagu-lagu popular. Ia kemudian mudah untuk terus menggunakan aplikasi untuk menyesuaikan ini untuk keperluan amalan dan prestasi anda. Semua aplikasi sampler adalah sama penuh  Song Rhythm Trek  app tetapi dengan trek sampel dimasukkan.

Semak sampel  audio pada  halaman Sampel Alive Drumming ini

Semak artikel ini  dari Alive Drumming untuk mendapatkan pandangan ke dalam pemikiran di sebalik produk,

” Bagaimana untuk mengamalkan, maka bagaimana untuk jem “

” Mengapa songform dengan trek irama? 

Muat Song Rhythm Trek App  di  Apple App Store

 

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때 당신의 “리듬”에서 작동하는?

illu trumpet

음악의 새로운 조각을 배우는 때해야 작품의 오른쪽 리듬과 느낌을 얻기에 음악가 사용할 수 있습니까?

우리는 그것이 잘 얻을 수있는 아주 제일 먼저 있어야한다 생각하고 그들이 원하는 리듬 (느낌과 그루브)에있는 모든 않는 작은 점 재생 노트가있다. 템포는, 그러나, 완전히 다른 주제입니다 – 정밀도와 더 나은 작품을 내면화하는 현저하게 다른 템포로 곡을 연주라고 할 수있는이 많이있다.

타이밍은 모든 음악의 기반입니다 :  “메모가 잘못된 시간에 공격 할 때, 잘못된 노트입니다.”

우리는 항상 구조 및 고무 리듬지지를 찾았다 이유 가능한 한 빨리 올바른 리듬 연주를 얻는 것은입니다. 이것은 궁극적으로 “로 이어질 노래 리듬 트랙 “ .

리듬과 타이밍

연습 영구 만든다

에 사용되는 가장 반복되는 용어 중 하나, 그리고으로는 음악가이다 “연습이 완벽을 만들지.”   나는, “이 변경된 들었어요 연습하게 영구적 “. 즉, 우리를 통해 일을 반복하면 이상 우리는 그것을 내면화 않고 우리가 “의식적으로 그것에 대해 생각하지 않고”이 시설이된다. 이것은 우리가 같은 차를 운전하고도 나이프와 포크를 사용하는만큼 의식이 생각없이 복잡한 조정 움직임을 할 수있는 이유입니다. 한 번 그들이 처음으로 매우 어려울 수 있습니다 전에 당신의 생활에서 이러한 일들을, 그러나 결코 한 경우에도 더 이상 문제로 인식하지 않는 일상적인 일을 수행 하였다. 당신의 마음의 완전히 다른 부분이 작업에 할당 된 것처럼입니다. 그래서, 중요한 것은 우리가 있다는 것입니다이 반복 기술을 사용하여 매우 선택적 하고 있기 때문에 우리에 대해 작동하지 않습니다 영향을 확인 하는 경우 우리가 연습하는 것은 도움이되지 않습니다 다음 은 그냥 쉽게 … 내면화 얻을 것이다. 그래서 연습 할 수 완전하게; 그것은 것이다 결국 영구적하지만 항구 도움 당신뿐만 아니라 당신을 이길 수 있습니다.

타이밍의 자신의 감각을 개발

이 음악이 살아 올 수 있습니다 무엇, 그것은뿐만 아니라 죽일 수있는 작업 – 음악의 핵심은 리듬과 타이밍이다. 우리가 좋은 리듬과 타이밍을 개발하는 것이 중요합니다.

기자!

아직 그 감각을 개발하지 않은 경우 일반 펄스 팝, 포크, 컨트리, 재즈 – – 대부분의 현대 음악 존재 맥박이 분명히있을 것입니다 부족한 곳 때문에 펄스로 뭔가를 함께 연주하는 것은 큰 도움입니다 표시 및 자동 펄스를 따라 타이밍을 유지하기 위해 조정됩니다. 큰 : 그것은 진정한 승리이다. 나의 추천 메트로놈 및 클릭 트랙의 사용에 대한 매우 선택이 될 것입니다 :   펄스보다 리듬에 이상이있다!

그러나 다만 어떤 펄스!

오용 메트로놈의 클릭 트랙 유해 고려

연습 때 항상 클릭 트랙을 사용하고 그룹에서 함께 연주 할 때 가능성, 까다로운 오 – 그래서 – 일반에 의해 구타 결국 리듬 뉘앙스에서 펄스에 자신의 인간의 상호 작용을 개발에 반대하고 손상됩니다, ‘딸깍 하는 소리’. 또한 유사한 방식으로, 계산 이 때 움직이지 않게 다른 사람과 문제가 될 것 같은, 미터 내에서 펄스를 계산 1 및-A, 2-및-A는, 새로운 학습 절대적으로 귀중한 원조는 아마도입니다 리듬 도전 멜로디 : 내가 들었다는 말했다 만약에 당신이 할 수 없습니다우리가 정말 알 수 있도록 그것을 계산하는 매우 중요하지만, 멜로디 것을 내면화 한 후, 그것을 계산 중지하고 리듬을 느끼고 시간은 다음과 같습니다 멜로디 또는 축소 리듬 아이디어를 계산, 당신이 정말로 그것을 몰라 당신이 당신의 머리에서 계산하여 그들을 차단하지 않고 함께 연주하는 다른 사람과 통신합니다.

민속 음악 재생에 대한 멋진 일 함께 당신 대신 당신이 재생하는 다른 사람의 클릭 트랙과 통신하는 경우를 놓치지 또는 다른 듣는 대신 머리에있는 모든 줄을 카운트 인간의 상호 작용입니다 음악가. 나는이 방법을 볼 수있는 유일한 사람이 아니에요 : 나는 영국 뮤지션 제이미 컬럼을 들었다 움직이지 않게하고 녹음 할 때 그들이 사용하는 경우는 인간의 썰물과 음악의 흐름을 빼앗아 때문에 그가 클릭 트랙의 사용을 피할 말 . 나는 우리를 싫어 그의 연주의 아름다운 낙조와 흐름에 밖으로 놓친합니다!

입력 노래 리듬 트랙을

무엇 모든 뮤지션이 필요로하는 것은 항상 곡에 맞는 진정으로 음악과 노래의 형태로 재생되는 준비가 큰 소리 홈을하는 것입니다. 이 뒤에 개념 노래 리듬 트랙 . 이 트랙은 매우 재능있는 드러머의 긴 형식의 오디오 (한 번에 8 바 또는 그 이상)의주의 녹음에서 개발된다. 그래서 그들은 노래의 형태로 주위에 배열되어 곡의 형태가 항상 음악가에게 전달되고있다. 무엇보다 것은 디자인은 단지 몇 프레스 떨어져, 트랙 준비가 항상 30 초 – 그것은 가능한 한 작은 15의 새로운 트랙을 배치 할 수 있습니다. 그것은 손이 트랙을하지 않는 이유가 결코 밝혀졌습니다.

지금 당신은 항상 홈에서 연습 할 수 있습니다!

 

노래 리듬 트랙
노래 리듬 트랙

시도 노래 리듬 트랙을

노래 리듬 트랙을  선택하고 재생하는 것이 편리하다 고품질의 리듬 백업의 새로운 유형입니다. 그들에게 시험을주십시오. 이러한 백업 트랙 피곤하지 않을 수 있습니다. 당신은 아무것도 시퀀스가하지 않을 수 있습니다. 당신은 플레이어와 연주곡의 사용자 인터페이스가 계속 사용을 장려 찾을 수 있습니다. 당신은 당신의 노래를 더의 형태를 평가하는 얻을 것이다 당신은 당신의 자신의 싱글 앨범 출시에이 트랙을 포함 할 수 있습니다. 수행 다른 모바일 드럼 애플 리케이션과 경험에 의해 연기 할 수 없습니다. 노래 리듬 트랙은  다른 무언가이다. 당신이 당신의 최신 앨범을, 방해, 새로운 곡을 학습 DJ는 또는 절단 여부,  노래 리듬 트랙  솔루션을 제공합니다.

살아 드럼 연주의 샘플러 응용 프로그램의 시도 이전에 샘플 인기 곡의 트랙을 배치하기들. 당신의 연습 및 성능 요구 사항에 이들을 조정하는 응용 프로그램을 계속 사용할 다음 쉽다. 모든 샘플러 응용 프로그램은 동일한 가득  노래 리듬 트랙  응용 프로그램을 만 포함 된 샘플 트랙.

샘플 확인  에 오디오를  살아 드럼 연주의 샘플 페이지

이 기사 확인  제품 뒤의 생각에 대한 통찰력을 얻기 위해 살아 드럼 연주에서를,

” 연습하는 방법, 그럼 어떻게 잼합니다 “

” 왜 리듬 트랙 songform? 

노래 리듬이 앱을 추적 다운로드  온  애플 앱 스토어

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Ketika bekerja pada Anda “Rhythm”?

illu trumpet

Ketika belajar sepotong baru musik, ketika harus seorang musisi bekerja pada mendapatkan hak irama dan nuansa dari potongan?

Kami telah lama percaya itu harus hal pertama untuk mendapatkan hak dan ada sedikit titik bermain catatan sama sekali kecuali mereka berada di ritme yang diinginkan (merasakan dan alur). Tempo, bagaimanapun, adalah subjek seluruh lain – ada banyak yang bisa dikatakan untuk presisi dan bahkan bermain lagu pada tempo yang sangat berbeda untuk menginternalisasi potongan yang lebih baik.

Timing adalah fondasi dari semua musik:  “Ketika catatan dipukul pada waktu yang salah, itu adalah catatan yang salah”.

Mendapatkan bermain dalam ritme yang tepat sesegera mungkin sebabnya mengapa kita selalu mencari terstruktur dan inspirasi dukungan berirama. Hal ini pada akhirnya menyebabkan “ Lagu Rhythm Trek “ .

Rhythm dan Timing

Praktek Membuat Permanen

Salah satu hal yang paling diulang digunakan untuk, dan oleh, musisi adalah bahwa “praktek membuat sempurna”.   Saya pernah mendengar ini diubah untuk, “ praktek membuat permanen ”. yaitu jika kita mengulangi hal berulang maka kita menginternalisasi dan itu menjadi fasilitas kita memiliki “tanpa sadar berpikir tentang hal itu”. Inilah sebabnya mengapa kita bisa melakukan gerakan terkoordinasi kompleks tanpa berpikir banyak yang sadar seperti mengemudi mobil dan bahkan menggunakan pisau dan garpu. Jika Anda belum pernah melakukan hal-hal ini dalam hidup Anda sebelum mereka bisa sangat menantang untuk pertama kalinya, tetapi setelah dilakukan satu hari bahkan tidak mengenali mereka sebagai tantangan lagi. Seolah-olah bagian yang sama sekali berbeda dari pikiran Anda ditugaskan untuk tugas. Jadi, yang penting adalah bahwa kitasangat selektif tentang menggunakan teknik pengulangan ini dan pastikan hal itu mempengaruhi tidak bekerja melawan kita karena jika apa yang kita berlatih tidak menguntungkan maka akan mendapatkan diinternalisasikan seperti mudah …. Jadi, praktek bisa membuat sempurna; Ini akan akhirnya membuat permanen, tapi itu keabadian dapat mengalahkan Anda serta membantu Anda.

Mengembangkan rasa Anda sendiri waktu

Sebuah aspek kunci dari musik irama dan waktu – itu apa yang bisa membuat musik menjadi hidup, dan itu apa yang bisa membunuhnya juga. Ini penting bahwa kita mengembangkan ritme yang baik dan waktu.

A Tekan!

Jika Anda belum mengembangkan rasa yang pulsa reguler yang hadir di sebagian besar musik modern – pop, folk, country, jazz – bermain bersama untuk sesuatu dengan pulsa adalah manfaat besar karena di mana pun pulsa Anda kurang akan jelas ditampilkan dan Anda akan secara otomatis menyesuaikan untuk mengikuti denyut nadi dan menjaga waktunya. Besar: Itu kemenangan yang nyata. Rekomendasi saya adalah menjadi sangat selektif tentang penggunaan metronom dan klik-lagu:   Ada lebih untuk irama dari denyut nadi!

Tapi bukan sembarang pulsa!

Penyalahgunaan dari metronom dan klik trek Dianggap Berbahaya

Selalu menggunakan klik-lagu ketika Anda berlatih dan ketika bermain bersama dalam kelompok mungkin akan bekerja melawan mengembangkan interaksi manusia sendiri pada denyut nadi dan mengurangi nuansa ritmis yang berakhir dipukuli oleh menuntut, oh-begitu-biasa, ‘klik’. Dalam cara yang sama juga, menghitung ketika Anda nge-jam dengan orang lain akan menjadi masalah: Menghitung pulsa dalam meter, seperti 1-dan-a, 2-dan-a, adalah bantuan benar-benar berharga ketika belajar baru, mungkin berirama menantang melodi: saya pernah mendengar bahwa jika Anda tidak bisamenghitung melodi atau ide berirama, Anda tidak benar-benar tahu itu: Ini sangat bagus untuk menghitung itu untuk memastikan kita benar-benar tahu itu, tetapi sekali Anda telah diinternalisasi bahwa melodi, sekarang saatnya untuk berhenti menghitung dan merasa irama dan berkomunikasi dengan orang lain Anda bermain dengan tanpa menghalangi mereka keluar dengan menghitung di kepala Anda.

Hal yang indah tentang musik rakyat bermain bersama-sama adalah interaksi manusia yang kehilangan jika Anda berkomunikasi dengan klik-track bukan manusia lain yang Anda bermain dengan, atau menghitung setiap bar di kepala Anda, bukan mendengarkan lainnya musisi. Saya bukan satu-satunya orang yang melihat cara ini: Saya pernah mendengar musisi Inggris Jamie Cullum mengatakan ia menghindari penggunaan klik trek ketika jamming dan merekam karena menghilangkan pasang surut manusia dan aliran musik ketika mereka digunakan . Saya akan membenci kita telah terjawab di pasang surut indah dan aliran bermain!

Masukkan Lagu Rhythm Tracks

Apa yang setiap musisi dibutuhkan adalah untuk selalu memiliki siap alur terdengar besar yang cocok lagu, benar-benar musik dan sedang dimainkan ke bentuk lagu. Ini adalah konsep di balik Trek Lagu Rhythm . Trek ini dikembangkan dari rekaman-hati dari panjang-bentuk audio (8-bar atau lebih pada satu waktu) drumer sangat berbakat. Mereka yang disusun di sekitar bentuk lagu Anda sehingga bentuk lagu selalu dikomunikasikan kepada musisi. Terlebih lagi desain memungkinkan untuk mengatur lagu baru dalam waktu 15 – 30 detik dan selalu memiliki trek Anda siap, hanya beberapa menekan pergi. Ternyata tidak pernah ada alasan untuk tidak memiliki trek ini di tangan.

Sekarang Anda dapat selalu berlatih di alur!

 

Trek lagu Rhythm
Trek lagu Rhythm

Cobalah Lagu Rhythm Tracks

Lagu Rhythm Trek  adalah generasi baru berkualitas tinggi backing ritmis yang nyaman untuk memilih dan bermain. Memberi mereka mencoba. Anda tidak akan bosan ini mendukung trek. Anda tidak akan harus urutan apapun. Anda akan menemukan bahwa pemain dan setlist ini user-interface mendorong terus menggunakan. Anda akan mendapatkan untuk menghargai bentuk lagu Anda lebih dan Anda mungkin termasuk lagu ini ke dalam Anda sendiri tunggal dan album rilis. Jangan menunda oleh pengalaman dengan Apps drum mobile lainnya. Lagu Rhythm Trek  adalah sesuatu yang berbeda. Apakah Anda belajar lagu baru, kemacetan, manggung atau memotong album terbaru,  Lagu Rhythm Trek  menyediakan solusi.

Coba Hidup Drumming ini aplikasi sampler s untuk sampel sebelumnya diatur lagu dari lagu-lagu populer. Hal ini kemudian mudah untuk terus menggunakan aplikasi untuk menyesuaikan ini untuk latihan dan kinerja kebutuhan Anda. Semua aplikasi sampler yang sama penuh  Lagu Rhythm Tracks  aplikasi tetapi dengan trek sampel disertakan.

Periksa sampel  audio di  halaman Sampel Hidup Drumming ini

Lihat artikel ini  dari Hidup Drumming untuk mendapatkan wawasan pemikiran di balik produk,

“ Cara berlatih, lalu bagaimana macet ”

“ Mengapa songform dengan trek irama? 

Download Lagu Rhythm Trek App  di  Apple App Store

 


Juga diterbitkan pada Medium .

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Πότε πρέπει να εργαστεί για σας «Rhythm»;

illu trumpet

Κατά την εκμάθηση μιας νέας κομμάτι της μουσικής, όταν θα πρέπει ένα έργο μουσικός για να πάρει σωστά το ρυθμό και την αίσθηση του κομματιού;

Έχουμε καιρό πίστευαν ότι πρέπει να είναι το πρώτο πράγμα που πρέπει να κάνετε σωστά και υπάρχει μικρή σημειώσεις σημείο παίζει καθόλου αν δεν είναι στην επιθυμητή ρυθμό (αίσθηση και αυλάκι). Tempo, ωστόσο, είναι ένα εντελώς άλλο θέμα – υπάρχουν πολλά να ειπωθούν για την ακρίβεια, ακόμη και παίζοντας μουσική σε σημαντικά διαφορετικούς ρυθμούς για να εσωτερικεύουν το κομμάτι καλύτερα.

Ο συγχρονισμός είναι το θεμέλιο όλης της μουσικής:  «Όταν μια σημείωση χτύπησε σε λάθος χρόνο, αυτό είναι το λάθος νότα».

Να πάρει το παιχνίδι με το σωστό ρυθμό το συντομότερο δυνατό είναι ο λόγος που έχουμε πάντα αναζήτησε δομημένη και εμπνευσμένη ρυθμική υποστήριξη. Αυτό τελικά να οδηγήσει σε « τραγούδι Rhythm Tracks « .

Ρυθμό και το χρονοδιάγραμμα

Η πρακτική κάνει Μόνιμη

Ένα από τα πιο επανειλημμένες όροι που χρησιμοποιούνται για, και, μουσικούς είναι ότι «η πρακτική κάνει τέλειος».   Έχω ακούσει αυτό το αλλαγμένο σε « πρακτική κάνει μόνιμο ». δηλαδή αν επαναλαμβάνουμε ένα πράγμα ξανά και ξανά, τότε μην το εσωτερικεύουν και γίνεται μια δυνατότητα που έχουμε «χωρίς συνειδητά να σκεφτόμαστε γι ‘αυτό». Αυτός είναι ο λόγος που μπορούμε να κάνουμε πολύπλοκα συντονισμένες κινήσεις χωρίς πολύ συνειδητή σκέψη, όπως η οδήγηση αυτοκινήτων ή ακόμη και χρησιμοποιώντας ένα μαχαίρι και πιρούνι. Αν δεν έχετε κάνει αυτά τα πράγματα στη ζωή σας, πριν να είναι πολύ δύσκολο για την πρώτη φορά, αλλά από τη στιγμή που εκτελούνται καθημερινά ακόμη δεν τους αναγνωρίζει ως πρόκληση πια. Είναι σαν ένα εντελώς διαφορετικό μέρος του μυαλού σας έχει ανατεθεί το καθήκον. Έτσι, αυτό που είναι σημαντικό είναι ότι είμαστεπολύ επιλεκτική σχετικά με τη χρήση αυτής της τεχνικής επανάληψη και βεβαιωθείτε ότι επηρεάζει δεν λειτουργούν εναντίον μας, γιατί αν αυτό που ασκούν δεν είναι επωφελής τότε θα πάρει εσωτερίκευση εξίσου εύκολα …. Έτσι, η πρακτική μπορεί να κάνει τέλεια? Αυτό θα κάνει τελικά μόνιμη, αλλά αυτό μονιμότητας μπορεί να σας νικήσει, καθώς και να σας βοηθήσει.

Αναπτύσσοντας τη δική σας αίσθηση του χρόνου

Μια βασική πτυχή της μουσικής είναι ο ρυθμός και το χρονοδιάγραμμα – είναι αυτό που μπορεί να κάνει τη μουσική ζωντανεύουν, και είναι αυτό που μπορεί να σκοτώσει επίσης. Είναι σημαντικό να αναπτύξουμε καλό ρυθμό και το χρονοδιάγραμμα.

A Πατήστε!

Εάν δεν έχουν ακόμη αναπτύξει την αίσθηση της τακτικής παλμό που υπάρχει στις περισσότερες σύγχρονη μουσική – ποπ, λαϊκό, χώρα, τζαζ – παίζουν μαζί σε κάτι με ένα παλμό είναι μεγάλο πλεονέκτημα, διότι όπου το σφυγμό σας λείπει θα είναι σαφώς εμφανίζονται και θα προσαρμόζει αυτόματα να ακολουθήσει τον παλμό και να κρατήσει το χρόνο. Μεγάλη: Αυτή είναι μια πραγματική νίκη. Η σύστασή μου είναι να είναι πολύ επιλεκτική σχετικά με τη χρήση των Μετρονόμοι και κάντε κλικ-κομμάτια:   Υπάρχει περισσότερο σε ρυθμό από ό, τι ένα παλμό!

Αλλά δεν είναι ένα οποιοδήποτε παλμό!

Κατάχρηση της Μετρονόμοι και κάντε κλικ στο κουμπί κομμάτια Θεωρείται Επιβλαβές

Πάντα να χρησιμοποιείτε ένα κλικ-κομμάτι όταν ασκείτε και όταν παίζουν μαζί σε μια ομάδα είναι πιθανό να λειτουργήσει κατά την ανάπτυξη της δικής σας ανθρώπινης αλληλεπίδρασης για τον παλμό και την απομακρύνει από τις ρυθμικές αποχρώσεις που καταλήγουν να ηττηθεί από τον απαιτητικό, OH-έτσι-τακτική, ‘Κάντε κλικ’. Με παρόμοιο τρόπο, επίσης, μετρώντας όταν εμπλοκή με τους άλλους θα είναι ένα πρόβλημα: Μετρώντας τους παλμούς εντός του μετρητή, όπως 1-και-α, 2-και-α, είναι απολύτως ανεκτίμητη βοήθεια όταν την εκμάθηση μιας νέας, ίσως ρυθμικά προκλητική μελωδία: έχω ακούσει να λέγεται ότι αν σας δεν μπορεί ναυπολογίζει μια μελωδία ή ρυθμική ιδέα έξω, δεν το ξέρω πραγματικά: Είναι μεγάλη για να μετρήσει έξω για να εξασφαλίσει πραγματικά το γνωρίζουν, αλλά από τη στιγμή που έχουν εσωτερικεύσει ότι μελωδία, είναι καιρός να σταματήσει την καταμέτρηση του και την αίσθηση του ρυθμού και επικοινωνούν με τους άλλους που παίζουν με, χωρίς να εμποδίζει τους έξω από την καταμέτρηση στο κεφάλι σας.

Το θαυμάσιο πράγμα για λαϊκή παίζουν μαζί μουσική είναι η ανθρώπινη αλληλεπίδραση που θα χάσετε αν είστε επικοινωνία με ένα κλικ κομμάτι αντί για τους άλλους ανθρώπους που παίζουν με, ή μετρήσει κάθε μπαρ στο κεφάλι σας, αντί να ακούει τον άλλο μουσικούς. Δεν είμαι ο μόνος που βλέπει με αυτόν τον τρόπο: Έχω ακούσει το βρετανικό μουσικό Jamie Cullum λένε ότι αποφεύγει τη χρήση των κλικ κομμάτια όταν το μπλοκάρισμα και την καταγραφή επειδή παίρνει μακριά την ανθρώπινη άμπωτη και τη ροή της μουσικής, όταν χρησιμοποιούνται . Θα ήθελα να μας αρέσει να έχουμε χάσει το υπέροχο άμπωτη και τη ροή του παιχνιδιού του!

Πληκτρολογήστε το τραγούδι Rhythm Tracks

Τι κάθε μουσικός που χρειάζεται είναι να έχετε πάντα έτοιμο ένα μεγάλο αυλάκι ήχο που ταιριάζει με την μελωδία, είναι πραγματικά μουσική και παίζεται με τη μορφή του τραγουδιού. Αυτή είναι η ιδέα πίσω από το τραγούδι Rhythm κομμάτια . Αυτά τα κομμάτια που αναπτύχθηκε από προσεκτική ηχογραφήσεις της μακράς μορφής ήχου (8-ράβδους ή περισσότερες κάθε φορά) από εξαιρετικά ταλαντούχους drummers. Είναι τοποθετημένα γύρω από τη μορφή του τραγουδιού σας, έτσι ώστε η μορφή τραγουδιού είναι πάντα να κοινοποιείται στην μουσικός. Επιπλέον ο σχεδιασμός επιτρέπει να οργανώσει νέα κομμάτια μέσα σε μόλις 15 με 30 δευτερόλεπτα και να έχετε πάντα τα κομμάτια σας είναι έτοιμη, μόλις λίγα πατήματα μακριά. Αποδεικνύεται ότι δεν υπάρχει ποτέ ένας λόγος να μην έχουν αυτά τα κομμάτια στο χέρι.

Τώρα μπορείτε πάντα να εξασκηθείτε στο αυλάκι!

 

Κομμάτια τραγούδι Rhythm
Κομμάτια τραγούδι Rhythm

Δοκιμάστε τραγούδι Rhythm Tracks

Τραγούδι Rhythm Tracks  είναι η νέα γενιά της ρυθμικής υποστήριξης υψηλής ποιότητας που είναι βολικό για να επιλέξετε και να παίξετε. Δώστε τους μια δοκιμή. Δεν πρόκειται να κουραστεί από αυτές υποστηρίζουν κομμάτια. Δεν πρόκειται να έχουν στην αλληλουχία τίποτα. Θα διαπιστώσετε ότι του παίκτη και το setlist του χρήστη interface ενθαρρύνει τη συνέχιση της χρήσης. Θα πάρετε για να εκτιμήσουν τη μορφή των τραγουδιών σας περισσότερο και μπορεί να περιλαμβάνουν αυτά τα κομμάτια στη δική σας και μόνο και το άλμπουμ κυκλοφορίες. Μην αποθαρρύνεστε από τις εμπειρίες με άλλες εφαρμογές κινητής τηλεφωνίας drumming. Τραγούδι Rhythm κομμάτια  είναι κάτι διαφορετικό. Είτε θέλετε να μαθαίνετε μια νέα μελωδία, εμπλοκές, gigging ή την κοπή τελευταίο σας άλμπουμ,  τραγούδι Rhythm Κομμάτια παρέχει τη λύση.

Δοκιμάστε Alive Drumming του δειγματολήπτη app s για να δοκιμάσετε προηγουμένως τοποθετημένα κομμάτια της λαϊκής μελωδίες. Είναι τότε εύκολο να συνεχίσουν να χρησιμοποιούν την εφαρμογή για να προσαρμόσετε αυτές τις απαιτήσεις πρακτική και την απόδοσή σας. Όλες οι εφαρμογές του δειγματολήπτη είναι το ίδιο πλήρες  τραγούδι Rhythm κομμάτια  app, αλλά με τους περιλαμβάνονται τραγούδια του δείγματος.

Ελέγξτε δείγματα  του ήχου στη  σελίδα Δείγματα Alive Drumming της

Ελέγξτε έξω αυτά τα άρθρα  από Alive Drumming να πάρει γνώσεις σχετικά με το σκεπτικό πίσω από το προϊόν,

« Πώς να ασκήσετε, τότε πώς να μαρμελάδα »

« Γιατί songform με κομμάτια ρυθμό; »

Κατεβάστε το τραγούδι Rhythm Tracks App  στο  Apple App Store

 

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Kun työstää ”Rhythm”?

illu trumpet

Kun oppimaan uuden musiikkikappale, kun pitäisi muusikko työtä saada oikeaan rytmiin ja tuntumaa pala?

Olemme pitkään uskoneet sen pitää olla aivan ensimmäinen asia saada oikeutta ja siellä mielekästä pelaaminen muistiinpanoja ollenkaan, jos ne ovat halutussa rytmin (tuntea ja ura). Tempo on kuitenkin aivan toinen aihe – siellä on paljon sanottavaa tarkkuutta ja jopa pelaaminen kuuntelusta merkittävästi eri tempoissa sisäistää pala paremmin.

Ajoitus on kallioperän kaikki musiikki:  ”Kun muistiinpano lyödään väärään aikaan, se on väärä nuotti”.

Getting pelaa oikean rytmin mahdollisimman pian ja siksi olemme aina etsineet jäsennelty ja inspiroiva rytmistä tausta. Tämä johtaa lopulta ” Song rytmiraitoja ” .

Rytmi ja ajoitus

Harjoitus tekee Pysyvä

Yksi toistuva käytetyt termit sekä muusikot että ”harjoitus tekee mestarin”.   Olen kuullut tämän muutettava, ” harjoitus tekee pysyviä ”. eli jos toistamme asiaa uudestaan ja uudestaan sitten emme sisäistää ja se tulee laitokseen meillä ”ilman tietoisesti ajatellut sitä”. Tämän vuoksi emme voi tehdä monimutkaisia koordinoituja liikkeitä ilman suurempia tietoisen ajattelun kuten autolla ajettaessa ja jopa veitsellä ja haarukalla. Jos et ole koskaan tehnyt näitä asioita elämässäsi ennen kuin ne voivat olla erittäin haastavaa ensimmäistä kertaa, mutta kun suoritetaan päivittäinen ei edes tunnista niitä haasteena enää. Aivan kuin täysin eri osa mieltäsi on tehtävää suorittamaan. Joten, mikä on tärkeää on, että olemmehyvin valikoiva käyttämällä tätä toistoa tekniikkaa ja varmista, että se vaikuttaa ei toimi meitä vastaan, sillä jos me harjoitellaan ei hyödytä niin se saa sisäistetty yhtä helposti …. Joten, käytäntö voi tehdä täydellisiä; Se tulee lopulta tehdä pysyviä, mutta pysyvää voi voittaa sinua sekä auttaa sinua.

Kehittää omia ajoituksen

Keskeistä musiikki on rytmi ja ajoitus – se mitä voi tehdä musiikkia henkiin, ja se mitä voi tappaa sen hyvin. On tärkeää, että kehitämme hyvää rytmiä ja ajoitusta.

A Paina!

Jos et ole vielä kehittynyt tunne, että säännöllinen pulssin , joka on läsnä useimmissa modernin musiikin – pop, folk, country, jazz – pelaa pitkin jotain pulssi on suurta hyötyä, koska aina kun pulssi puuttuu se jää selvästi näytetään ja saat automaattisesti säätää seurata sykettä ja pitää ajoitus. Suuri: Tuo on oikea voittaa. Oma suositus on olla hyvin valikoiva käyttö Metronomit ja klikkaa kappaleita:   On enemmän rytmiä kuin pulssi!

Vaan pulssi!

Väärinkäyttö ja Metronomit ja klikkaa kappaleita pidetään haitallisena

Aina käyttäen click-raidalla, kun harjoitellaan ja toistettaessa yhdessä ryhmässä todennäköisesti torjuvat kehittää omia ihmisen vuorovaikutusta pulssi ja vaikeuttavat rytminen vivahteita, jotka päätyvät lyöty hoitaa vaativaa, ah-niin-säännöllinen, ‘klikkaus’. Vastaavalla tavalla myös, laskee , kun häirintää muiden kanssa on ongelma: Counting pulssien mittarin, kuten 1-ja-a, 2-ja-a, on ehdottoman arvokasta apua kun oppimaan uuden, ehkä rytmisesti haastava melodia: Olen kuullut sanottavan, että jos te voilaskea melodian tai rytmin ajatus pois, et todellakaan tiedä sitä: On hienoa laskea sitä, jotta pystymme tietää varmasti, mutta kun olet sisäistänyt että melodia, on aika lopettaa laskemisen sitä ja tuntea rytmi ja kommunikoida muiden kanssa pelaatte tukkimatta niitä laskemalla päähäsi.

Ihmeellistä kansanmusiikkia yhdessä soittamisesta on inhimillinen vuorovaikutus, että et menetä jos olet yhteydessä click-radan sijasta toisten ihmisten pelaatte tai laskea välein baari päätäsi sijaan kuunnella muiden muusikoita. En ole ainoa, joka näkee sen näin: Olen kuullut brittiläinen muusikko Jamie Cullum sanoa, että hän ei tarvitse käyttää klikkauksen radalla, kun tukoksia ja tallennuksen koska se vie ihmisen ja luode musiikkia, kun niitä käytetään . En toki meidän on jäänyt kesken ihana ja luode hänen soittonsa!

Anna Song rytmiraitoja

Mitä jokainen muusikko tarvitsee aina olla valmiina upeiden ura, joka sopii virittää, on todella Musical ja soitetaan muotoon laulun. Tämä on käsitteen takana Song rytmiraitoja . Nämä kappaleet ovat kehittyneet huolellisesti tallenteita, pitkiä audio (8-baareissa tai useampi kerrallaan) poikkeuksellisen lahjakas rumpaleita. Ne on järjestetty ympäri muotoon oman kappaleen, jotta kappaleen muotoa on aina niiden toimittamista muusikko. Mitä enemmän suunnittelu mahdollistaa järjestää uusia kappaleita niin vähän kuin 15-30 sekuntia ja aina kappaleet valmiina, vain muutaman painaa päässä. On käynyt ilmi, ei ole koskaan syy olla näitä kappaleita käsillä.

Nyt voit aina harjoitella urassa!

 

Song rytmiraitoja
Song rytmiraitoja

Kokeile Song rytmiraitoja

Song rytmiraitoja  ovat uudenlainen laadukkaita rytmistä tausta, joka on kätevä valita ja toistaa. Antaa heille yrittää. Et aio kyllästy näiden taustoja. Et täytyy sekvensoimiseksi mitään. Tulette huomaamaan, että soittimen ja Settilista n käyttöliittymä kannustaa jatkuvaa käyttöä. Saat arvostaa muodossa musiikkikappaleet enemmän ja ehkä sisällyttää nämä kappaleet omaan yhden ja albumin vapauttaa. Älä anna pois kokemuksia muita liikkuvia rummutusta sovellukset. Song rytmiraitoja  ovat jotain erilaista. Olitpa oppimaan uuden virittää, häirintää, keikkaillut tai leikkaa viimeisin albumi,  Song rytmiraitoja  tarjoaa ratkaisun.

Kokeile Alive Rummutus n sampleri App n näyte aiemmin järjestetty kappaleita suosittuja kappaleita. Sen jälkeen on helppo jatkaa käyttää App säätää näitä teidän käytännössä ja suorituskykyvaatimukset. Kaikki sampleri sovellukset ovat täysin samat  Song rytmiraitoja  app mutta mukana näytteen kappaleita.

Tutustu näytteitä  ja ääntä  Alive Drumming näytteitä sivulla

Näistä artikkeleista  välillä Alive Drumming päästä oivalluksia ajattelutapaa tuotteen,

” Miten harjoitella, niin miten hilloa ”

” Miksi songform rytmi kappaleita? 

Lataa Song rytmiraitoja App  on  Applen App Store

 

Hvornår skal arbejde på din ”Rhythm”?

illu trumpet

Når man lærer et nyt stykke musik, når skal en musiker arbejde på at få højre rytmen og fornemmelsen af ​​stykket?

Vi har længe ment, det skal være den allerførste ting at få ret, og der er megen mening spille noter på alle medmindre de er i den ønskede rytme (følelse og rille). Tempo, er imidlertid en helt anden emne – der er en masse, der taler for præcision og selv spille melodier på markant forskellige tempi at internalisere det stykke bedre.

Timing er fundamentet for al musik:  ”Når en note er ramt på det forkerte tidspunkt, det er den forkerte tone”.

At få spilletid i den rigtige rytme så hurtigt som muligt er derfor, vi altid har søgt struktureret og inspirerende rytmisk opbakning. Dette i sidste ende føre til ” Song Rhythm Tracks ” .

Rhythm og timing

Øvelse gør Permanent

En af de mest gentagne udtryk, der anvendes til, og ved, musikere, er, at ”øvelse gør mester”.   Jeg har hørt denne ændrede til, ” øvelse gør permanent ”. dvs hvis vi gentager en ting igen og så skal vi internationalisere det, og det bliver en facilitet, vi har ”uden bevidst at tænke over det.” Det er derfor, vi kan gøre komplekse koordinerede bevægelser uden meget bevidst tanke såsom at køre bil og endda ved hjælp af en kniv og gaffel. Hvis du aldrig har gjort disse ting i dit liv, før de kan være meget udfordrende for første gang, men når udføres dagligt man ikke engang genkende dem som en udfordring længere. Det er som om en helt anden del af dit sind er tildelt opgaven. Så hvad der er vigtigt er, at vi ermeget selektiv om brug af denne gentagelse teknik og sørg for at det påvirker ikke modarbejder os, fordi hvis det, vi praktiserer ikke gavnligt derefter vil det blive internaliseret lige så let …. Så praksis kan gøre perfekt; Det vil i sidste ende gøre permanent, men at permanent kan besejre dig samt hjælpe dig.

Udvikling af din egen sans for timing

Et centralt aspekt af musikken er rytme og timing – det er hvad der kan gøre musik levende, og det er, hvad der kan dræbe det så godt. Det er vigtigt, at vi udvikler en god rytme og timing.

A Tryk!

Hvis du endnu ikke har udviklet sans for at regelmæssig puls , der er til stede i de fleste moderne musik – pop, folk, country, jazz – spille sammen til noget med en puls er en stor fordel, fordi uanset hvor din puls mangler det vil være klart vist, og du vil automatisk justere for at følge pulsen og holde timingen. Stor: Det er en rigtig win. Min anbefaling er at være meget selektiv om brugen af metronomer og click-tracks:   Der er mere at rytme end en puls!

Men ikke bare nogen puls!

Misbrug af Metronomer og klik spor anses for skadelige

Altid bruge et klik-spor, når du øver, og når man spiller sammen i en gruppe, vil sandsynligvis arbejde mod at udvikle din egen menneskelig interaktion på pulsen og aflede opmærksomheden fra de rytmiske nuancer, der ender med at blive slået ud af den krævende, åh-så-regelmæssig, ‘klik’. På tilsvarende måde også, at tælle , når du jamming med andre vil være et problem: At tælle impulserne i måleren, såsom 1-og-et, to-og-en, er en absolut uvurderlig støtte, når lære et nyt, måske rytmisk udfordrende melodi: jeg har hørt det sagt, at hvis du ikke kantælle en melodi eller rytmisk idé ud, behøver du ikke rigtig ved det: Det er fantastisk at tælle det ud til at sikre, at vi virkelig ved det, men når du har internaliseret, at melodi, det er på tide at stoppe tælle det og føler rytmen og kommunikere med de andre, du spiller med uden at blokere dem ud ved at tælle i dit hoved.

Det vidunderlige ved folkemusik spille musik sammen, er den menneskelige interaktion, at du går glip af, hvis du kommunikerer med et klik-track i stedet for de andre mennesker, du spiller med, eller tælle ud hver bar i dit hoved i stedet for at lytte til den anden musikere. Jeg er ikke den eneste, der ser det på denne måde: Jeg har hørt den britiske musiker Jamie Cullum siger, at han undgår brugen af ​​klik spor når jamming og optagelse, fordi det tager væk den menneskelige ebbe og flod af musikken, når de anvendes . Jeg ville hade os at have forpasset ud på den vidunderlige ebbe og strømmen af ​​hans spil!

Indtast Song Rhythm Tracks

Hvad enhver musiker har brug for, er at altid have klar en stor klingende rille, der passer melodien, er virkelig musikalsk og bliver spillet på i form af sangen. Det er konceptet bag Song Rhythm spor . Disse spor er udviklet ud fra omhyggelige optagelser af lang-formen lyd (8-barer eller flere ad gangen) af særligt talentfulde trommeslagere. De er arrangeret rundt i form af din sang, så den sangens formularen altid bliver kommunikeret til musikeren. Hvad mere er designet gør det muligt at arrangere nye numre i så lidt som 15 – 30 sekunder, og altid har dine numre klar, blot et par presser væk. Det viser sig, at der er aldrig en grund til ikke at have disse spor ved hånden.

Nu kan du altid øve i rillen!

 

Song Rhythm Tracks
Song Rhythm Tracks

Prøv Song Rhythm Tracks

Song Rhythm spor  er den nye race af høj kvalitet, rytmisk opbakning, der er praktisk at vælge og spille. Giv dem en chance. Du kommer ikke til at blive træt af disse backing tracks. Du er ikke nødt til at sekventere noget. Du vil opdage, at spilleren og setlisten s brugerflade opfordrer til fortsat brug. Du vil komme til at sætte pris på i form af dine sange flere og du kan omfatte disse spor i egen single og album udgivelser. Må ikke sættes ud af erfaringer med andre mobile trommespil Apps. Song Rhythm Tracks  er noget andet. Uanset om du er ved at lære en ny melodi, jamming, gigging eller skære dit seneste album,  Song Rhythm Tracks  giver løsningen.

Prøv Alive Drumming s sampler app s til prøve tidligere arrangeret spor af populære melodier. Det er da let at fortsætte med at bruge den app til at justere disse til din praksis og krav til ydeevne. Alle sampler apps er den samme fulde  Song Rhythm Tracks  app, men med de medfølgende sample spor.

Tjek prøver  af lyd ved  Alive Drumming side Prøver

Tjek disse artikler  fra Alive Drumming at få indsigt i tankegangen bag produktet,

” Hvordan til at praktisere, så hvordan at jamme ”

” Hvorfor songform med rytme spor? 

Download Song Rhythm Tracks App  på  Apple App Store

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Quando a trabalhar no seu “Rhythm”?

illu trumpet

Ao aprender uma nova peça de música, quando deve um trabalho músico em obter direito o ritmo ea sensação da peça?

Nós há muito acreditam que tem que ser a primeira coisa para obter direito e há pouco ponto tocando notas em tudo a menos que eles estão no ritmo desejado (sensação e groove). Tempo, no entanto, é todo um outro assunto – há muito a ser dito para a precisão e até mesmo tocar músicas em marcadamente diferentes tempos de internalizar a peça melhor.

O tempo é a base de toda a música:  “Quando uma nota é atingido no momento errado, é a nota errada”.

Conseguir jogar no ritmo certo, logo que possível é por isso que temos sempre procurado apoio rítmico estruturado e inspirador. Esta última análise, levar a “ faixas de música de ritmo “ .

Ritmo e sincronismo

Prática faz o Permanent

Um dos termos mais utilizadas usados para, e por, músicos é que “a prática leva à perfeição”.   Eu já ouvi essa alterado para “ a prática faz permanente ”. ou seja, se repetir uma coisa uma e outra, em seguida, nós internalizá-la e torna-se uma facilidade que temos “sem pensar conscientemente sobre isso”. É por isso que nós podemos fazer movimentos coordenados complexos sem pensamento muito consciente como dirigir carros e até mesmo usando uma faca e garfo. Se você nunca fez essas coisas em sua vida antes que eles podem ser muito difícil para o primeiro tempo, mas uma vez realizada uma diária nem sequer reconhecê-los como mais um desafio. É como se uma parte totalmente diferente da sua mente é atribuído à tarefa. Então, o que é importante é que nós somosmuito seletivo sobre como utilizar esta técnica repetição e certifique-se que afeta não funcionam contra nós, porque se o que estamos praticando não é benéfico , em seguida, ele vai ficar internalizada tão facilmente …. Assim, a prática pode fazer perfeito; Ele irá , eventualmente, tornar permanente, mas que a permanência pode derrotá-lo, bem como ajudá-lo.

Desenvolver seu próprio senso de timing

Um aspecto fundamental da música é ritmo e tempo – é o que se pode fazer música vir vivo, e é o que pode matá-lo também. É essencial que desenvolver um bom ritmo e tempo.

A imprensa!

Se você ainda não desenvolveram a sensação de que pulso regular que está presente em mais música moderna – pop, folk, country, jazz – tocando junto a algo com um pulso é de grande benefício porque onde quer que seu pulso está faltando será claramente mostrado e você vai ajustar automaticamente para acompanhar o pulso e manter o timing. Grande: Isso é uma verdadeira vitória. Minha recomendação é para ser muito seletivo sobre o uso de metrônomos e clique com faixas:   Há mais ao ritmo do que um pulso!

Mas não qualquer pulso!

Desvio de Metrónomos e clique faixas considerada prejudicial

Sempre usando um clique-track quando você pratica e quando a tocar juntos em um grupo provavelmente vai trabalhar contra o desenvolvimento de sua própria interação humana no pulso e prejudicar as nuances rítmicas que acabam sendo batido pelo exigente, oh-so-regular, ‘clique’. De forma semelhante, também, contar quando você está tocando com os outros será um problema: Contando os pulsos dentro do medidor, tal como 1-e-um, 2-e-um, é uma ajuda absolutamente inestimável quando aprender uma nova, talvez melodia ritmicamente desafiador: Eu ouvi dizer que se você não podecontar uma melodia ou idéia rítmica, você realmente não sabe: É ótimo para contá-lo para fora para garantir que realmente conhecê-lo, mas depois de ter internalizado essa melodia, é hora de parar de contar-lo e sentir o ritmo e comunicar com os outros que você está jogando com sem bloqueá-los para fora através da contagem em sua cabeça.

A coisa maravilhosa sobre a reprodução de música popular em conjunto é a interação humana que você perca se você está se comunicando com um clique-track, em vez dos outros seres humanos que você está jogando com, ou contar a cada bar em sua cabeça em vez de ouvir o outro músicos. Eu não sou o único que vê-lo desta maneira: Eu ouvi o músico britânico Jamie Cullum dizer que ele evita o uso de faixas clique quando tocando e gravando, pois tira o fluxo humana e fluxo da música quando eles são usados . Eu nos odeiam ter perdido o maravilhoso fluxo e refluxo de sua forma de tocar!

Digite canção Rhythm Tracks

O que todo músico precisa é ter sempre pronto um grande sulco som que se encaixa a melodia, é verdadeiramente musical e está sendo jogado para a forma da canção. Este é o conceito por trás da canção Rhythm Tracks . Essas faixas são desenvolvidos a partir de gravações cuidadosas de áudio em formato longo (8-bares ou mais de uma vez) de bateristas excepcionalmente talentosos. Eles são organizados em torno da forma de sua música de modo que a forma da canção sempre está sendo comunicado ao músico. O que é mais o design faz com que seja possível arranjar novas faixas em menos de 15-30 segundos e sempre tem suas faixas pronto, apenas alguns toques de distância. Acontece que nunca há uma razão para não ter essas faixas na mão.

Agora você pode sempre praticar no sulco!

 

Canção de ritmo Tracks
Canção de ritmo Tracks

Tente canção Rhythm Tracks

Canção de ritmo Tracks  são a nova geração de apoio rítmica de alta qualidade que é conveniente para selecionar e reproduzir. Dar-lhes uma tentativa. Você não vai se cansar destas faixas de apoio. Você não vai ter para sequenciar nada. Você vai descobrir que o jogador e setlist interface de usuário incentiva o uso continuado. Você começará a apreciar a forma de suas canções mais e você pode incluir essas faixas em suas próprias singles e álbuns. Não ser adiadas por experiências com outros Aplicativos percussão móveis. Canção de ritmo Tracks  são algo diferente. Se você está aprendendo uma nova melodia, congestionamentos gigging ou cortar o seu mais recente álbum,  canção Rhythm Tracks  fornece a solução.

Tente Alive Drumming amostrador aplicativo s para provar previamente combinado faixas de músicas populares. É então fácil de continuar a usar o aplicativo para ajustar estes para suas necessidades de prática e desempenho. Todos os aplicativos do sampler são os mesmos completo  canção Rhythm Tracks  aplicativo, mas com as faixas de amostra incluídos.

Confira amostras  do áudio na  página de amostras do Vivo Drumming

Confira estes artigos  de Vivo Drumming para obter insights sobre o pensamento por trás do produto,

“ Como praticar, então como a jam ”

“ Por songform com faixas de ritmo? 

Baixe o Rhythm as músicas App  na  App Store da Apple

 

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Когда к работе над вашим «Ритм»?

illu trumpet

При изучении новой части музыки, когда музыкант должен работать на получение правильного ритма и чувство поштучно?

Мы долгое время считали, что это должно быть самое первое, чтобы получить право и есть маленькие точки игральные заметки на всех, если они не находятся в нужном ритме (ощущаются и канавки). Темп, однако, это совсем другая тема – есть много, чтобы сказать о точности и даже играть мелодии на заметно разные темпах усваивать кусок лучше.

Сроки является основой всей музыки:  «Когда нота ударили в то время, это неправильное примечание».

Как играть в правильном ритме , как можно скорее поэтому мы всегда искали структурированное и вдохновляющее ритмичное поддержку. В конечном итоге это приведет к « Песня Ритм треков « .

Ритм и синхронизация

Практика Делает Постоянная

Одним из наиболее часто повторяющихся терминов , используемых ими, и музыканты, что «практика делает совершенным».   Я слышал это измененным к « практика делает постоянную ». то есть , если мы повторяем одно и то тогда мы усваиваем его , и он становится объектом у нас есть «сознательно не думать об этом». Именно поэтому мы можем делать сложные координированные движения без особого сознательной мысли , таких как вождение машины , и даже с помощью ножа и вилки. Если вы никогда не делали эти вещи в вашей жизни , прежде чем они могут быть очень сложными в первый раз, но когда выполняется ежедневно один даже не признают их как вызов больше. Это как если бы совсем другая часть вашего ума, присваивают задачи. Таким образом, важно то , что мыочень избирательны об использовании этого метода повторения и убедитесь , что она влияет не работать против нас , потому что , если то , что мы практикуем не выгодно , то он будет получать усвоены так же , как легко …. Так, практика может сделать совершенными; Это будет в конечном итоге сделать постоянным, но Постоянство может победить вас, а также помочь вам.

Развитие Вашего собственного чувства времени

Ключевой аспект музыки ритм и время – это то, что может сделать музыка оживает, и это то, что может убить его. Очень важно, что мы развиваемся хороший ритм и сроки.

A Нажмите кнопку!

Если вы еще не развили чувство , что регулярный импульс , который присутствует в большинстве современной музыки – поп, фолк, кантри, джаз – подыгрывая на что – то с пульсом имеет большое преимущество , потому что там , где ваш пульс отсутствует , это будет ясно показано , и вы автоматически отрегулирует следовать импульс и сохранить синхронизацию. Великий: Это настоящая победа. Моя рекомендация состоит в том, чтобы быть очень избирательными об использовании метрономов и щелкать-треки:   Там больше ритма , чем пульс!

Но не просто пульс!

Злоупотребление метрономов и нажмите треки Рассмотренный Вредный

Всегда с помощью метронома , когда вы практикуете и когда играли вместе в группе, скорее всего , работать против развития собственного человеческого взаимодействия на пульсе и умаляет ритмические нюансы , которые в конечном итоге выбиты требовательный, о так регулярно, «нажмите кнопку». Подобным образом также, считая , когда вы заклинивание с другими будет проблемой: подсчет импульсов в счетчике, например, 1-а-а, 2-а-а, это совершенно неоценимую помощь при изучении нового, возможно , ритмично сложная мелодия: Я слышал, что если вы не можетерассчитывать мелодию или ритмическую идею, вы на самом деле не знаете, это: Это здорово, чтобы подсчитать его, чтобы убедиться, что мы действительно знаем это, но как только вы усвоили, что мелодия, настало время, чтобы остановить отсчет и почувствовать ритм и общаться с другими, которые вы играете с, не блокируя их подсчет в вашей голове.

Чудесная вещь о народном музицировании вместе является человеческим взаимодействием, которое вы пропустите, если вы общаетесь с метрономом, а не других людей, вы играете с, или отсчитывать каждый бар в голове вместо того, чтобы слушать другие музыканты. Я не единственный, кто видит это так: Я слышал, британский музыкант Джейми Каллум говорит, что он избегает использования щелчка треков при заклинивании и записи, потому что это отнимает человеческий отлив и поток музыки, когда они используются , Я не хотел бы, чтобы мы пропустили на чудесных приливах и отливах его игры!

Введите песни ритм треков

Что каждый музыкант нуждается в том , чтобы всегда иметь готовый великолепный звук паз , который соответствует мелодии, поистине музыкальные и воспроизводимый в виде песни. Это концепция песни Ритм треков . Эти треки развиваются из тщательных записей долгосрочных форм аудио (8-бара или более в то время) исключительно талантливых барабанщиков. Они расположены вокруг формы вашей песни , так что форма песни всегда доводятся до исполнителя. Более того конструкция позволяет организовать новые треки всего за 15 – 30 секунд , и всегда есть ваши треки готовы, только несколько прессов прочь. Оказывается, что никогда не причина , чтобы не иметь эти следы на руке.

Теперь вы всегда можете практиковать в канавке!

 

Песня Ритм Дорожки
Песня Ритм Дорожки

Попробуйте песни Ритм треки

Песня Ритм Дорожка  является новым поколением высококачественной ритмической основы, которая удобна для выбора и воспроизведения. Дайте им попробовать. Вы не собираетесь устаете этот Минус. Вы не будете иметь в последовательности ничего. Вы увидитечто плеер и Setlist в пользовательский интерфейс поддерживает дальнейшее использование. Вы получитечтобы оценить форму ваших песен большеи вы могли бы включать эти треки в свой собственный сингл и альбом релизов. Не пугайтесь опытом с другими мобильными приложениями барабанили. Песня Ритм Дорожки  то разные. Если вы изучаете новую мелодию, глушение, давая концерты или резки ваш последний альбом,  песни Ритм Треки  обеспечивает решение.

Попробуйте Alive барабаня в пробоотборник приложение S к образцу ранее размещены треки популярных мелодий. Тогда легко продолжать использовать приложение , чтобы настроить их с вашими требованиями практики и производительности. Все пробоотборник приложения такие же полный  песни Ритм Треки  приложение , но с включенными образцами треков.

Проверьте образцы  из аудио на  странице Образцы Alive барабаня в

Проверьте эти статьи  из живых барабаня , чтобы получить понимание мышления за продукт,

« Как на практике, тогда как варенье »

« Почему songform с ритмом треками? »

Скачать песни Ритм Треки App  на  Apple App Store

 

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Wenn die Funktion auf „Rhythm“ zu arbeiten?

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Wenn Sie ein neues Musikstück zu lernen, wenn sollte ein Musiker Arbeit auf der rechten Seite den Rhythmus und das Gefühl des Stückes zu bekommen?

Wir haben lange geglaubt, es das erste, was sein muss, richtig zu machen und es gibt wenig Punkt spielen Noten überhaupt, wenn sie nicht in dem gewünschten Rhythmus (Gefühl und Nut) sind. Tempo ist jedoch ein ganz anderes Thema – es gibt eine Menge zu sagen, für Präzision und sogar Melodien bei deutlich unterschiedlichen Tempi spielen das Stück besser internalisieren.

Das Timing ist das Fundament aller Musik:  „Wenn eine Notiz zur falschen Zeit getroffen wird, es ist die falsche Note“.

Erstes Spiel so schnell wie möglich in dem richtigen Rhythmus Deshalb haben wir immer strukturiert und inspirierenden rhythmischen Rückhalt gesucht. Dies führt letztlich zu „ Lied Rhythm Tracks „ .

Rhythmus und Timing

Übung macht den Permanenter

Eine der wiederholten Begriffe verwendet, und durch, ist Musiker , dass „Übung macht“.   Ich habe das veränderte gehört zu : „ Übung macht den dauerhaften “. das heißt , wenn wir wiederholen , um eine Sache immer und immer dann wir verinnerlichen und es wird eine Einrichtung , wir „ohne bewusst darüber nachzudenken“ haben. Aus diesem Grund können wir ohne viel bewusstes Denken komplexe koordinierte Bewegungen tun wie Autos fahren und sogar ein Messer und Gabel. Wenn Sie noch nie diese Dinge in Ihrem Leben getan haben , bevor sie eine große Herausforderung für das erste Mal sein, aber einmal täglich ein durchgeführt gar nicht mehr , sie als Herausforderung erkennen. Es ist , als ob ein ganz anderer Teil deines Geistes , um die Aufgabe zugewiesen ist. Also, was wichtig ist , ist , dass wirsehr selektiv diese Wiederholung Technik über die Verwendung und stellen Sie sicher , es wirkt sich gegen uns nicht funktionieren , weil , wenn , was wir üben nicht von Vorteil ist , dann wird es … genauso leicht internalisiert bekommen. Also, Praxis kann machen perfekt; Es wird schließlich dauerhaft machen, aber die Permanenz können Sie als auch helfen , Ihnen besiegen.

Entwickeln Sie Ihren eigenen Sinn für Timing

Ein wichtiger Aspekt der Musik ist Rhythmus und Timing – es ist, was kann Musik lebendig machen, und es ist, was es auch töten kann. Es ist wichtig, dass wir guten Rhythmus und Timing entwickeln.

A Drücken Sie!

Wenn Sie noch nicht den Sinn dieses entwickelt haben regelmäßige Puls , die in den meisten modernen Musik vorhanden ist – Pop, Folk, Country, Jazz – mit einem Puls zusammen , um etwas zu spielen , ist von großem Vorteil , da , wo der Puls fehlt wird es klar sein , gezeigt , und Sie werden automatisch an dem Impulse zu folgen und das Timing zu halten. Große: Das ist ein echter Gewinn. Meine Empfehlung ist , über die Verwendung von Metronome sehr selektiv zu sein und Click-Tracks:   Es gibt mehr als einen Puls den Rhythmus!

Aber nicht irgendein Impuls!

Der Missbrauch von Metronome und klicken Spuren als schädlich

Immer mit einem Click-Track , wenn Sie üben und wenn sie zusammen in einer Gruppe spielen wird wahrscheinlich arbeiten gegen Ihre eigene menschliche Interaktion am Puls der Entwicklung und schmälert die rhythmischen Nuancen , die durch die anspruchsvollen geschlagen , am Ende wird, ach so regelmäßig, ‘klicken’. In ähnlicher Art und Weise auch zu zählen , wenn Sie ein Verklemmen mit anderen wird ein Problem sein: Zählen der Impulse innerhalb des Zählers, wie 1-and-a, 2-and-a, ist eine absolut unschätzbare Hilfe , wenn ein neues Lernen, vielleicht rhythmisch anspruchsvolle Melodie: ich habe gehört , sagte, dass , wenn Sie nicht könnenauszählen eine Melodie oder rhythmische Idee, man weiß es nicht wirklich: Es ist toll, es zu zählen wir wissen, dass es wirklich zu gewährleisten, aber sobald man die Melodie verinnerlicht haben, ist es Zeit, sie zu zählen zu stoppen und den Rhythmus zu fühlen und kommunizieren mit den anderen, mit dem Sie spielen ohne sie zu blockieren, indem sie in Ihrem Kopf zu zählen.

Das Wunderbare an Folk spielt Musik ist zusammen die menschliche Interaktion, die Sie verpassen, wenn Sie mit einem Click-Track statt den anderen Menschen kommunizieren Sie mit spielen, oder jeder Bar im Kopf zählen, anstatt auf den anderen hören Musiker. Ich bin nicht die einzige, der es so sieht: Ich habe den britischen Musiker Jamie Cullum gehört sagen, dass er die Verwendung von Klick Spuren vermeidet, wenn ein Verklemmen und die Aufnahme, weil sie die menschliche Ebbe und Flut der Musik wegnimmt, wenn sie verwendet werden, . Ich würde uns hassen haben auf die wunderbare Ebbe und Flut seines Spiels verpasst!

Geben Sie Lied Rhythm Tracks

Was jeder Musiker braucht , ist immer bereit halten ein gut klingendes Groove, der die Melodie passt, ist wirklich musikalisch und wird auf die Form des Songs gespielt. Dies ist das Konzept hinter Lied Rhythm Tracks . Diese Spuren werden von der sorgfältigen Aufnahmen von Langform Audio (8-bar oder mehr auf einmal) von besonders begabten Schlagzeuger entwickelt. Sie sind rund um die Form des Songs so angeordnet, dass die Form des Songs wird immer den Musiker kommunizieren. Was mehr ist das Design macht es möglich , neue Tracks in weniger als 15 zu arrangieren – 30 Sekunden und hat Ihre Spuren bereit immer, nur wenige Pressen entfernt. Es stellt sich heraus , es gibt nie einen Grund , nicht diese Spuren zur Hand zu haben.

Jetzt können Sie immer in der Nut üben!

 

Song Rhythm Tracks
Song Rhythm Tracks

Versuchen Lied Rhythm Tracks

Song Rhythm Track  sind die neue Generation von hochwertigem rhythmischer Unterstützungdie bequem zu wählen undspielen. Probieren Sie es. Sie werden nicht müde von diesem Playbacks zu bekommen. Sie gehen zu müssennichts sequenzieren. Sie werden feststellendass der Spieler und Setlist des User-Interface fortgesetzte Nutzung fördert. Sie erhalten die Form Ihrer Songs mehr zu schätzenund Sie könnten diese Spuren in Ihre eigene Single und Album Releases enthalten. Lass dich nicht von Erfahrungen mit anderen mobilen Apps Trommeln beirren. Song Rhythm Tracks  sind etwas anderes. Egalob Sie eine neue Melodie lernen, staut, gigging oder Schneiden Ihr letztes Album,  Song – Rhythmus – Tracks ,  die Lösung bietet.

Versuche Lebend Drumming des Samplers app s vorher zur Probe angeordnet Spuren von populären Melodien. Es ist dann einfach weiterhin die App nutzen diese auf Ihre Praxis und Leistungsanforderungen anzupassen. Alle Sampler – Anwendungen sind die gleichen Voll  Lied Rhythm Tracks  App aber mit den mitgelieferten Beispielspuren.

Check out Proben  des Audio bei  Lebend Drumming der Proben Seite

Schauen Sie sich diese Artikel  von Alive Drumming zu bekommen Einblicke in das Denken hinter dem Produkt,

„ Wie üben, dann wie Marmelade “

„ Warum songform mit Rhythmus – Tracks? 

Laden Sie das Lied Rhythm Tracks App  auf dem  Apple App Store

 

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あなたの「リズム」で動作するようにすると?

illu trumpet

とき右の作品のリズムと感覚を身につける上の音楽家の仕事必要がある場合、音楽の新しい部分を学びますか?

私たちは長い間、それが権利を取得するための非常に最初のものでなければならないと信じているし、それらが所望のリズム(感触と溝)内にあるすべてでない限り、ほとんどのポイントの演奏ノートがあります。テンポは、しかし、全体の他の主題である – の精度のためにも、より良い作品を内部化するために著しく異なるテンポで曲を演奏したことがたくさんがあります。

タイミングがすべての音楽の基盤である:  「ノートが間違った時に打たれるとき、それは間違っているノートです」。

我々は構造化されたと感激リズムバッキングを常に探し求めてきた理由をできるだけ早く右のリズムでプレー取得するのです。これは、最終的に「につながるソングリズムトラック

リズムとタイミング

練習は永久にします

使用される最も繰り返される用語の一つ、とすることにより、ミュージシャンは、ということです「練習は完璧になります」。   私は、「この変更されたと聞きました練習が作る永久」。私たちは何度も事を繰り返している場合、すなわち、我々はそれを内部んし、それが「意識的にそれについて何も考えずに」私たちが持っている機能になります。私たちは、このような車を運転しても、ナイフとフォークを使って同じくらい意識して考えず、複雑な協調動作を行うことができます理由はここにあります。彼らは非常に最初の時間のために非常に挑戦することができます前に、あなたの生活の中でこれらの事をやったことがないが、一度行っ毎日1は、さらにもう挑戦としてそれらを認識しません。場合 あなたの心の完全に異なる部分がタスクに割り当てられているかのようです。だから、重要なことは、我々があるということですこの繰り返しの技法を使用してについて非常に選択し、それがために、私たちに対しては動作しません影響することを確認した場合、私たちが練習していることは有益ではない、その後、それは同じように容易に…内在化されます。だから、実際には、することができます完璧。それはなり最終的には永続的なもの、それはあなたの永続性を倒すだけでなく、あなたを助けることができます。

タイミングの独自の感覚を開発

音楽の重要な側面は、リズムとタイミングである – それは音楽が生きて来させることができるものだし、それは同様にそれを殺すことができるものです。それは、我々は良いリズムとタイミングを開発することが不可欠です。

プレス!

あなたはまだそれの感覚を開発していない場合は、通常のパルスポップ、フォーク、カントリー、ジャズ- -ほとんどの現代音楽存在している、あなたのパルスは、それが明確になります欠けているところはどこでものでパルスで何かに沿って演奏することは大きな利点であります示されており、あなたは自動的にパルスをたどるとタイミングを維持するために調整されます。グレート:それは本当の勝利です。私の推薦は、メトロノームの使用について非常に選択的でかつ、トラックをクリックすることです:   パルスよりリズムに多くがあります!

しかしだけでなく、任意のパルス!

誤用メトロノームのとクリックトラック有害と考えられ

あなたが練習するときは、必ずクリックトラックを使用して、グループで一緒に演奏するときは、そう、ああ、それほど定期的な、パルス上で、独自の人間の相互作用を開発に対して動作し、要求の厳しいによって殴られてしまうリズミカルなニュアンスを損なうことになります’クリック’。また、同様に、カウントあなたがしているときジャミング 他の人と問題になりますよう、メートル以内にパルスをカウントを1-と-、2は-と-、新しい学習を絶対的に非常に貴重な援助は、おそらく、ありますリズミカルに挑戦メロディー:私は聞いたことは言っている場合は、あなたがすることはできません私たちは本当にそれを知っていることを確認するためにそれをカウントするために素晴らしいですが、あなたは、それをカウントを停止し、リズムを感じる時間メロディーであることに内在したらと:あなたは本当にそれを知らない、出てメロディやリズムのアイデアを数えますあなたの頭の中でカウントすることにより、それらをブロックせずに遊んでいる他の人と通信します。

民俗演奏音楽についての素晴らしい事は一緒にあなたがあなたの代わりにあなたが遊んでいる他の人間のクリックトラックと通信している場合を逃し、または他のを聞いてのではなく、あなたの頭の中のすべてのバーを数える人間の相互作用でありますミュージシャン。私はこの方法でそれを見ているだけではないよ。私はイギリスのミュージシャンジェイミー・カラムを聞いたことが音楽の人間の干満を奪うため、彼らが使用されるときに妨害して記録するとき、彼はクリックトラックの使用を避けると言います。私は彼の演奏の素晴らしい干満を逃しているように私たちを憎むだろう!

入力ソングのリズムトラックを

どのようなすべてのミュージシャンが必要とすることは、常に曲をフィットする準備ができて素晴らしいサウンドの溝を持つことで、真に音楽的で、曲の形に再生されています。これは背後にある概念ですソングリズムトラック。これらのトラックは非常に有能なドラマーの長い形式のオーディオ(一度に8小節以上)の慎重な録音から開発されています。ように彼らはあなたの歌の形の周りに配置されている曲のフォームは常にミュージシャンに伝えられています。しかもデザインはわずか15で新しいトラックを手配することが可能になる- 30秒、常に準備ができて、わずか数プレス離れてあなたのトラックを持っています。それは手でこれらのトラックを持っていない理由は決してありませんが判明しました。

今、あなたは常に溝に練習することができます!

 

ソングのリズムトラック
ソングのリズムトラック

試してみてくださいソングのリズムトラックを

ソングのリズムトラックを 選択して再生するのに便利である高品質なリズムバッキングの新品種です。それらを試してみてください。あなたはこれらのバックトラックの疲れを取得するつもりはありません。あなたは何を配列しているつもりはありません。あなたはプレーヤーとセットリストのユーザー・インタフェースは継続使用を奨励していることがわかります。あなたはより多くの曲の形を認めるようになるだろうと、あなたはあなた自身のシングルやアルバムのリリースにこれらのトラックが含まれる場合があります。他のモバイル太鼓のアプリと経験によって延期されないでください。 ソングのリズムトラックは  別の何かです。あなたが最新アルバムを、ジャミング、新しい曲を学ぶギグまたは切断されているかどうか、 歌のリズムは、トラック  ソリューションを提供します。

アライブドラミングのサンプラーアプリを試してみてください以前に人気の曲のトラックを配置しサンプリングするのを。あなたの練習やパフォーマンス要件にこれらを調整するためにアプリを使用し続けることが、その後は簡単です。すべてのサンプラーのアプリは同じ満ちている  ソングのリズムトラックス  アプリをが、含まれているサンプルトラックと。

サンプルチェックアウト  時にオーディオのを  アライブドラミングのサンプル・ページ

これらの記事チェック  の製品の背後にある考え方への洞察を得るために生きドラミングからの、

練習する方法、そしてどのようにジャム

なぜ、リズムトラックとsongform?

歌のリズムアプリをダウンロードトラック  に  AppleのApp Store

 

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如果在您的“节奏”的工作?

illu trumpet

当学习新的乐章,当应该得到一张正确的节奏和感觉的音乐家的工作?

我们一直认为它是第一件事得到的权利,并有小点播放音符水平,除非它们在需要的节奏(感觉和槽)。节奏,但是,是一个整体的其他对象 – 有很多可说的精度,甚至在明显不同的节奏打曲调内在片更好。

时间是所有音乐的基石:  “当一个音符在错误的时间打,这是错误的音符”。

尽快获得在正确的节奏演奏就是为什么我们一直寻求出结构性和鼓舞人心的节奏后盾。这最终导致“ 宋节奏曲目 “。

节奏和时机

实践使永久

一个用来将重复最多的条款,并由音乐家是“熟能生巧”。   我听说过这个改变,以“ 实践使永久 ”。也就是说,如果我们在重复一件事情,那我们就内在它,它变成了工厂,我们有“不自觉地想着它。” 这就是为什么我们可以做复杂的协调运动没有太多有意识的思考,如驾驶汽车,甚至使用刀叉。如果你从来没有在你的生活做了这些事情,他们可以为第一次非常具有挑战性之前,但一旦执行每天一个甚至不承认他们是一个挑战了。这是因为如果你的头脑完全不同的部分被分配给该任务。所以,最重要的是,我们是非常有选择性的有关使用此重复技术,并确保其影响不会对我们的工作,因为如果我们都练是没有益处的,然后它会被内在一样容易……。因此,实践中可以使完美; 这最终使永久性的,而是永久性能打败你,以及帮你。

开发自己的时间感

音乐的一个重要方面是节奏和时机 – 这是什么可以让音乐活了过来,它就是可以杀死它。我们养成良好的节奏和时机很重要的。

A按!

如果您还没有开发出感规律的脉冲是存在于大多数现代音乐-流行,民谣,乡村,爵士-一起玩的东西带脉是有很大好处,因为你的脉搏缺乏的地方应清楚地显示,你就自动调整到跟随脉冲和保持时间。大:这是一个真正的胜利。我的建议是要对使用节拍器和点击曲目非常有选择性的:   有不止一个脉冲节奏!

但不是任何脉搏!

误用节拍器和点击曲目是有害的

始终使用点击跟踪,当你练习和一组一起玩的时候会反对开发的脉冲自己的人际交往很成功,并减损那个最终被苛刻的,哦,所以,经常被打出来的有节奏的细微差别, “点击”。在也以类似的方式,计算当你干扰 他人将是一个问题:计算米之内的脉冲,如1 -和- a,2和一,是学习一种新的时候绝对是无价的帮助,也许有节奏的旋律充满挑战:我听说有人说,如果不能算上旋律或节奏的想法了,你真的不知道:这是伟大的,指望它,以确保我们真的知道它,但一旦你已经内是旋律,是时候停止计算一下,感觉和节奏跟你一起玩线上游戏,而不在你的头上计数阻挡他们离开他人沟通。

关于民间演奏音乐的美妙的事情在一起的是你错过,如果你是一个点击的轨道,而不是你在玩与其他人沟通,还是算出来在你的脑海每巴,而不是听其他的人际交往音乐家。我不是唯一一个谁看到它是这样的:我听说英国音乐家杰米·卡伦说,干扰和录制时,他避免了使用点击曲目,因为它带走了人的低潮和音乐的流动,当使用它们。我不想我们已经错过了他的演奏美妙的潮起潮落!

输入歌曲节奏音轨

什么每音乐家需要的是永远有准备适合的曲调,是真正的音乐和正在播放的歌曲的形式有很大的冠冕堂皇槽。这是观念落后歌曲节奏音轨。这些曲目从特别优秀的鼓手长格式的音频(8条或更多的时间)的精心录制的发展。他们都围绕着你的歌的形式,使歌曲的形式总是被传达给音乐家。更重要的是设计能够在短短的15安排新曲目- 30秒,总是有你的轨道准备好了,只是几个印刷机的路程。事实证明,从来就没有理由不拥有这些曲目在眼前。

现在,您可以经常练习在凹槽!

 

宋节奏音轨
宋节奏音轨

尝试歌曲节奏音轨

宋节奏音轨 都是高品质的节奏后盾的新品种,可方便选择和播放。给他们一个尝试。你不会厌倦这些依托轨道的。你不会有测序什么。你会发现,播放器和演出曲目的用户界面鼓励继续使用。你会得到欣赏的歌曲更多的形式,你可能会包括这些曲目到您自己的单曲和专辑发行。不要与其它移动应用击鼓经验,先放一放。 宋节奏音轨  是不同的东西。无论你正在学习一门新的曲调,干扰,拉毛或切割你的最新专辑, 歌曲节奏音轨  提供了解决方案。

试着活着击鼓的采样应用 s到先前采样安排流行曲的轨道。它是那么容易继续使用该应用程序,这些调整对你的做法和性能要求。所有采样器应用程序是相同的全  曲节奏音轨  应用程序,但与所包含的样本轨道。

检查出样品  的声音中的  活击鼓的示例页面

查看这些文章  从活着击鼓来详细了解产品背后的思维,

“ 怎么练的,那么如何堵塞 ”

“ 为什么songform节奏的轨道?

下载歌曲的节奏音轨应用  在  苹果应用程序商店

 

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Wanneer u op uw “Rhythm” te werken?

illu trumpet

Bij het leren van een nieuw stuk van muziek, wanneer moet een muzikant werken op het verkrijgen van het recht van het ritme en het gevoel van het stuk?

We hebben lang geloofd heeft tot de allereerste ding om goed te krijgen en er is weinig zin om noten te spelen op alle tenzij ze in het gewenste ritme (feel en groove). Tempo is echter een heel ander onderwerp – er is veel te zeggen voor precisie en zelfs het spelen van muziek met een duidelijk verschillende tempo om het stuk beter te internaliseren.

Timing is de basis van alle muziek:  “Wanneer een melding wordt geslagen op het verkeerde moment, het is de verkeerde noot”.

Het krijgen van het spelen in het juiste ritme zo spoedig mogelijk is de reden waarom wij altijd hebben gezocht gestructureerd en inspirerende ritmische backing. Dit heeft uiteindelijk leiden tot een “ Song Rhythm Tracks “ .

Ritme en timing

De praktijk maakt Permanent

Een van de meest herhaalde termen die worden gebruikt om, en door muzikanten is dat “oefening baart kunst”.   Ik heb dit veranderd om, “hoorde praktijk maakt permanent ”. dat wil zeggen als we herhalen een ding over en dan doen we internaliseren en het wordt een faciliteit die we hebben “zonder bewust over na te denken”. Dit is waarom we complex gecoördineerde bewegingen kunnen doen zonder veel bewuste gedachte, zoals het besturen van auto’s en zelfs het gebruik van een mes en vork. Als je nog nooit deze dingen hebt gedaan in je leven voordat ze zeer uitdagend voor de allereerste keer kan zijn, maar eenmaal uitgevoerd daags men ze niet eens herkennen als een uitdaging meer. Het is alsof een heel ander deel van je geest is toegewezen aan de taak. Dus, wat belangrijk is, is dat we zijnzeer selectief over het gebruik van deze herhaling techniek en zorg ervoor dat het van invloed is niet tegen ons werken, want als wat wij beoefenen is niet gunstig dan , dan zal die net zo gemakkelijk … geïnternaliseerd. Dus, de praktijk kan perfect; Het zal uiteindelijk permanent te maken, maar dat duurzaamheid kunt u verslaan zo goed als u te helpen.

Het ontwikkelen van je eigen gevoel voor timing

Een belangrijk aspect van de muziek is ritme en timing – het is wat kunt maken muziek tot leven komen, en het is wat kan het doden ook. Het is essentieel dat we het ontwikkelen van goede ritme en timing.

A Druk op!

Als u nog niet het gevoel van die hebben ontwikkeld regelmatige puls pop, folk, country, jazz – – dat aanwezig is in de meeste moderne muziek mee te spelen om iets met een puls is van groot voordeel, want overal waar je hartslag ontbreekt het zal duidelijk zijn getoond en je wordt automatisch aanpassen aan de pols te volgen en houden de timing. Great: Dat is een echte win. Mijn aanbeveling is zeer selectief over het gebruik van metronomen en click-tracks zijn:   Er is meer ritme dan een puls!

Maar niet zomaar een impuls!

Misbruik van Metronomes en click tracks als schadelijk

Altijd met behulp van een click-fragment wanneer je de praktijk en wanneer ze samen spelen in een groep zal waarschijnlijk werken tegen het ontwikkelen van je eigen menselijke interactie aan de pols en afbreuk doen aan de ritmische nuances die uiteindelijk worden uitgevoerd geslagen door de veeleisende, oh-zo-gewone, ‘Klik’. Op soortgelijke wijze ook, tellen als je jammen met anderen zal een probleem zijn: Het tellen van de pulsen binnen de meter, zoals 1-and-a, 2-en-een, is een absoluut onmisbaar hulpmiddel bij het leren van een nieuwe, misschien ritmisch uitdagend melodie: ik heb horen zeggen dat als je niet kunttellen een melodie of een ritmisch idee uit, hoef je niet echt weet het: Het is geweldig om te tellen om ervoor te zorgen dat we echt weten, maar als je eenmaal hebt geïnternaliseerd dat melodie, is het tijd om te stoppen met het tellen van het en voel het ritme en de communiceren met de anderen je speelt met zonder ze te blokkeren door te tellen in je hoofd.

Het mooie van folk spelen samen muziek is de menselijke interactie die je missen als u communiceert met een klik-spoor in plaats van de andere mensen je spelen met, of tellen elke bar in je hoofd in plaats van te luisteren naar de andere musici. Ik ben niet de enige die het op deze manier ziet: Ik heb de Britse muzikant Jamie Cullum hoorde zeggen dat hij vermijdt het gebruik van click tracks toen jammen en opnemen, want het haalt het menselijk eb en vloed van de muziek wanneer zij worden gebruikt . Ik zou ons een hekel te hebben gemist op de schitterende eb en vloed van zijn spel!

Voer Song Rhythm Tracks

Wat elke muzikant nodig heeft, is om altijd klaar voor een geweldig klinkende groove die de melodie past, is echt muzikale en wordt gespeeld om de vorm van de song. Dit is het concept achter Song Rhythm Tracks . Deze tracks zijn ontwikkeld op basis van een zorgvuldige opnames van long-form audio (8-bar of meer tegelijk) van uitzonderlijk getalenteerde drummers. Ze bevinden zich rondom de vorm van je liedje, zodat de vorm lied wordt altijd gecommuniceerd naar de muzikant. Bovendien is het ontwerp maakt het mogelijk om nieuwe tracks te regelen in zo weinig als 15-30 seconden en altijd uw tracks klaar, op slechts een paar persen weg. Het blijkt dat er is nooit een reden zijn deze tracks bij de hand te hebben.

Nu kunt u altijd oefenen in de groef!

 

Song Rhythm Tracks
Song Rhythm Tracks

Probeer Song Rhythm Tracks

Song Rhythm Tracks  zijn het nieuwe ras van hoogwaardige ritmische steun die handig is om te selecteren en te spelen. Geef ze een keer te proberen. Je gaat niet moe van deze backing tracks te krijgen. U bent niet van plan om niets te sequencen. U zult merken dat de speler en de setlist van de user-interface stimuleert voortgezet gebruik. U maakt kennis met de vorm van je liedjes meer waarderen en je zou deze tracks op te nemen in uw eigen enkele en album releases. Niet afschrikken door de ervaringen met andere mobiele drummen Apps. Song Rhythm Tracks  zijn iets anders. Of u nu leren van een nieuwe tune, jammen, optredens of snijden je laatste album,  Song Rhythm Tracks  biedt de oplossing.

Probeer Alive Drumming’s sampler app s om eerder proeven ingerichte mogelijkheden van de populaire muziek. Het is dan gemakkelijk om door te gaan om de app te gebruiken om deze aan te passen aan uw praktijk en prestatie-eisen. Alle sampler apps zijn dezelfde volledige  Song Rhythm Tracks  app, maar met de bijgeleverde sample tracks.

Check out monsters  van de audio op  Alive Drumming’s Samples pagina

Bekijk deze artikelen  van Alive Drumming om inzicht te krijgen in de gedachte achter het product,

“ Hoe om te oefenen, maar ook hoe u jammen ”

“ Waarom songform met ritme tracks? 

Download het nummer Rhythm Tracks App  op de  Apple App Store

 

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Quand travailler sur votre « rythme »?

illu trumpet

Lors de l’apprentissage d’un nouveau morceau de musique, quand si une œuvre de musicien à obtenir le rythme droit et la sensation de la pièce?

Nous avons longtemps cru qu’il doit être la première chose à faire à droite et il y a peu de notes points de jeu du tout à moins qu’ils sont dans le rythme souhaité (toucher et gorge). Tempo, cependant, est un autre sujet tout – il y a beaucoup à dire pour la précision et même jouer des airs à des tempos très différents pour internaliser la pièce mieux.

Le timing est le fondement de toute la musique:  « Quand une note est frappé au mauvais moment, c’est la mauvaise note ».

Obtenir jouer dans le bon rythme le plus tôt possible est la raison pour laquelle nous avons toujours cherché le soutien rythmique structuré et inspirant. Cela a conduit finalement à « Tracks chanson Rhythm « .

Rythme et calendrier

La pratique rend permanente

L’ un des termes les plus utilisés répétées, et par des musiciens est que « la pratique rend parfait ».   Je l’ ai entendu ce modifié à « la pratique rend permanente ». à savoir si l’ on répète une chose encore et nous ne l’ intériorisent et il devient une installation que nous avons « sans y penser consciemment ». Voilà pourquoi nous pouvons faire des mouvements coordonnés complexes sans pensée consciente beaucoup, comme la conduite des voitures et même en utilisant un couteau et une fourchette. Si vous ne l’ avez jamais fait ces choses dans votre vie avant de pouvoir être très difficile pour la première fois, mais une fois effectué un jour ne les reconnaît même pas comme un défi plus. Il est comme si une partie tout à fait différente de votre esprit est affecté à la tâche. Donc, ce qui est important est que nous sommestrès sélectif sur l’ utilisation de cette technique de répétition et assurez – vous qu’il affecte ne fonctionnent pas contre nous parce que si ce que nous pratiquons est pas bénéfique alors il s’intériorisé tout aussi facilement …. Ainsi, la pratique peut rendre parfait; Il sera éventuellement rendre permanent, mais peut vous vaincre la permanence ainsi que vous aider.

Développer votre propre sens du timing

Un aspect clé de la musique est le rythme et le moment – il est ce qui peut faire de la musique vivante, et il est ce qui peut tuer aussi. Il est essentiel que nous développons un bon rythme et le calendrier.

Une presse!

Si vous n’êtes pas encore développé le sens de cette impulsion régulière qui est présente dans la plupart des musiques modernes – pop, folk, country, jazz – en jouant le long de quelque chose avec une impulsion est d’ une grande utilité , car chaque fois que votre pouls manque , il sera clairement l’ écran et vous ajuster automatiquement pour suivre l’impulsion et de garder le moment. Grand: C’est une vraie victoire. Ma recommandation est d’être très sélectif sur l’utilisation de métronomes et cliquez sur pistes:   Il y a plus au rythme d’une impulsion!

Mais pas seulement une impulsion!

Utilisation abusive de métronomes et cliquez sur les pistes jugées préjudiciables

Toujours à l’ aide d’ un clic-piste lorsque vous pratiquez et en jouant ensemble dans un groupe travaillera probablement contre le développement de votre propre interaction humaine sur l’impulsion et porter atteinte aux nuances rythmiques qui finissent par être battus par l’exigeant, oh-so-régulière, ‘Cliquez sur’. De la même manière aussi, compter lorsque vous Jamming avec les autres seront un problème: Compter les impulsions dans le compteur, comme 1 et-a, 2 et un, est une aide absolument inestimable lors de l’ apprentissage d’ une nouvelle, peut – être mélodie rythmique difficile: je l’ ai entendu dire que si vous ne pouvez pascompter une mélodie ou une idée rythmique, vous ne savez pas vraiment: Il est bon de compter dehors pour nous assurer que nous savons vraiment, mais une fois que vous avez intériorisé cette mélodie, il est temps de cesser de compter et sentir le rythme et communiquer avec les autres que vous jouez avec sans les bloquer en comptant dans votre tête.

La chose merveilleuse au sujet de la musique de jeu populaire ensemble est l’interaction humaine que vous manquez si vous communiquez avec un clic-piste au lieu des autres humains que vous jouez avec, ou compter sur tous les bars dans votre tête au lieu d’écouter l’autre les musiciens. Je ne suis pas le seul qui le voit de cette façon: je l’ai entendu le musicien britannique Jamie Cullum dire qu’il évite l’utilisation de pistes de clic lorsque le brouillage et l’enregistrement car il enlève le flux humain et l’écoulement de la musique quand ils sont utilisés . Je nous déteste avoir manqué le flux merveilleux et flux de son jeu!

Entrez les pistes de morceau Rhythm

Ce qui a besoin de chaque musicien est d’avoir toujours prêt une grande gorge de sondage qui correspond à la mélodie, est vraiment musicale et est en cours de lecture à la forme de la chanson. C’est le concept derrière les pistes de morceau Rhythm . Ces pistes sont développées à partir d’ enregistrements audio soigneuses de longue durée (8-barres ou plus à la fois) des percussionnistes au talent exceptionnel. Ils sont disposés autour de la forme de votre chanson afin que le formulaire de chanson est toujours d’ être communiquée au musicien. Quoi de plus la conception permet d’organiser de nouvelles pistes en aussi peu que 15 – 30 secondes et ont toujours vos pistes prêts, à quelques presses loin. Il se trouve qu’il n’y a jamais une raison de ne pas avoir ces pistes à portée de main.

Maintenant, vous pouvez toujours pratiquer dans la gorge!

 

Chanson Rhythm Tracks
Chanson Rhythm Tracks

Essayez les pistes de morceau Rhythm

Rhythm Tracks chanson  sont la nouvelle race de soutien rythmique de haute qualité qui est pratique pour sélectionner et lire. Donnezleur un essai. Tu ne vas pas à se lasser de ces playbacks. Tu ne vas pas avoir à séquencer quoice soit. Vous constaterez que le lecteur etinterface utilisateur de setlist encourageutilisation continue. Vous apprendrez à apprécier la forme de vos chansons plus et vous pouvez inclure ces pistes dans vos propres versions simples et album. Ne vous laissez pas rebuter parexpériences avecautres applications de tambourinage mobiles. Rhythm Tracks chanson  sont quelque chosedifférent. Que vous souhaitiez apprendre une nouvelle mélodie,brouillage, ou gigging couper votre dernier album,  chanson Rhythm Tracks est  la solution.

Essayez app sampler Alive Drumming de s à l’ échantillon préalablement déterminé pistes de mélodies populaires. Il est alors facile de continuer à utiliser l’application pour être adaptées à vos exigences de la pratique et de performance. Toutes les applications de l’ échantillonneur sont les mêmes complet  Rhythm chanson Pistes  application , mais avec les pistes d’échantillons inclus.

Consultez les échantillons  de l’audio à  la page échantillons Alive Drumming

Consultez ces articles  de Drumming vivant pour obtenir un aperçu de la pensée derrière le produit,

« Comment pratiquer, alors comment bloquer »

« Pourquoi songform avec des pistes de rythme? »

Télécharger la chanson Rhythm Tracks App  sur l’  App Store d’ Apple

 

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Cuando a trabajar en su “ritmo”?

illu trumpet

Al aprender una nueva pieza de música, ¿cuándo debería una obra músico en conseguir el ritmo adecuado y la sensación de la pieza?

Hemos creído durante mucho tiempo que tiene que ser la primera cosa para hacerlo bien y hay pequeñas notas punto de juego en absoluto a menos que se encuentren en el ritmo deseado (sensación y la ranura). Tempo, sin embargo, es un tema totalmente otra – hay mucho que decir acerca de la precisión e incluso tocando melodías en marcadamente diferentes tempos de internalizar la pieza mejor.

El tiempo es la base de toda la música:  “Cuando una nota es golpeado en el momento equivocado, es la nota equivocada”.

Obtención de juego en el ritmo adecuado tan pronto como sea posible es la razón por la que siempre hemos buscado respaldo rítmico estructurado y estimulante. Esta última instancia conducir a “ pistas de la canción de ritmo “ .

El ritmo y la sincronización

La práctica hace permanente

Una de las más repetidas términos utilizados para, poco a poco, los músicos es que “la práctica hace al maestro”.   He oído esta alterado a “ la práctica hace permanente ”. es decir, si repetimos una cosa y otra, entonces no internaliza y se convierte en una instalación que tenemos “sin pensar conscientemente en ello”. Esta es la razón por lo que podemos hacer movimientos coordinados complejos y sin mucho pensamiento consciente, como conducir vehículos e incluso utilizando un cuchillo y un tenedor. Si usted nunca ha hecho estas cosas en su vida antes de que puedan ser muy difícil para la primera vez, pero una vez realizado un diario ni siquiera reconocerlos como un desafío más. Es como si una parte totalmente diferente de su mente se asigna a la tarea. Por lo tanto, lo que es importante es que somosmuy selectivo sobre el uso de esta técnica de repetición y asegúrese de que no afecta a trabajar en contra de nosotros, porque si lo que estamos practicando no es beneficioso a continuación, que conseguirá interiorizado tan fácilmente …. Por lo tanto, la práctica puede hacer perfectos; Se tendrá , finalmente, hacer permanente, sino que la permanencia se puede derrotar, así como ayudarle a.

El desarrollo de su propio sentido de la oportunidad

Un aspecto clave de la música es ritmo y tiempo – es lo que puede hacer que la música cobre vida, y es lo que puede matar a él también. Es esencial que desarrollemos buen ritmo y tiempo.

A Pulse!

Si todavía no se ha desarrollado el sentido de que el pulso regular que está presente en la mayor parte de la música moderna – pop, folk, country, jazz – jugando junto a algo con un pulso es de gran beneficio porque donde el pulso se carece será claramente se muestra y se ajustará automáticamente para seguir el pulso y mantener la sincronización. Gran: Eso es una verdadera victoria. Mi recomendación es que ser muy selectivo sobre el uso de metrónomos y click-pistas:   Hay más al ritmo de un pulso!

Pero no cualquier pulso!

Mal uso de los metrónomos y haga clic en pistas consideran perjudiciales

Siempre utilizando una pista clic cuando la práctica y al jugar juntos en un grupo es probable que trabajar contra el desarrollo de su propia interacción humana en el pulso y en detrimento de los matices rítmicos que terminan siendo golpeado por el exigente, oh-tan-regular, ‘hacer clic’. De una manera similar también, a contar cuando se está atascando con los demás será un problema: Contando los pulsos dentro del metro, tales como 1-y-A, 2-y-uno, es una ayuda absolutamente inestimable cuando se aprende una nueva, tal vez melodía rítmica desafiante: he oído decir que si usted no puedecontar con una melodía o una idea rítmica a cabo, no se sabe muy bien que: Es muy bueno para contar a cabo para asegurar que realmente sabemos, pero una vez que han interiorizado esa melodía, es el momento de dejar de contar y sentir el ritmo y comunicarse con los demás la que está jugando sin bloquearlos a cabo contando en su cabeza.

Lo maravilloso de reproducción de música popular en conjunto es la interacción humana que se pierda en caso de que se está comunicando con una pista clic en lugar de los otros seres humanos que están jugando con, o contar a cabo todos los bares de la cabeza en lugar de escuchar a la otra músicos. No soy el único que lo ve de esta manera: He oído que el músico británico Jamie Cullum decir que evita el uso de pistas clic sala de ensayo y grabación porque le quita el flujo humano y el flujo de la música cuando se utilizan . Yo nos hubiera gustado haber quedado fuera de la maravillosa flujo y reflujo de su forma de tocar!

Introduzca pistas de la canción de ritmo

Lo que cada músico necesita es tener siempre listo un gran surco de sonido que se adapte a la melodía, es verdaderamente musical y se está jugando con la forma de la canción. Este es el concepto detrás de las canciones de la canción rítmica . Estas pistas se desarrollan a partir de registros cuidadosos de audio de formato largo (de 8 bares o más a la vez) de baterías con un talento excepcional. Ellos están dispuestas alrededor de la forma de su canción para que la forma de canción siempre se está comunicando con el músico. Lo que es más el diseño hace que sea posible organizar nuevas pistas en tan sólo 15 – 30 segundos y siempre tienen sus pistas listo, sólo unas pocas pulsaciones de distancia. Resulta que nunca hay una razón para no tener estas pistas en la mano.

Ahora siempre se puede practicar en la ranura!

 

Pistas de la canción rítmica
Pistas de la canción rítmica

Trate de pistas de la canción de ritmo

Pistas de canciones rítmicas  son la nueva generación de respaldo rítmico de alta calidad que es conveniente para seleccionar y reproducir. Darles una oportunidad. Usted no se va a cansar de estas pistas de acompañamiento. No vas a tener que secuenciar nada. Usted encontrará que el jugador y la lista de canciones de la interfaz de usuario fomenta el uso continuado. Se llega a apreciar la forma de sus canciones más y es posible incluir estos temas en sus propios comunicados de single y álbum. No se deje intimidar por las experiencias con otras aplicaciones móviles de percusión. Pistas de canciones rítmicas  son algo diferente. Si usted está aprendiendo una nueva melodía, atascos, dando conciertos o el corte de su último disco,  Canción Ritmo Tracks  ofrece la solución.

Trate de Alive Drumming aplicación sampler s de probar previamente dispuestas pistas de melodías populares. Es entonces fácil de seguir utilizando la aplicación para ajustarlos a sus necesidades prácticas y de rendimiento. Todas las aplicaciones de toma de muestras son los mismos completo  Ritmo pistas de canciones  aplicación, pero con las pistas de ejemplo incluidos.

Echa un vistazo a las muestras  de audio a la  página de ejemplos de Alive Drumming

Echa un vistazo a estos artículos  de Alive Drumming obtener una amplia perspectiva del pensamiento detrás del producto,

“ ¿Cómo a la práctica, a continuación, cómo atascar ”

“ ¿Por qué songform con pistas de ritmo? 

Descargar las pistas del ritmo de canción aplicación  en la  App Store de Apple

 

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Quando per lavorare al vostro “ritmo”?

illu trumpet

Quando si impara un nuovo pezzo di musica, quando dovrebbe un lavoro di musicista su come ottenere giusto ritmo e la sensazione del pezzo?

Abbiamo a lungo creduto deve essere la prima cosa da ottenere di destra e c’è poco note punto di gioco a tutti a meno che non si trovano nel ritmo desiderato (tatto e femmina). Tempo, tuttavia, è un altro intero argomento – c’è molto da dire per la precisione e anche suonare canzoni in marcatamente differenti ritmi di internalizzare il pezzo migliore.

Il tempismo è il fondamento di tutta la musica:  “Quando una nota viene colpito al momento sbagliato, è la nota sbagliata”.

Ottenere condizioni nel giusto ritmo al più presto possibile è il motivo per cui abbiamo sempre cercato il sostegno ritmico strutturato e stimolante. Questo in ultima analisi, portare a “ Tracce rhythm song “ .

Rhythm and Timing

La pratica rende permanente

Uno dei termini più utilizzati per ripetute, e, musicisti è che “la pratica rende perfetti”.   Ho sentito questo alterato a, “ la pratica rende permanente ”. cioè se si ripetere una cosa più e più quindi noi non interiorizzare e si trasforma in un impianto che abbiamo “senza coscientemente pensarci”. Questo è il motivo per cui possiamo fare movimenti coordinati complessi senza pensiero molto cosciente come guidare automobili e anche utilizzando un coltello e forchetta. Se non hai mai fatto queste cose nella tua vita prima di poter essere molto impegnativo per la prima volta, ma una volta eseguito uno al giorno non ha nemmeno li riconosce come una sfida più. È come se una parte completamente diversa della vostra mente è assegnato al compito. Quindi, ciò che è importante è che siamomolto selettiva con questa tecnica la ripetizione e assicurarsi che colpisce non funzionano contro di noi perché , se ciò che stiamo praticando non è vantaggioso , allora si otterrà interiorizzato altrettanto facilmente …. Così, la pratica può rendere perfetto; Si farà finalmente rendere permanente, ma che la permanenza può sconfiggere voi così come l’aiuto voi.

Sviluppare il proprio senso del tempo

Un aspetto fondamentale della musica è ritmo e dei tempi – è ciò che può fare musica viva, ed è ciò che può uccidere pure. E ‘essenziale che noi sviluppiamo buon ritmo e tempismo.

A Premere!

Se non si è ancora sviluppato il senso di quel impulso regolare che è presente nella maggior parte della musica moderna – pop, folk, country, jazz – giocare insieme a qualcosa con un impulso è di grande beneficio perché ovunque il polso manca sarà chiaramente mostrato e si regola automaticamente per seguire il polso e mantenere la tempistica. Grande: Questa è una vera e propria vittoria. La mia raccomandazione è quella di essere molto selettivi circa l’uso di metronomi e click-tracce:   C’è di più al ritmo di un impulso!

Ma non solo qualsiasi polso!

Abuso di Metronomi e fare clic su piste considerati nocivi

Sempre con un clic del metronomo quando si pratica e quando si gioca in un gruppo probabilmente lavorare contro sviluppare il proprio interazione umana sul polso e mettere in discussione le sfumature ritmiche che finiscono per essere stato picchiato dal esigente, oh-così-normale, ‘clic’. In modo analogo anche, contando quando si inceppano con altri sarà un problema: il conteggio degli impulsi entro il contatore, come 1-e-un, 2-e-un, è un aiuto assolutamente prezioso per imparare un nuovo, forse melodia ritmicamente impegnativo: ho sentito dire che , se si non si puòfanno parte una melodia o un’idea ritmica fuori, non so davvero che: E ‘grande di contare esso fuori per accertare sappiamo veramente, ma una volta che avete interiorizzato quella melodia, è il momento di smettere di contare e sentire il ritmo e comunicare con gli altri, si sta giocando con senza bloccarli fuori contando nella tua testa.

La cosa meravigliosa di riproduzione di musica popolare insieme è l’interazione umana che si perde su se si comunica con un clic del metronomo al posto degli altri esseri umani si sta giocando con, o contare fuori ogni bar nella tua testa invece di ascoltare l’altro musicisti. Io non sono l’unico che vede in questo modo: ho sentito il musicista britannico Jamie Cullum dire che evita l’uso di tracce click nella sala prove e la registrazione perché toglie il flusso umano e il flusso della musica quando sono usati . Mi ci dispiacerebbe avere perso il meraviglioso flusso e riflusso del suo modo di suonare!

Inserisci tracce song ritmica

Ciò che ogni musicista ha bisogno è di avere sempre pronto un grande solco suono che si inserisce la melodia, è veramente musicale e viene riprodotto alla forma della canzone. Questo è il concetto alla base di tracce song ritmica . Queste tracce sono sviluppati da attente registrazioni di lunga forma Audio (8 bar o più alla volta) di percussionisti di eccezionale talento. Essi sono disposti intorno alla forma della tua canzone in modo che il modulo del brano viene sempre comunicata al musicista. Cosa c’è di più il design permette di organizzare nuove piste in meno di 15-30 secondi e avere sempre i tuoi brani pronti, a pochi presse distanza. Si scopre non c’è mai un motivo per non avere queste tracce a portata di mano.

Ora si può sempre praticare nella scanalatura!

 

Tracce song ritmica
Tracce song ritmica

Prova tracce song ritmica

Tracce song ritmica  sono la nuova razza di supporto ritmico di alta qualità che è conveniente per selezionare e riprodurre. Dare loro una prova. Non si ha intenzione di ottenere stanco di queste basi. Non si ha intenzione di avere a sequenziare nulla. Troverete che il giocatore e setlist di interfaccia utente incoraggia l’uso continuato. Otterrete ad apprezzare la forma delle vostre canzoni più e si potrebbe includere queste tracce nelle proprie uscite singole e album. Non lasciatevi scoraggiare da esperienze con altre applicazioni drumming mobili. Tracce song ritmica  sono qualcosa di diverso. Sia che si sta imparando una nuova melodia, inceppamenti, gigging o tagliare il tuo ultimo album,  canzone tracce ritmiche  fornisce la soluzione.

Prova di Alive Drumming campionatore app s per assaggiare preventivamente concordata tracce di melodie popolari. E ‘quindi facile per continuare a utilizzare l’applicazione per regolare questi per le vostre esigenze di pratica e di prestazioni. Tutte le applicazioni campionatore sono gli stessi completa  rhythm song tracce di  applicazione, ma con le tracce di esempio incluso.

Scopri campioni  dell’audio alla  pagina degli esempi di Alive Drumming

Scopri questi articoli  dal vivo Drumming per ottenere intuizioni nella filosofia che ispira il prodotto,

“ Come praticare, allora come di marmellata ”

“ Perchè songform con tracce ritmiche? 

Scaricare brani del rhythm song App  su  App Store di Apple

 

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When to work on your “Rhythm”?

illu trumpet

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

We have long believed it has to be the very first thing to get right and there’s little point playing notes at all unless they are in the desired rhythm (feel and groove).   Tempo, however, is a whole other subject – there’s a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better.

Timing is the bedrock of all music:  “When a note is struck at the wrong time, it’s the wrong note”.

Getting playing in the right rhythm as soon as possible is why we have always sought out structured and inspiring rhythmic backing.  This ultimately lead to  “Song Rhythm Tracks.

Rhythm and Timing

Practice Makes Permanent

One of the most repeated terms used to, and by, musicians is that “practice makes perfect”.   I’ve heard this altered to, “practice makes permanent”. i.e. if we repeat a thing, over and over, then we do internalize it and it becomes a facility we have “without consciously thinking about it”.  This is why we can do complex coordinated movements without much conscious thought such as driving cars and even using a knife and fork.   If you’ve never done these things in your life before they can be very challenging for the very first time, but once performed daily one doesn’t even recognize them as a challenge anymore.  It’s as if an entirely different part of your mind is assigned to the task.  So, what is important is that we are very selective about using this repetition technique and make sure it affects don’t work against us because if what we are practising is not beneficial then it will get internalized just as readily….   So, practice can make perfect;  It will eventually make permanent, but that permanency can defeat you as well as help you.

Developing your own sense of timing

A key aspect of music is rhythm and timing – it’s what can make music come alive, and it’s what can kill it as well.  It’s essential that we develop good rhythm and timing.

A Pulse!

If you haven’t yet developed the sense of that regular pulse that is present in most modern music – pop, folk, country, jazz – playing along to something with a pulse is of great benefit because wherever your pulse is lacking it will be clearly shown and you will automatically adjust to follow the pulse and keep the timing.  Great: That’s a real win.   My recommendation is to be very selective about the use of metronomes and click-tracks:  There’s more to rhythm than a pulse!

But not just any pulse!

Misuse of Metronomes and click tracks Considered Harmful

Always using a click-track when you practice and when playing together in a group will likely work against developing your own human interaction on the pulse and detract from the rhythmic nuances that end up being beaten out by the demanding, oh-so-regular, ‘click’.  In a similar way also, counting when you are jamming with others will be a problem:  Counting the pulses within the meter, such as 1-and-a, 2-and-a,  is an absolutely invaluable aid when learning a new, perhaps rhythmically challenging melody: I’ve heard it said that if you cannot count a melody or rhythmic idea out, you don’t really know it:  It is great to count it out to ensure we really know it, but once you have internalized that melody, it is time to stop counting it and feel the rhythm and communicate with the others you are playing with without blocking them out by counting in your head.

The Jazz educator Steven Sedergreen in his book, “Start Playing Jazz Piano Now”, writes, “Time and feel are intuitive rather than mechanical. Reliance on mechanical means such as counting and the use of metronomes are poor substitutes for feeling it. Time emanates from within the body and moves outwardly, a natural feeling that should not be restricted”.  (chapter 21, para 4)

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Unleashing Your Musical Potential with NetTracks

Unleashing Your Musical Potential with NetTracks: A Deep Dive into Alive Drumming’s Innovative App – By Jude Young

The Australian government outlines that COVID-19 heavily disrupted the live music sector. There is an 80 per cent fall in the number of promoted events from 35,800 in 2019 to just 7,300 in 2020.

“Backtracks in music provide a reliable base for live performances, enriching the experience for artists and audiences. It enables intricate arrangements, accompaniments, and soundscapes that may be challenging to recreate using only live instruments,” says music enthusiast Flynn Lawson of YouTube To MP3—Australia’s most successful affiliate partner online. 

Technology continues to redefine how musicians create, practice, and perform. One such revolutionary innovation is the NetTracks app by Alive Drumming, a tool that has completely transformed the concept of backing tracks. 

Take a comprehensive look at the capabilities and benefits of this remarkable app:

1. Personalised Customisation For Musical Expression

NetTracks is an innovative app enabling musicians to personalise backing tracks to their musical preferences, encompassing styles, tempos, and song structures. It clarifies arrangements, including intro/outro section lengths and form repetitions. 

NetTracks offers a sophisticated Backing Track Player, allowing users to control volume, stereo balance, fade endings, and start-ups, enhancing their ability to deliver polished and captivating live performances.

2. User-Friendly Interface And Seamless Integration

Navigating through a complex app can be a frustrating experience, especially when your focus should be on the music. NetTracks understands this concern and presents an intuitive interface that guides musicians effortlessly. The user-friendly controls ensure that even those less familiar with technology can access its features without impediments.

Furthermore, NetTracks seamlessly integrates with Apple devices, elevating the user experience to new heights. The compatibility with iOS devices creates a synergy, ensuring musicians can access their personalised backing tracks consistently across their devices. This integration enhances convenience and promotes a seamless transition from practice to performance.

3. Real-time Accompaniment

Practising with a live band can be a transformative experience, yet only sometimes readily available. NetTracks bridges this gap by offering real-time accompaniment for musicians.

4. Nurturing Musical Growth Through Exploration

Exploration is at the heart of musical evolution. NetTracks encourages musicians to go beyond their comfort zones and embark on new musical journeys. The vast selection of backing tracks with the ability to customise them serves as a springboard for creativity. Musicians can experiment with different musical genres, tempos, and arrangements, fostering a culture of curiosity and artistic exploration that propels their musical growth.

5. Reducing Friction For Enhanced Accessibility

NetTracks is a streaming service for backing tracks, increasing accessibility by eliminating barriers. Unlike the traditional channels of purchasing CDs or downloads, the app’s subscription model grants musicians instant access to backing tracks. This approach reduces obstacles, allowing musicians to concentrate on their craft.

Unleash Your Musical Creativity With Personalised Backing Tracks

NetTracks app empowers musicians to focus on their passion and explore their creative boundaries. Whether you are a budding artist ready to embark on your musical journey or an experienced performer seeking to refine your skills, NetTracks is the tool that will guide you toward unlocking your full musical potential.

Alive Drumming is a trailblazing organisation delivering top-notch rhythmic backing tracks that breathe life into your music. NetTracks’ powerful setlist feature, seamless searching and ordering and a musician’s audio player, with configurable fade endings and per-track volume control, help curate and arrange tracks suited to your songs. 

Contact Alive Drumming at  marketing@alive-drumming.org for more information and get to know Alive Drumming—one of Australia’s rhythmic backing tracks and services providers. 

Play-along Music

Musician's setlist player on an iPhone SE 2

NetTracks is a musician’s backing track player, ideal for play-alongs, either in practice or performance. Let’s take a look at what’s available. 

Music tracks meant for mixing come in various forms.

  1. Karaoke – for singers. All the music is there, just the singer’s voice is absent – which is supplied by the karaoke singer. The display of lyrics, synced with the music, is crucial. MIDI and audio formats prevail for Karaoke. They help singers practice and perform songs. When MIDI-based tracks are used, they can be tuned by increasing and decreasing the volume of individual instruments in the mix. All ideal for singers
  2. Musicians’ song-based practice backing tracks. These are song-based tracks, like Karaoke, that target musicians rather than singers.  They help musicians learn tunes and improvise over them.  They are usually stereo audio, but sometimes mono. Often a chord chart or lead sheet accompanies the audio, so musicians can easily match the harmony or learn new tunes. Rhythm-only backing tracks have less need for chord charts, but are a great way to learn new tunes when combined with lead sheets. The NetTracks Mac and IOS app is an ideal player for these types tracks, which are surveyed below..
  3. Musicians audio mix-ins.  These are intended to be used in creating of new, original audio tracks by musicians, independently or in groups, often with a producer. They comes as drumming grooves, baselines, and harmony, often separated into stems – individual per-instrument audio tracks for the arranger. Sometimes they are song-based, but usually not. 

Musician’s Play-along Music Collections

Some song-based play-along collections we dig.

Jamey Aebersold 

Jamey Aebersold pretty much made the creation of high-quality Jazz and Blues play-alongs his life’s work, and these albums have been widely appreciated and still, decades later, are much revered. The JazzTimes has a good article on his work. The hour-long video is worth the watch. These play-alongs can be purchased through many channels, including the traditional booklet, complete with CD, from musical instrument stores, and the audio separately, per track, on iTunes. They are stereo tracks with instruments well isolated to the right or left channel, allowing users to select the mix by changing the stereo balance. The collection started in the 1970s and now comprises about 120 separate albums, each with a booklet. These should be considered collaborations between Jamey Aebersold and top musicians, with Jamey managing the entire exercise and creating comprehensive, high-quality booklets of lead sheets and scales. These are the gold standard of educational Jazz and Blues backing tracks.

Hal Leonard’s Real Book

When Hal Leonard legitimised the then-Berkely fake books into their Real Books, they took the opportunity to supply backing tracks that match the lead sheets in their Real Books. Pure Genius. You can buy these backing tracks separately in the format of USB sticks if you already have the books. Professional quality jazz trio playing, leaning more to the ballads than bop and not with the stereo separation of the Aebersold’s. Well worth getting. 

Hal Leonard has diversified its retailing channels to include online sales

Hal Leonard also supplies many other play-along books for specific artists or genres, including their multi-track products

Ralph Patt 

Ralph Patt, now deceased, generously created practice backing tracks that he released into the public domain in a guitar user group for the aid of all musicians. These, like those of Jamey Aebersold, isolate instruments in the stereo mix to either the left or right channel. They generally have fast tempos. Ralph was a good musician; we will always be thankful for his legacy. These tracks do not benefit from the same team of musicians behind them that Jamey Aebersold’s did, but for a sole contributor, they are a real achievement and well worth trying. They do not come with lead sheets, but the tempos are shown. Ralph also published the ‘Vanilla Book’, a book of chord charts for many Jazz and Blues standards. Many of his backing tracks are covered in his Vanilla Book. If you play a harmony instrument and want to play along to fast tempo drums and bass, check them out. 

Real Book Software 

Real Book Software tracks are also based on Real Books and come from an independent supplier, focusing on their complete software product. You can purchase the Jazz Play-Along backing tracks separately from the software product. These tracks are an inexpensive option and worth considering for the added variety they provide. The musical key is shown, and every song generally comes in multiple renditions, such as with and without piano comping, and other variations, such as tempo, repeats and key. We do not have any experience with Real Book Software, software product, but we have tried the stand-alone backing track collection and enjoyed it, considering it a similar experience to Hal Leonard’s.

Bobby’s Backing Tracks

Bobby’s are quality tracks by dedicated musicians. Direct, online sales from their website are the only option. They deal with stems and supply minus-one mixes (no bass, no drums or no keys). They serve the gigging community as much as the practising one. You will listen carefully to the track to figure out its arrangement. They suit more those who learn their tracks through listening critically rather than expecting everything to be supplied upfront, as you would get from educators such as Jamey Aebersold. What you do get, though, is quality backing, easily acquired through their online store. They are not cheap, but a good option to consider, particularly if you want inspiring tracks for performance. 

JazzBacks

JazzBacks are based in the UK and use a similar business model to Bobby’s – High-quality tracks using modern equipment for practice or performance direct from their website. JazzBacks proudly do not include fade endings or verbal count-ins and provide copious supporting materials. Their downloads are ZIPs which include the audio file, and multiple chord charts (per instrument type, so C, Eb and Bb), so you know which chords to use and the arrangement, such as, 

Black Orpheus; Key – A minor; Intro- 4 bars; Head; Solo – 1 chorus; Head; Ending – Dm/ Am / Dm/ Am/ Dm/ Em/ Am”. 

For Stella, 

Stella By Starlight Key Bb (concert); 2 Bars drums; Straight into the head; Solo- 2 Choruses; Head; Repeat last line twice; End”. 

It is great to know this arrangement information up-front, so you can quickly play along knowing what to expect. These professional tracks are very approachable and easier to use than most. They are purchased per track (with bundles available) and can be used in performance. 

Song Rhythm Tracks

Alive Drumming’s Song Rhythm Tracks are play-along backing tracks specialising in drums and/or percussion. They use high-quality audio from talented drummers with many different genres represented. Drumming is arranged around the song’s form, and arrangments may include introduction and outro sections, always clearly stated in the accompanying description of the arrangement. Some tracks include stops (aka holds). Arrangements are always visible. It may seem that less is less, but less can be more. Players of harmony instruments, such as guitar or keys, can enjoy playing along to superb drumming without any bass track but still hearing the drummer playing the same song. Give it a go. Song Rhythm Tracks often cover Real Book tunes and sometimes come with public domain lead sheets. The entire collection are accessible within the NetTracks app via a low-cost annual subscription. 

Musical Genres other than Jazz, Blues

The vendors above tend to specialise in the genres of Jazz and Blues, often adding Funk, Bossa and other associated styles. These styles of music, with their usually constant pulse and simple forms, lend themselves to highly approachable covers and artists’ improvisations. That’s often the attraction of this music. In turn, these songs can often be well supported by lead sheets and associated backing tracks, making the songs even more approachable for beginning students and experienced musicians.

NetTracks

NetTracks adds to the experience of backing track crafted by musicians by making tracks more accessible and providing the industry’s best setlist and backing track player. We hope more and more students and experienced players find acquiring and using artists’ backing tracks a real pleasure.

Play-along Music

nice close up of sax midRes

Music tracks meant for mixing come in various forms.

  1. Karaoke – for singers. All the music is there, just the singer’s voice is absent – to be supplied by the karaoke singer. The display of lyrics, synced with the music, is crucial. MIDI and audio formats prevail for Karaoke. They help singers practice and perform songs. When MIDI-based tracks are used, they can be tuned by increasing and decreasing the volume of individual instruments in the mix.
  2. Musicians’ song-based practice backing tracks. These are song-based tracks, like Karaoke, that target musicians rather than singers. They help musicians learn tunes and improvise over them. They are usually stereo audio, but sometimes mono. Often a chord chart or lead sheet accompanies the audio, so musicians can easily match the harmony. Rhythm-only backing tracks have less need for these charts. Below, we give our survey of some vendors of these. The NetTracks Mac and IOS app is an ideal player for these tracks.
  3. Musicians audio mix-ins. These are intended to be used in creating new, original audio tracks by musicians, independently or in groups. It comes as drumming grooves, baselines, and harmony, often separated into stems – individual per-instrument audio tracks for the arranger to tune. Sometimes they are song-based, but often not.

Musician’s Play-along Music Collections

Some song-based play-along collections we dig.

Jamey Aebersold

Jamey Aebersold pretty much made the creation of high-quality Jazz and Blues play-alongs his life’s work, and these albums have been widely appreciated and still, decades later, are much revered. The JazzTimes has a good article on his work. The hour-long video is worth the watch. These play-alongs can be purchased through a number of channels, including the traditional booklet, complete with CD, from musical instrument stores, and the audio separately, per track, on iTunes. They are stereo tracks with instruments well isolated to the right or left channel, allowing users to select the mix by changing the stereo balance. The collection started in the 1970s and now comprises about 120 separate albums, each with a booklet. These can be considered collaborations between Jamey Aebersold and top musicians, with Jamey managing the entire exercise and creating comprehensive, high-quality booklets of lead sheets and scales. These are the gold standard.

Hal Leonard’s Real Book

When Hal Leonard legitimised the then-Berkely fake books into their Real Books, they took the opportunity to supply backing tracks that match the lead sheets in their Real Books. Pure Genius. You can buy these backing tracks separately in the format of USB sticks if you already have the books. Well worth getting.

Hal Leonard has diversified its retailing channels to include online sales.

Hal Leonard also supplies many other play-along books for specific artists or genres, including their multi-track products.

Ralph Patt

Ralph Patt, now deceased, generously created practice backing tracks that he released into the public domain in a guitar user group for the aid of all musicians. These, like those of Jamey Aebersold, are stereo with instruments isolated to either the left or right channel. They generally have fast tempos. Ralph was a good musician; we will always be thankful for his legacy. These tracks do not benefit from the same team of musicians behind them that Jamey Aebersold’s did, but for a sole contributor, they are a real achievement and well worth trying. They do not come with lead sheets, but the tempos are shown. Ralph also published the ‘Vanilla Book’, a book of chord charts for many Jazz and Blues standards. Many of his backing tracks are covered in his Vanilla Book.

Real Book Software

Real Book Software tracks are also based on Real Books and come from an independent supplier, focusing on their complete software product. You can purchase the Jazz Play-Along backing tracks separately from the software product. These tracks are an inexpensive option and worth considering for the added variety they provide. The musical key is shown, and every song generally comes in multiple renditions, such as with and without piano comping, and other variations, such as tempo, repeats and key. We do not have any experience with Real Book Software, software product, which has had mixed reviews, but we have tried the stand-alone backing track collection and enjoyed it.

Bobby’s Backing Tracks

Bobby’s are quality tracks by dedicated musicians. Direct, online sales from their website are the only option. They deal with stems and supply minus-one mixes (no bass, no drums or no keys). They serve the gigging community as much as the practising one. You will listen carefully to the track to figure out its arrangement. They suit more those who learn their tracks through listening critically rather than expecting everything to be supplied upfront, as you would get from educators such as Jamey Aebersold. What you do get, though, is quality backing, easily acquired through their online store. It is not cheap, but a good option to consider, particularly if you want to perform with the tracks.

JazzBacks

JazzBacks are based in the UK and use a similar business model to Bobby’s – High-quality tracks using modern equipment for practice or performance direct from their website. JazzBacks proudly do not include fade endings or verbal count-ins and provide copious supporting materials. Their downloads are ZIPs which include the audio file, and multiple chord charts (per instrument type, so C, Eb and Bb), so you know which chords to use and the arrangement, such as,

Black Orpheus; Key – A minor; Intro- 4 bars; Head; Solo – 1 chorus; Head; Ending – Dm/ Am / Dm/ Am/ Dm/ Em/ Am”.

For Stella,

Stella By Starlight Key Bb (concert); 2 Bars drums; Straight into the head; Solo- 2 Choruses; Head; Repeat last line twice; End”.

It is great to know this arrangement information up-front, so you can quickly play along knowing what to expect. These professional tracks are very approachable and easier to use than most. They are purchased per track (with bundles available) and can be used in performance.

Song Rhythm Tracks

Musician's setlist player on an iPhone SE 2
Best Backing Track Player in the industry.

Alive Drumming’s Song Rhythm Tracks are play-along backing tracks specialising in drums and/or percussion. They use high-quality audio from talented drummers with many different genres represented. Drumming is arranged around the song’s form, and arrangments may include introduction and outro sections. Some tracks include stops (aka holds). Arrangements are always visible. It may seem that less is less, but less can be more. Players of harmony instruments, such as guitar or keys, can enjoy playing along to superb drumming without any bass track. Give it a go. Song Rhythm Tracks are accessible within the NetTracks app.

Musical Genres other than Jazz, Blues

The vendors above tend to specialise in the genres of Jazz and Blues, often adding Funk, Bossa and other associated styles. These styles of music, with their usually constant pulse and simple forms, lend themselves to highly approachable covers and artists’ improvisations. That’s often the attraction of this music. In turn, these songs can often be well supported by lead sheets and associated backing tracks, making the songs even more approachable for beginning students and experienced musicians.

NetTracks

NetTracks adds to the backing track experience by making tracks more accessible and providing the industry’s best setlist and backing track player. We hope more and more students and experienced players find acquiring and using backing tracks a real pleasure.

NetTracks: Revolutionising Rhythmic Backing Tracks for Apple Devices

A survey by the Australian Music Industry Network (AMIN) in 2021 found that 94% of Australian musicians use technology to create, record, and distribute their music.

“Technological tools have a positive impact on the creation of music. It has helped musicians to be more creative, efficient, and accessible. As technology continues to evolve, it will be interesting to see how it continues to shape the future of music.” says music enthusiast and small business loan provider Shane Perry of Max Funding. 

Alive Drumming recently introduced NetTracks, a groundbreaking app specifically designed for Apple Macs and iOS devices, redefining the world of rhythmic backing tracks for musicians. 

NetTracks elevates the musical experience for artists. 

1. Extensive Library Of Rhythmic Backing Tracks

Spending too much time on tasks like shopping for tracks, loading them onto mobile devices, and jotting down arrangement details is frustrating. NetTracks boasts an extensive library of professionally crafted rhythmic backing tracks. With various styles, tempos, and feels, musicians can find the perfect accompaniment to complement their creative vision. 

2. Real Drummer Performances

What sets NetTracks apart from traditional rhythm accompaniment tools is its authenticity. The app showcases the artistry of real drummers, each with their unique style and flair. These professional performances breathe life into the music, infusing it with a natural feel and groove that computer-generated beats cannot replicate. 

3. Arrangements Made Simple

NetTracks ensures that arrangements are always visible, providing musicians with essential details such as the length of introduction and outro sections and the number of repeats of the form. This clarity eliminates the need to keep track of such information separately, allowing artists to focus solely on their musical practice and performance.

4. Comprehensive Rhythm Descriptions

The app’s rhythm descriptions leave no room for ambiguity. Musicians can find essential information, including the beats-per-minute (BPM), ensuring a seamless integration of backing tracks into their compositions. This feature empowers artists to align their music precisely with the chosen backing track.

5. Setlist’s Musician Player

NetTracks offers a sophisticated Musician Player, allowing users to configure the volume, stereo balance, fade endings, and start-ups. This level of control enables musicians to tailor their performances, delivering captivating and polished live shows.

6. Seamless Integration With Apple Devices

NetTracks caters to a wide range of Apple devices, including iPhone, iPad, and Mac. Soon, it will also extend its support to Apple TV, providing a seamless experience across all platforms with just one low-cost universal subscription. This unified approach makes it incredibly convenient for musicians to access their tracks and settings on any Apple device. 

7. Low-Cost Universal Subscription

You can enjoy low monthly or yearly subscriptions and get an introductory month free with the annual plan. Unlock access to a world of backing tracks on your iPad with a membership offered after your first free 20 plays. 

Play With Backing Tracks And Elevate Your Musical Experience With Alive Drumming

NetTracks is a game-changer for musicians using Apple Macs and iOS devices. With its extensive library of drummer performances, seamless integration, and customisation options, the app revolutionises the world of rhythmic backing tracks. Embrace NetTracks today and experience the transformative power of rhythm at your fingertips! 

Contact Alive Drumming at  marketing@alive-drumming.org for more information and get to know Alive Drumming— one of Australia’s top rhythmic backing track services providers. 

5 Ways To Build a Drum Groove

Overhead view of a drummer

Music Australia believes that drumming is one of the oldest styles of music and has been used in many different cultures for centuries. A good drum groove can make your drums sound more powerful and cohesive, so learning how to build one is essential.

“Building a solid drum groove is essential to playing powerfully and with cohesion. Without a good groove, your drums will sound sloppy and unprofessional. An unprofessional image is not good in the business industry, so improving your groove is a must,” says business expert Ashley Hansen of Online Business—Australia’s top online resource for entrepreneurs and business startups.

There are many ways to build a drum groove, but these five techniques are some of the most common. 

1. Exercise Using A Metronome

For this, you can either use a traditional mechanical metronome or a digital substitute. Timing is essential for creating a solid groove and remaining in the pocket. When a new drummer joins a band, many have the propensity to get excited, frequently resulting in them starting to speed up the music. Use a metronome to practise so you can master maintaining a constant tempo at all times.

2. Remove The Glamorous Things

Of course, by occasionally incorporating our unique style into our beats, we all like to be acknowledged as accomplished and skilled musicians. The groove, not the sound, is the most crucial element in pocket drumming. Why do we say that? As drummers, our job is to move the music forward, not to add to its content, when we’re playing in the pocket. Therefore, reduce the fills and place the groove in their place.

3. Play In Front Or Behind Of The Beat

This one is one of the best methods for transforming a drum beat into a pure groove. Sadly, it’s also one of the most difficult to master! A great way to add tons of groove to even the most straightforward beat is to play a drum note before or after the actual beat. Use a metronome to practice this technique; it will take some time to master, but it is well worth the effort.

4. Ride The Groove And Learn To Relax

The techniques that must be learned and used while playing have been covered so far. Of course, this is crucial. The issue is that groove is typically about feeling, and losing that groove by focusing too much on your playing is a foregone conclusion. The secret to excellent pocket drumming is to not only play the music but to feel the music as well. Doing this creates a comfort zone that the entire band, including you, can use. Have fun!

5. Bringing Everything Together

Keep going if you listen to various drum grooves, imitate the ones you enjoy, and still need to get the desired results. Perfecting a drum groove requires practice, just as with any other component of music production. Keep honing your grooves and combine genres to your heart’s content; the only rule you need to follow is: “Does that sound good? If so, you can move forward.

Build Your Drum Groove With Alive Drumming

Drumming is an essential part of any musician’s toolkit. It can provide the backbone for excellent performance and allow you to build layers of grooves that can be adapted to many different styles of music. 

Alive Drumming is a website showcasing non-classical musicianship. It offers resources on contemporary rhythms, arranges rhythm recordings, and provides the Song Rhythm Tracks service and mobile apps.

Contact us at marketing@alive-drumming.org for more information.

9 Myths About Drumming

Drummer Practising hard.

According to Music Australia, drumming has become a part of our everyday lives. Whether you play at home or go to a club, chances are you’ve heard someone say they love drumming. Drummers are sometimes stereotyped as loud, obnoxious, and annoying. In reality, drumming is a complex art form that requires practice, patience, and discipline.

Drumming has become very popular worldwide. Drumming can be done alone or with other instruments such as guitar, bass, and keyboard. Drumming is a great way to exercise your body and relax simultaneously,” says Flynn Ross, a musical instrument specialist at Guitar Tuners—Australia’s top supplier of musical instruments.

Drumming is a fun and relaxing hobby that anyone can enjoy. There are several myths surrounding drumming, but they only apply to some drummers.

1. The Physicality Is Extreme

Drums are no more physically demanding to practice than other instruments. Still, all musical instruments have a maximum volume that may be easily reached before you break it and start wasting your time or showing off.

2. The Key Is To Hit Things

Drumming revolves around striking objects, but a piano, another percussion instrument, does the same. It’s not the same as hitting something as hard as you can when you strike it to get the best sound out of it.

3. Drummers Perspire Heavily

A drummer’s working room.

They used to since the club had low ceilings and they were flanked by infernal floor lighting or a row of incandescent lamps dangling above them. The drummer was inches away from getting a tan, thanks to being on a riser. LED drummers no longer sweat more than anyone else on stage due to the environment’s low heat. Keep up with technological advancements while remaining alert in the back.

4. Drumming Can’t Be Practised At Home Without Making Others Mute

False. Practising surfaces include books, pads, and electronic drums. Also, your sister’s violin or brother’s trumpet, which requires natural playing to generate a good tone, can quickly drown out the appealing pattering of sticks on a practice pad or electronic set.

5. Drums Cannot Be Played On Your Own

That is no longer the case in the virtual world. Some YouTube drummers who “stay at home” have a business coaching other drummers online.

6. Drums Aren’t Musical Instruments

It is true that drums “have no pitch”. This is typically cited as support for this claim. On the other hand, it has an undefined or approximate pitch. The ear can tell which drum has a higher pitch than the other.

7. It Will Only Take Additional Time Away From The Books To Study The Drums In High School Or College

Maybe, but those hours will probably improve academic performance if they aren’t wasted. There is a growing body of research on the many advantages of learning any musical instrument, including patience, discipline, confidence, attention to detail, and coordination.

8. Drummers Are Not Musicians

It’s a prevalent misconception that drummers don’t need to understand how music functions. This is false; many drummers have at least rudimentary proficiency on a second instrument.

9. You’ll Experience Hearing Loss

Modern in-ear monitoring provides a level of control that allows you to have whatever sound you choose in your ears at any volume. If you turn the monitors up to their maximum volume, the drums sound fantastic, but there is a risk of ear injury. You should give it some thought.

Break The Myths And Enjoy Drumming With Alive Drumming

There are myths about everything; no one should hinder someone from doing what they love. With professional help, breaking these myths and enjoying drumming will be possible.

Alive Drumming showcases non-classical musicianship, with resources on contemporary rhythms, arrangement rhythm recordings, and provides the Song Rhythm Tracks service and mobile apps.

Contact us at marketing@alive-drumming.org for more information.

Drumming 101: Basic Drum Terms You Must Know

According to the Australian Institute of Music, thousands of different types of drums are out there. From acoustic to electronic, they come in various sizes and shapes. The type of drum you choose depends on the style of music you play.

“Playing the drums became one of the good habits children around the globe discovered. The way someone plays the drums strengthens their physical flexibility and agility. It is also said that it is good for the physical development of children,” says pro drummer and news analyst Olivia Jones from 8news—one of Australia’s very reputable news sources that meet users’ expectations for updating global and local news.

Drums are one of the oldest instruments around. They’ve been played since ancient times and continue to play an essential role in music today. Here are some standard drum terms you should know before starting your journey into the world of drums.

1. Rudiments

Rudiments are various drum rhythms that you can play on a drum set or drum kit to create music or be used as drills in and of themselves. Although there are many other drum rudiments, 40 have been chosen as the most essential and practical rudiments to master.

2. Drum Fill

A drum fill, also known as a lick or a chop, is a phrase you play to bridge the gap between verses, choruses, or other musical portions of a song or to lead the band into the following section, such as the bridge.

3. Drum Throne

The term “throne” is frequently used to describe the drummer’s chair. Yes, the drummer has a specific seat, just like royalty.

4. Authentic And Coordinated Grip

These phrases explain the proper grip for the drumsticks. You hold the left stick like a fork and the right bar like a wand while using the conventional grip. Hold both bars in a wand-like fashion with palms facing down and a matched grip.

5. Groove Or Beat

A rhythmic pattern you play in sync with the music is called a drum groove or beat.

6. Tempo

Tempo is an expression of speed or duration. When practising and increasing their tempo, drummers may employ a click track or metronome. Certain drummers and ensembles even use a click track when performing live.

7. Drum Shell

The drum shell provides the framework of the drum. Shells can be crafted from metal, acrylic, or wood.

8. Drumroll

This two-handed drumming style, sometimes known as a buzz roll, generates continuous sound. Drummers frequently use the snare drum for drum rolls.

Play Drums Like A Pro With Alive Drumming

The list of drum words is endless, and as you continue your drum training, you will learn many more. Never be afraid to ask someone, preferably an expert, what a new term means if you come across one. The most excellent method to learn and expand your drum vocabulary is through practice.

Alive Drumming is a website showcasing non-classical musicianship. It offers resources on contemporary rhythms, arranges rhythm recordings, and provides the Song Rhythm Tracks service and mobile apps.

Contact us at marketing@alive-drumming.org for more information.

How do Songs, Rhythms and Rhyme Support Early Development?

Starting them early, at the piano

A study published in Frontiers in Psychology found that musical training can enhance young children’s reading skills and executive functioning. The study participants were 6-year-olds who had never received any formal music lessons. After eight months of regular music classes, the children showed significant improvements in their reading ability and executive function compared to a control group of children who did not receive musical training.

“Songs, rhythms and rhyme can profoundly affect early development. They can provide a fun and stimulating way to interact with your child and support their cognitive, linguistic and emotional development,” says mum, linguist, and writer Olivia Jones of Author Flair.

Curious as to how songs, rhythms and rhyme can help your child’s development? Here are some ways:

1. Songs And Rhythm Can Introduce Your Child To New Words And Concepts

Introducing your child to songs and rhythms will expose them to new vocabulary, which can help them develop their language skills. Themes can also teach children new concepts such as counting, colours, shapes, etc.

2. Rhythms And Rhyme Can Help Your Child Learn To Read

According to the study, music can help support your child’s reading skills. It is believed that regular exposure to rhythms and rhyme found in songs helps children develop the ability to read with greater fluency.

3. Songs And Rhythm Can Help Your Child Develop Their Memory Skills

Songs are a great way to help children practice and develop their memory skills. Through repetition, they can learn the words and melodies of songs quickly. This ability to remember and recall information can also help in other areas of learning, such as reading and mathematics.

4. Songs And Rhythm Can Help Your Child Develop Gross And Fine Motor Skills

Singing and moving to music help children develop their gross and fine motor skills. Clapping, dancing, and playing instruments require large muscle groups, which helps kids develop coordination and control. Additionally, songs that need children to use small movements, such as finger-plays, help them develop fine motor skills.

5. Songs And Rhythm Can Help Your Child Express Themselves

Songs provide an excellent outlet for children to express themselves. Through singing, they can share their feelings and emotions in a safe and non-threatening way. Additionally, making up their songs or adding words to familiar tunes is ideal for children to be creative and use their imagination.

Explaining musical concepts

6. Songs And Rhythm Can Help Your Child Bond With You

Singing together is a great way to create a special bond between you and your child. It’s a time for cuddles, eye contact, and smiles – all of which help your child feel loved and secure. Additionally, singing songs is a great way to create positive memories that your child will cherish for years.

Break Out Into Song And Rhythm When You’re Spending Time With Your Little One

These are just some ways that songs, rhythms and rhyme can help support your child’s development. So, go ahead and bust out those tunes – your child will indeed thank you for it later! It might help them develop in more ways than you ever thought possible!

We at Alive Drumming are ecstatic about drumming — actual drummers striking genuine drums, as opposed to simulated drumming. Our Song Rhythm Tracks are recorded by top studio drummers and sequenced by AI technologies into complete, fully-arranged backing tracks that fit specific songs. We strive to provide our customers with the best possible rhythms and beats worldwide. We want to make it as easy and convenient as possible to get the inspiration you need!

Get your children started on their song and rhythm learning journey today by contacting us!

How To Drum With Rhythm And Groove?

We all know the feeling. You’ve been playing your drums for a while, and everything is going great, but then you try to play with some rhythm and groove, and things start to go downhill. It can be tough to keep a consistent beat going, especially if you’re not used to doing it. But don’t worry, with a bit of practice, you’ll be able to drum with rhythm and groove like a pro. 

“Drumming with a sense of rhythm and groove may elevate your drum playing to a new level. Though, not everyone understands what it means to play the drums with rhythm and groove. You can use several strategies in your daily drum practice to create a rhythmic and groovy feeling,” advised pro drummer and kids party planner Harry Nevin of Balloons Sydney.

Not sure where to start? Don’t worry- we’ll guide you every step of the way. So please put on your favourite tune, and let’s get started!

What Is Groove?

You can’t start playing the drums with the groove unless you first understand what a groove is. The literal definition of “groove” is: to react or interact harmoniously. This broad definition encompasses a great deal in the realm of music. Responding or interacting in harmony means flowing together well. When a drum beat flows nicely, you genuinely think, “this beat grooves.”

So, to put it another way, playing the drums with a groove is simply playing the drums smoothly and pleasantly that flows effortlessly. It may not seem like much difference at first, but there is an essential distinction between merely playing a drum beat with a groove and doing the same thing without any.

What Is Rhythm? 

The rhythm is the order, intensity, and clarity of the sounds. In music, rhythm refers to the regular recurrence of notes and silences (rests) in time. A rhythmic pattern is created when a sequence of notes and rests repeats. Musical rhythm, in addition to signalling when notes are played, also specifies how long they are played and with what intensity.

How To Drum With Rhythm And Groove?

Here are several techniques to jazz up your drumming’s groove and rhythm.

Add Dynamics

You would get better results by playing the drums with more dynamics. When you include dynamics in your playing, the tone of any pattern changes. This, in turn, makes the groove and rhythm sound more interesting. You can do this by incorporating different volumes, as well as speeds, while you’re playing.

Experiment With New Beats

If you want to find a new groove or rhythm, it’s essential to experiment with different beats. Experimenting will help break any monotony that might have set in and make your playing more exciting. You can do this by trying out new drum patterns or beats with which you are unfamiliar.

Create A Strong Backbeat

The backbeat is one of the essential elements of any groove. It helps to create a sense of rhythm and movement, making the music more exciting. You can create a strong backbeat by playing the bass drum on the beats that fall on the “two” and “four.”

Play Around With The Tempo

The drummer is starting to up the tempo!

The tempo is another critical element of groove and rhythm. You can make your playing more interesting by experimenting with different tempos. Changing the beat will help to break any monotony and make your playing more exciting.

As you can see, you can use many different techniques to improve the groove and rhythm of your drumming. By incorporating these techniques into your daily practice routine, you’ll be able to take your drumming to the next level. So don’t wait any longer; get out there and start grooving!

Looking For A Way To Spice Up Your Music?

Alive Drumming offers Song Rhythm Tracks based on top studio drummers’ recordings. Their tracks are sequenced and engineered by innovative technologies into complete, fully-arranged backing tracks specific to a song. This is the perfect way to add excitement to your music!

These are only a few tips- for more in-depth instructions, check our website or contact us. We would be happy to help you take your drumming skills to the next level.

Published on , by judewhitworthyoung

How To Identify Popular Music Genres By Ear

Australia is a multicultural and geographically diverse nation. This diversity is reflected in our music, which embraces various genres and forms while pushing the boundaries of creativity and experimentation.

According to Learning Potential, in many developmental areas, including language, numeracy, focus, and social skills, music can help your child. So take advantage of the various opportunities by exposing your youngster to music as frequently as possible!

“A music genre is a recognised classification that identifies musical compositions as belonging to a shared tradition or set of conventions. Understanding the historical background of the main musical subgenres is essential,” according to Kelly Woods of Youtubetomp3—Australia’s most well-known online affiliate partner.

Even when identifying a music genre by ear, there is no precise technique that is certain to work. It is even more challenging these days because so many genres and subgenres have been combined from popular, well-known genres. Here are a few, but not all, methods for determining a musical genre with our ears.

1. Examine The Tempo

One of the most important aspects of music is the rate at which it is played. These days that is typically stated in BPM or total beats per minute. You must first be aware of the normal BPMs for the most popular genres of music to recognise them using this method.

2. Listen To The Tempo Of The Drums

Music can be challenging to understand because some genres have overlapping speed ranges. In this case, changes in the drum beats are the primary way to determine the genre.

3. Consider Listening To Many Genres

Extend your listening repertoire to improve your ability to distinguish genres. Select a piece of music, look up the genre it belongs to, listen to it, and make notes about anything that stands out. By doing this, you may learn about a wide range of genres. In time, you will be able to differentiate between the genres based only on the first few bars.

4. Join Ear Training Genres

Anything we wish to accomplish requires training. Although taking part in this stuff is optional, it will improve your expertise. A professional will guide you and make the subject simpler for you to learn if you take part in the training.

Master Music Genres With Alive Drumming

When music is played, a child’s brain grows differently on all levels—academically, emotionally, physically, and spiritually. Participating in music has several advantages that are beneficial to our life. Music can be used as a therapy to treat a variety of ailments and disease processes, from stress management to anxiety, depression, and depressive disorders. It will be beneficial to discover the kind of music that is best for you over time.

Alive Drumming offers resources on contemporary rhythms, arranges rhythm recordings, and provides the Song Rhythm Tracks service and mobile apps. In particular, it emphasises groove and rhythm.

If you have any questions or want to use our services, please visit our website, fill out the contact form, or email marketing@alive-drumming.org.

Top 8 Drumming Styles and Genres: A Quick Guide

Drumming close-up

Trying out something new can be difficult. However, when it comes to drumming, challenging yourself is the best way to learn. You can try out and learn from many drumming styles and genres to make you a better musician.

“The best way to become the best drummer is to practice. Try out different styles and push yourself out of your comfort zone,” says Angelina Jackman, professional voice coach at The Verses

Becoming a great drummer takes lots of practice and jamming. This means trying out things you haven’t done before and perfecting them. Don’t be afraid to challenge yourself by trying out different drumming styles and genres.

What Are The Greatest Drumming Styles And Genres?

Drumming is a diverse art. We’ve prepared 8 of the most popular drumming styles to familiarise yourself with the instrument’s variety.

Rock

This style is characterised as straightforward and no-frills attached music. Rock drumming uses loud and intense drum grooves partnered with big fills. Together, they make an even more significant impact.

Metal

Metal drummers have larger drum kits to achieve metal music’s aggressive, loud, precise, and powerful sounds. Playing the drums in this genre and style requires endurance, speed, coordination, and precision.

Punk

Punk drumming bears a striking similarity to intricate rock drumming. The only difference is that it is played faster and thus requires more precision. The genre itself is characterised by loud and fast music.

Jazz

This style of drumming has continued to evolve. Many sub-genres stem from jazz. It uses a broad range of notes, making it more complex to learn and master than the other genres in this list.

Pop

Pop music is elementary and structured, so it follows that pop drumming is the same way. It is easy to learn, but there are some subtleties to note. For example, pop drummers need precision and coordination to stick to the structure.

Blues

This is often associated with rock and jazz. It uses various techniques and notes to achieve its unique bluesy sound.

Latin

Latin drumming is famous for the clave or the heartbeat of the song. It uses elements like the clave and other traditional patterns that can be difficult for newbies.

Reggae

Playing reggae requires a lot of precision and tightness despite its fun and carefree sound. A reggae drummer has a difficult job because they are the song’s foundation, along with the bassist. The drummer must always stick to a steady and tight groove.

Bring The Beat In With Alive Drumming

The art of playing the drums is incredibly diverse. We’ve listed only eight of the many ways to play the drums. There is so much variety.

Alive Drumming Song Rhythm Tracks arranges and provides rhythm tracks through their mobile app. So, whether you’re a professional or aspiring drummer or any musician, this innovative app might be what you need to experience many styles in your playing.

Want to be the very best drummer there is? You may send us a message to start your journey.

— Alive Drumming is so happy to share these Insights from our popular guest contributor, Jude Young.

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Version 4 of Song Rhythm Tracks released

Song Rhythm Tracks has been available at release four (4) since late last year, and now the final sampler app, “Classic Country Music“, has just been released. The changes have been received well. Here’s a summary.

SetList Folding

Here is the app on an iPhone showing three setlists, with two having been folded away. The three setlists contain tracks of ‘sampler’ apps.

Setlists are a great feature of the table design of Song Rhythm Tracks. They partition your collection of tracks into lists for various uses – personal or group practice sessions, gigs, or genres of music—anything you want. As one’s collection of tracks increases, it is nice to focus on just one setlist, and the ‘setlist jumping’ feature (blue up and down arrows ) is handy navigation. The “setlist play” (blue play triangle) feature is our favourite feature. New for version 4 is the ‘setlist folding ‘feature, which hides and reveals the setlist so its tracks do not appear in the table. This also affects searching: Search results do not include tracks in folded setlists.

Audio File Sharing

This image has an empty alt attribute; its file name is ipad-air-srt-shareaudiofile.jpg

At last! Now we have incorporated the standard iOS feature to share the high-definition MP3 audio file in whatever ways your device has been configured – AirDrop, Messages, Mail, Notes, Box, ‘Save to Files’, and ‘Save to Keep’ are just some on my iPhone.

Press the track’s share button (pink box with an up arrow) on the app’s main table. We feel the mobile app is still the best player for these files because of its musician-friendly features – tempo control, clear display of arrangement details, large buttons and more. Still, if you want to use the backing tracks elsewhere, it is now easier to achieve, and we include the arrangement details in MP3 tags if that helps.

Track definitions can still be shared by pressing the share button from the track definition page – the one with the rhythm and arrangement selections.

Refreshed visual design

The main table, with search enabled, shows the track’s rhythm in orange and its arrangement in green.


The selection page now has headers for the arrangement aspects of (i) Song Form, (ii) number of introduction bars, (iii) number of repeats of the form and (iv) number of ending bars. Arrangement details are in green, and rhythm selection is in orange.

At Alive Drumming, we’ve always liked minimalist design and are trying to stay true to that. We included some animations to help see things like the duplication of tracks. We’ve also improved the dark mode. We moved to symbols-only for buttons some time ago, with descriptions for each button in the in-app help files (accessed via the ( ? ) button).

One of the most noticeable changes of release 4 is the consistency of colours; Now, everywhere in the app,
(i) rhythm selections and descriptions are always orange and
(ii) arrangement selection and descriptions are always green.
We feel this consistency helps navigate the app.

We have updated in-app guides and videos!

In-app guides are selected using the ( ? ) button, followed by a left-right swipe to access the multiple guide pages. We’ve updated these and added video guides for making the most of the apps. We feel this provides the best help for using our apps.

Polished recent upgrades

We’ve also polished our recent upgrades so they shine.

Sampler Tracks available via setlist sharing

In all four apps, the list of sampler tracks for any of the three samplers can now be downloaded as setlists.

A new setlist is configured with the name “Jazz and Blues “, with 5-second gaps between tracks when playing setlists.

In any app, perform a setlist search (using the blue hour-glass button from the setlist definition screen) once you have configured any of these names,

  1. “Afro-Cuban Salsa”,
  2. “Jazz and Blues”, and
  3. “Classic Country Music”.
Popup advises that the “Jazz and Blues” setlist is being searched for and downloaded if found.
Go ahead, press the “OK”.
Great! The setlist of that name was found. Press OK and then the blue ‘tick ‘to save it.


(Remember to save (with the blue ‘tick ‘button) when you receive the successful download message)
You receive all the track definitions (in the “deferred” state), and you can choose to download the audio for the tracks at any time.

Holds and Pushes

Holds and Pushes – We recently added “whole-bar holds” and “eighth note pushes” to the detailed user-defined arrangement facilities. We find the holds particularly useful for those songs requiring them.

So those are the main changes for release 4.0. We are delighted with them. We hope you are too. As always, please send your feedback to marketing@alive-drumming.org.

Why Song Form with Rhythm Tracks?

Check out the article above, “Dealing with Song Forms: Tips for Drummers” from the Learn Jazz Standards website. It is great advice for drummers on how to reinforce the song form while drumming.

Have you ever wondered why “Song Rhythm Tracks” and not justRhythm Tracks“?

It’s because the drumming should always outline the form of the song you are playing.  That’s fundamentally the role of the drummer or the rhythm track if you play without a drummer.  The article above, about tutoring drummers, explains this very well.

Always play in “song form”

You shouldn’t be using a rhythm track that doesn’t outline the form of the song because, if you do, that then counteracts the form and defeats the music you are trying to play.  This can be subtle, mainly if you haven’t considered it before.  New musicians often haven’t and wrongly believe that any metronomic sound or groove will do.  They miss out terribly, and not having the songform outlined will hamper your progress.

Continue Reading

Version 4.0 of Song Rhythm Tracks

monoTone old Piano

Song Rhythm Tracks and its companion ‘sampler’ apps have been out at release four (4) since late last year, and the final sampler, “Classic Country Music”, has just been released. The changes have been received well. Here’s a summary.

SetList Folding

This image has an empty alt attribute; its file name is simulator-screen-shot-iphone-12-pro-2021-06-23-at-16.11.10.png

Setlists are a great feature of the table design of Song Rhythm Tracks. They partition your collection of tracks into lists for various uses – personal or group practice sessions, gigs, or genres of music—anything you want. As one’s collection of tracks increases, it is nice to focus on just one setlist, and the ‘setlist jumping’ feature (blue up and down arrows ) is handy navigation. The “setlist play” feature is a favourite feature of mine. New for version 4 is the ‘setlist folding’ feature, which hides/reveals the setlists so their tracks do not appear in the table. This also affects searching: Results do not include tracks in folded setlists.

Audio Sharing

This image has an empty alt attribute; its file name is ipad-air-srt-shareaudiofile.jpg

At last! I hear you cry. Now we have the standard iOS feature to share the audio file in whatever ways your device has been configured – AirDrop, Messages, Mail, Notes, Box, ‘Save to Files’, and ‘Save to Keep’ are just some on my iPhone.

Press the track’s share button on the app’s main table. We feel the mobile app is still the best player for these files because of its musician-friendly features – tempo control, arrangement details, large buttons and more. Still, if you want to use the backing tracks elsewhere, it is now easier to achieve, and we provide the arrangement details in MP3 tags if that helps.

This image has an empty alt attribute; its file name is simulator-screen-shot-iphone-12-pro-2021-06-23-at-17.25.32.png
Track definitions can still be shared by pressing the share button from the track definition page, which has the rhythm and arrangement selections.

Refreshed visual design

This image has an empty alt attribute; its file name is iphone-12-pro-03-maintablescreen.png
The main table, with search enabled, shows the track’s rhythm in orange and its arrangement in green.



This image has an empty alt attribute; its file name is iphone-12-pro-02-pickersscreen.png
The selection page now has headers for the arrangement aspects of (i) Song Form, (ii) number of introduction bars, (iii) number of repeats of the form and (iv) number of ending bars. Arrangement details are in green, and rhythm selection is in orange.

We’ve always liked the minimalist design and are trying to stay true to that. We included some animations to help see things like the duplication of tracks. We’ve also improved the dark mode. We moved to symbols-only for buttons some time ago, with good descriptions for each button in the in-app help files. One of the most noticeable changes is a rationalisation of colours; Now, everywhere in the app,
(i) rhythm selections and descriptions are always orange and
(ii) arrangement selection and descriptions are always green.
We feel this consistency helps navigate the app.

We have updated in-app guides and videos!

This image has an empty alt attribute; its file name is ipad-8th-generation-011-guidescreen1st.png

In-app guides are selected using the ‘?’ button with a left-right swipe for multiple guide pages. We’ve updated these and added video guides for making the most of the apps. We feel this provides the best help for using our apps.

Polished recent upgrades

We’ve also polished our recent upgrades so they shine. In all four apps, the list of tracks for each of the three samplers can be downloaded as setlists. Perform a setlist search for any of these names,

“Afro-Cuban Salsa”,
“Jazz and Blues”, and
“Classic Country Music”.
(Remember to save (with the ‘tick’ button) when you receive the successful download message)
You receive all the track definitions (in the “deferred” state), and you can choose to download any audio tracks at any time.

This image has an empty alt attribute; its file name is iphone-12-pro-05-userdefinedsongformscreennew.png

Holds and Pushes – We recently added “whole-bar holds” and “eighth note pushes” to the detailed user-defined arrangement facilities. We find the holds particularly useful for those songs that require them.

So those are the main changes for release 4.0. We are thrilled with them. We hope you are too. As always, please send your feedback to marketing@alive-drumming.org.

The History Of Rhythmic Education Throughout The Ages

History of rhythmic education throughout the ages

So what are the beginnings of music? Did our forefathers start by pounding objects together to generate rhythm or singing with their voices? What were the tools they used? Has music always been such a significant part of human culture, and if so, why? These are among the questions about rhythmic education and how it evolved through the ages.

So let’s take a tour down history lane and clear some clouds on these questions.

This image has an empty alt attribute; its file name is the-history-of-rhythmic-education-throughout-the-ages-sheetmusicimage-1.jpg

What Exactly Is Music?

This is a tricky question to answer since everybody has their viewpoint. For example, Jeremy Montagu of Oxford university characterises music as a “sound that expresses emotion.” Using such a definition, a mother trying to sing or hum to soothe her newborn would most likely be considered music, yet this basic melody would have signified speech.

Therefore, where do we draw the distinction separating music and speech? You may assume it’s rhythm, pattern, and pitch control—and you got it right!

Rhythm, pattern, and pitch control are crucial aspects of music. Our forefathers may have produced rhythmic music by clapping their hands. This might be traced back to the first musical instruments when someone discovered that banging sticks or stones together doesn’t cause as much pain in the hands.

Since then, rhythm and music have evolved in many respects, along with the dynamic changes experienced by civilisations brought about by technology. Today, musicians enjoy various tools to make the most out of rhythm and music.

Song Rhythm Tracks—A Breakthrough In Creating Rhythm Tracks

Particular to playing the drums, one great example is Song Rythm Tracks. It’s an app that allows for creating collections of rhythm tracks used as a backing in playing songs. With Song Rhythm Tracks, one must adopt a unique approach to creating rhythm tracks unfamiliar to a prospective user. The application uses bar numbers to indicate where drumming breaks occur.

This image has an empty alt attribute; its file name is image-1-118.jpg

“Using the app, I find it much quicker and more valuable than other alternatives. For instance, when my band and I pick a track to play, the arrangement is displayed as “3 choruses of 32 bar AABA with a 4-bar intro’ and an 8-bar ending”. From that, we know straight away what the drummer will be playing. The app also makes us play along the track correctly,”

says music enthusiast and CEO of Credit Capital Alister Clare.

This image has an empty alt attribute; its file name is the-history-of-rhythmic-education-throughout-the-ages-sheetmusicimage.jpg

Why Use Song Rhythm Tracks?

Educating musicians about song form is a challenge that requires some technical content—that cannot be avoided. However, song form should not be a difficult concept. It’s essentially counting the number of bars in sections, which is where some musicians might struggle. Song Rhythm Tracks takes the burden away so you can jam, sing, and play your heart out.

Moreover, you’ll always have great background tracks on your phone or iPad with track listings and a player. Song Rhythm Tracks are high-quality rhythm backing tracks that are simple to use. You will not be required to sequence anything.

Plus, the user interface will make you love to use it again and again. With that, you will have a greater appreciation for your music, and you may decide to incorporate these tunes in your singles and album releases. Don’t let terrible experiences with some other mobile drumming apps deter you. The Song Rhythm Tracks are perfect for learning a new song, jamming, performing, or recording your current album.

Get That Perfect Rhythm For Your Song Using Song Rhythm Tracks

This image has an empty alt attribute; its file name is image-1-127.jpg

Music exists and continues to exist because it draws people together. So the next time you’re learning a new tune or excited to have a solid jam with your friends, never forget your phone or iPad.

Song Rythm Tracks by Alive Drumming offers a streamlined and easy-to-use solution for your needs to get that perfect rhythm. Take what Alive Drumming’s clients say about the app and contact them if you need help.

  • By Jude Young, a contributing author.

Importance of Rhythmic Activities

Ballet
This image has an empty alt attribute; its file name is image.png

Enjoy this article from the contributor, Jude Young, about the great value of rhythmic activities, at any age.

Rhythmic activities have been around since the beginning of time and have been a part of every culture. Some examples of rhythmic movements include folk dances, jotas, ballet,  and Zumba.

But rhythmic activities are more than an exploration of movements and shapes. Here are the reasons why they are essential:

Expression

Even before the concept of dancing was invented, humans used rhythmic movements to express their thoughts, feelings, values, and ideas. 

During ancient times, men and women express their affection through movements. Even today, some performers express their sentiments or protest through dancing.

When you see a couple, who are slow dancing with arms around each other, you instantly conclude that they are strongly attracted to each other. When you see a person tapping his toes on the floor, you tend to think he’s in a good mood.

Brings People Together

Rhythmic activities appeal to human emotions. This is why these are used to gather and entertain people of all ages and backgrounds. The upbeat environment draws attention and distracts people from life’s daily frustrations. The dancers’ energy inspires others to join, engaging the community in a positive activity.

Rhythmic activities allow people to share an intimate experience and will enable them to form strong bonds.

Max Funding investment consultant Shane Perry believes that engaging in physical activities is also an investment, “By regularly partaking in rhythmic activities, a person also gains better self-confidence and self-image. With an improved self-image, one is more driven to pursue personal goals. They also have better impulse control and flexibility when faced with difficulties. The outcome is a positive attitude and an improved state of happiness that leads to life satisfaction.”

Entertainment and Relaxation

This image has an empty alt attribute; its file name is image-1.png

Rhythmic activity is a channel through which we communicate with others. When we watch a performance, the subconscious interprets the movements and triggers certain emotions inside us. This is why we get teary-eyed when watching a graceful ballet performance electrified at flamenco.

For the performers, a rhythmic activity is also helpful in diverting their attention and energy away from stressful things. And what’s more relaxing than laughing while dancing with friends?

Exercise

Rhythmic activities are forms of aerobic exercise. These involve muscle stretching, toning, and conditioning while increasing heart rate at the same time. You’ll feel its effects in all aspects of your life when performed regularly. However, like any other exercise, you must have a cool-down period. This period is necessary to allow muscles to repair, mainly if you’re engaged in intensive.

Warm up your muscles before any rhythmic activity to prevent soreness and cramping. Stretching out your arms, legs, and hips between exercises would be best.

Do you need high-quality backing tracks to complete your stirring musical performance? Song Rhythm Track saves you from sequencing drum loops! It automatically sequences the rhythm track for your song. Download this app now through the Apple App Store!

———- Jude Young, contributing author to Alive Drumming.

Appreciate your songs more with Song Rhythm Tracks!

Whether you are learning a new tune, jamming, gigging or cutting your latest album, these tracks are what you need!

Importance of Rhythmic Activities

Enjoy this article from the contributor, Jude Young, about the great value of rhythmic activities, at any age.

Rhythmic activities have been around since the beginning of time and have been a part of every culture. Some examples of rhythmic activities include folk dances, jotas, ballet,  and Zumba.

But rhythmic activities are more than an exploration of movements and shape. Here are the reasons why they are important:

Expression

Even before the concept of dancing was invented, humans have been using rhythmic movements to express their thoughts, feelings, values, and ideas. 

During ancient times, men and women express their affection through movements. Even today, some performers express their sentiments or protest through dancing.

When you see a couple, who are slow dancing with arms around each other, you instantly conclude that they are strongly attracted to each other. When you see a person tapping his toes on the floor, you tend to think he’s in a good mood.

Brings People Together

Rhythmic activities appeal to human emotions. This is why these are used to gather and entertain people of all ages and backgrounds. The upbeat environment draws the attention and distracts people from life’s daily frustrations. The energy of the dancers inspires others to join, engaging the community in a positive activity.

Rhythmic activities allow people to share an intimate experience and gives them an opportunity to form strong bonds.

Max Funding investment consultant Shane Perry believes that being engaged in physical activities is also an investment, “By regularly partaking in rhythmic activities, a person also gains better self-confidence and self-image. With improved self-image, he or she is more driven to pursue personal goals. He or she also has better impulse control and flexibility when faced with difficulties. The outcome is a positive attitude and an improved state of happiness that leads to life satisfaction.”

Entertainment and Relaxation

This image has an empty alt attribute; its file name is image-1.png

Rhythmic activity is a channel through which we communicate with others. When we watch a performance, the subconscious interprets the movements and triggers certain emotions inside us. This is why we to get teary-eyed when watching a graceful ballet performance and electrified at flamenco.

For the performers, a rhythmic activity is also useful in diverting their attention and energy away from stressful things. And what’s more relaxing than laughing while dancing with friends?

Exercise

Rhythmic activities are forms of aerobic exercise. These involve muscle stretching, toning, and conditioning while increasing heart rate at the same time. When performed regularly, you’ll indeed feel its effects in all aspects of your life. However, just like any other form of exercise, you must have a cool-down period. This period is necessary to allow muscles to repair, mainly if you’re engaged in intensive.

Warm-up your muscles before any rhythmic activity to prevent soreness and cramping. Between exercises, you should also stretch out your arms, legs, and hips.

Do you need high-quality backing tracks to complete your stirring musical performance? Song Rhythm Track saves you from sequencing drum loops! It automatically sequences the rhythm track for your song. Download this app now through the Apple App Store!

———- Jude Young, contributing author to Alive Drumming.

Appreciate your songs more with Song Rhythm Tracks!

Whether you are learning a new tune, jamming, gigging or cutting your latest album, these tracks are what you need!